American Cinematographer - April 1986 - 7

When you're filming at the ends of
the earth, get off to a smart start.
The smart way to start any pro¬
duction is with Eastman color

negative film.
Whether you're shooting for
theatrical release

or

television

broadcast, at the South Pole
on a sound stage, you can

or

the

family of Eastman
negative films to give your
picture the look of quality.
Eastman color negative film
5247 is the leading film for the¬
atrical production. Its exception¬
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fine grain permit transfers to
count

on

color

video tape or disc with virtually
no loss of image quality.

For nontheatrical features,
documentaries, business films,
or sports productions, start on
16 mm Eastman color negative
film 7291. It performs beauti¬

fully at both ends of the scale-
light is bright, and where

you're ready for anything. For
theatrical release, using our
family of Eastman films. For
transfer to Eastman profes¬
sional video tape. For television.
Even for high-definition TV,

where

when it arrives.

it's dim.

Information, including com¬
plete engineering and technical
service worldwide, is as near as
your telephone. Contact your

For tough low-light situations
and fast-moving action, Emmy

award-winning 5294 (35 mm)
and 7294 (16 mm) Eastman
color high speed negative films
are the place to start.
For cost effectiveness and
creative freedom, originate on
Eastman film. Once you do,

Kodak sales and

engineering

representative.
ATLANTA: 404/351-6510
CHICAGO: 312/654-5300
DALLAS: 214/351-3221

ROCHESTER: 716/254-1300
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HONOLULU: 808/833-1661

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TORONTO: 416/766-8233
VANCOUVER: 604/926-7411

NEW YORK: 212/930-7500

EASTMAN Color Negative Film.
The Smart Start



American Cinematographer - April 1986

Table of Contents for the Digital Edition of American Cinematographer - April 1986

American Cinematographer - April 1986 - 1
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