American Cinematographer - June 1986 - 90

The ASC

related. And I would say well why don't
have a look? Let's get the dailies,

we

Treasury
of Visual

Effects

because

they

are in the cassettes. All
do is feed them into the
machines and presto, there they are.''
we

have

to

The editors of Mussolini dis¬
closed that they made more editing de¬
cisions than they would have with film
in the same amount of time. As
Imperato

discovered, "We

through a lot
deep into all
the dailies looking at every piece we felt
like looking at. I think this helps a lot."
Since editing is a matter of choos¬
ing - of selecting and shuffling
takes
the editors felt the possibility
for more creativity in the videotape edit¬
ing process. Tape provided a greater
ability than film to try alternative editing
decisions before arriving at the best cut.
Ron Fagan sensed the process as being
more cerebral, by being "able to think
directly from your head to the screen."
more recuts

and

went

we went

-

By leading
masters

film

of

wizardry.

The

creativity

and
handling per copy USA;
$5 per copy foreign.
Calif, residents add

$1.95 state tax.

Probably the most comprehensive and serious
published in its field."
Daily Variety
..

work yet

Please send

copies of The ASC Treasury of Visual Effects.

(Payment with order).

Name

Address

State

City

Zip

□ Mastercard

ParH #

Exp. Date

Signed
Allow 6-8 weeks for

Through its help and facilities,
Complete Post provided the film indus¬
try with an improved, cost-efficient
model for producing large-scale televi¬
sion programs. The process of
editing
film programs on videotape can be ex¬
pected to become widespread in the
years to come. Ironically, everyone in¬
volved with the production realized that
the public who watched this mini-series

delivery. U S. funds only.

never noticed the differences that make
Mussolini: The Untold Story a first in
its genre.
A

California

Hollywood, CA 90078

□ Charge by VISA

increased

Michael Stanton, Ph.D. is an as¬
sistant professor of Radio- TV-Film at

The ASC Press, P.O. Box 2230

Payment enclosed

of

get.

Add $2.50 postage

□

sense

the part of the editors of

Mussolini matched the overall feeling
of success in the production team. Trian
Productions completed the production
on time and within the
projected bud¬

$29.95

-

on

Northridge.

State

University,



American Cinematographer - June 1986

Table of Contents for the Digital Edition of American Cinematographer - June 1986

American Cinematographer - June 1986 - 1
American Cinematographer - June 1986 - 2
American Cinematographer - June 1986 - 3
American Cinematographer - June 1986 - 4
American Cinematographer - June 1986 - 5
American Cinematographer - June 1986 - 6
American Cinematographer - June 1986 - 7
American Cinematographer - June 1986 - 8
American Cinematographer - June 1986 - 9
American Cinematographer - June 1986 - 10
American Cinematographer - June 1986 - 11
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American Cinematographer - June 1986 - 13
American Cinematographer - June 1986 - 14
American Cinematographer - June 1986 - 15
American Cinematographer - June 1986 - 16
American Cinematographer - June 1986 - 17
American Cinematographer - June 1986 - 18
American Cinematographer - June 1986 - 19
American Cinematographer - June 1986 - 20
American Cinematographer - June 1986 - 21
American Cinematographer - June 1986 - 22
American Cinematographer - June 1986 - 23
American Cinematographer - June 1986 - 24
American Cinematographer - June 1986 - 25
American Cinematographer - June 1986 - 26
American Cinematographer - June 1986 - 27
American Cinematographer - June 1986 - 28
American Cinematographer - June 1986 - 29
American Cinematographer - June 1986 - 30
American Cinematographer - June 1986 - 31
American Cinematographer - June 1986 - 32
American Cinematographer - June 1986 - 33
American Cinematographer - June 1986 - 34
American Cinematographer - June 1986 - 35
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American Cinematographer - June 1986 - 37
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American Cinematographer - June 1986 - 40
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American Cinematographer - June 1986 - 49
American Cinematographer - June 1986 - 50
American Cinematographer - June 1986 - 51
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American Cinematographer - June 1986 - 53
American Cinematographer - June 1986 - 54
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American Cinematographer - June 1986 - 56
American Cinematographer - June 1986 - 57
American Cinematographer - June 1986 - 58
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American Cinematographer - June 1986 - 61
American Cinematographer - June 1986 - 62
American Cinematographer - June 1986 - 63
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American Cinematographer - June 1986 - 69
American Cinematographer - June 1986 - 70
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American Cinematographer - June 1986 - 73
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American Cinematographer - June 1986 - 78
American Cinematographer - June 1986 - 79
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American Cinematographer - June 1986 - 89
American Cinematographer - June 1986 - 90
American Cinematographer - June 1986 - 91
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American Cinematographer - June 1986 - 98
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American Cinematographer - June 1986 - 100
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American Cinematographer - June 1986 - 103
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American Cinematographer - June 1986 - 111
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American Cinematographer - June 1986 - 116
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