American Cinematographer - October 1986 - 30
Photos by
Randy Tepper
Calling the Shots for Armed & Dangerous
Produced by Brian Grazer &
Directed by Mark L. Lester
Fred Schuler, ASC, director
of photography
By Samir Hachem
Fred
Schuler, ASC, works a lot.
Crazy, Gloria, Arthur, King of
Comedy, Woman in Red, Fletch,
Maxie, Wise Guys - they've all
Stir
been comedies. This
summer
he
photographed two more, an ac¬
tion comedy with John Candy and
Eugene Levy called Armed and
Dangerous, and a "comedy
chiller" directed by Gene Wilder
called Haunted Honeymoon.
of the films
Schuler has shot have been suc¬
cessful (He shrugs and reasons that
this reflects more on the state of
Not all
the
industry than it does on his
work, and says that of what he's
proud among his films he's very
proud.) He also asserts the better
the director, the better the look of
the film. In a director, says Schuler,
to find a visual under¬
standing of what he wants, to give
you the ideas, and then to give you
enough creative freedom that you
can enhance all the things he's
thinking about. A director like
Marty (Scorsese) understands the
image and knows how to manipu¬
"you hope
late it."
What makes up the
drama of a scene, Schuler believes,
is
equally divided between
com¬
position and lighting. He has spe¬
cific ideas about source lighting
keep this communicated to
operator," he says. However,
working on a mainstream Holly¬
wood production, the one thing
he never forgets is that the stars
have to look good. "This is not
reality," Schuler reminds. "No
matter what 1 do, my job in pho¬
tography is aiding, not distracting
to
your
from the actors."
It is perhaps
this refresh¬
ing mix of philosophy and pragma¬
tism which draws producers and
directors to him. Schuler's images
easy to look at, uncluttered.
Although they practically all exist
are
and
in comic
the
pressed
backlighting. "You can use
framing of a shot to
psychological advantage. You have
are
films,
to
American
Cinematographer
October 1986
one
would be hard
call them funny. They
landscapes and battlefields for
comic action.
28
James Keach
American Cinematographer - October 1986
Table of Contents for the Digital Edition of American Cinematographer - October 1986
American Cinematographer - October 1986 - 1
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