American Cinematographer - September 1986 - 36

and it stays

quite

new

cause we were

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get a black backing up behind
the dam that helped a lot later on
when we had to add some other
elements."
to

Krepela used the high¬
speed reflex 65mm camera that
was built by Gene Whiteman at
Boss during Ghostbusters and
1010. It is a
spinning mirror reflex
camera and he ran it at 96
fps. The
third

camera

was

new

65mm

that Edlund had found in
France. "We thought we had the

camera

until

our engineer
his hands on
immediately
and found all kind of things that
weren't up to his standards and
specifications," said Krepela. "He
really worked it over. We ran it at
96 fps, but in the shop we had it
up to 120 fps, which is pretty in¬
credible. In fact, it's awesome.
"For the straight on view

applications

camera

65mm be¬
doing other things
For one thing, we

camera

Gene Whiteman got
it. He took it apart

Backlash free mechanical remote control of

tilt,

)

perfect

camera

pan,

for a grab

those shots.
didn't know what we were going
to do about the sky. We managed
to

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"We shot the

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(

steady. He's had it
and played with
blown it up and had it re¬
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it and
built. It's still a real nice camera.
We put an old Cinemascope lens
on it since this is an
anamorphic

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the water starts turning
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wanted

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(Thaine Morris got

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ma¬

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they use in orchards to
the fruit from freezing). I

prevent
used the reflex 65 mm and a nor¬
mal tilt head and followed the

it rose. We matched that
optically using the new
65mm ZAP printer so that the
plate of the dam looked as if we
vapor as
move

Improve your cameraman's
point of view

had done

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American Cinematographer - September 1986

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