American Cinematographer - January 1987 - 75
and intercut them together. We
were able to shoot the majority of
the cable-controlled miniatures
live on set, and that gave us an
over most of the stopmotion effects you see, in that
Stuart was able to direct them."
advantage
Pretorius' ultimate
trans¬
part was trying to figure out how
to foam the skin up," Shostrom
recalls. "The skin only had to be
about an inch thick, but we had
this totally convoluted surface
that had to be filled up. I talked to
some
people who worked
Winston's
on
at
Stan
Invaders From
formation begins
creation by Mark
Mars, and I found out that they'd
invented this technology of mak¬
almost
ing things out of polyurethane
foam that sets in about three min¬
utes. Their advantage was that
those large Martian drone suits
with a unique
Shostrom that
defies description. The
is about one-and-a-half
times the size of a man, has one
human arm and leg - and that's
where all resemblance to any living
creature
organism ends. The left side of its
body features one long, spindly leg
(somewhat insect-like) and a long,
muscular
arm
that ends in
a
de¬
formed, three fingered hand. A
huge stalk-like protrusion atop its
shoulders ends in a perverted and
malformed likeness of Pretorius'
face.
The creature required
more than a thousand pounds of
clay
to
sculpt. "The really tough
basically round, while our
like foaming up some
were
wild, and it's toxic as hell. After¬
wards, we had to step on the suit
for quite awhile to squeeze out all
of the cyanide fumes. Once we got
the
technology sorted
out, then
Kindlon spent the next
three-and-a-half months devising
all of the mechanical parts. It re¬
Dave
ally became
Kindlon's problems be¬
with Shostrom's offbeat de¬
sign. "I designed it with the idea of
getting away from the man-in-asuit concept," Shostrom elabo¬
rates.
odd
son
stump!
"Shannon Shay had to
devise this thing called the octoa day
and required several peo¬
ple to run the jiffy mixers full of
foam. We needed other people to
blow compressed air into the
molds as we were injecting the
foam, which was setting up as we
were doing this! It really got pretty
heckuva project for
gan
creature was
tree
a
Dave."
"In this case, we
lying
fulcrum
see-saw
-
-
on
had
a per¬
his stomach
on a
which is kind of like
and the
creature was
a
de¬
injection system, which took
signed around that. The operator's
to set
left arm had an arm-extension in
order to manipulate the monster's
up
big left
arm.
His head
was
tucked
inside the monster's shoulders and
his right arm operated the head
and neck of the creature. The plat¬
form the operator was on allowed
TRAVEL LIGHT...
COMPACT * LIGHTWEIGHT * STURDY
VERSATILE * ECONOMICAL * TOUGH
AVAILABLE
(818) 843-6715
(213) 849-6811
v.
2405
(212) 691-4720
Empire Avenue, Burbank, CA 91504, Telex: 691599 (MATTHEW BUBK), Telecopier: (213) 849-1525
January 1987
American
Cinematographer
J
73
American Cinematographer - January 1987
Table of Contents for the Digital Edition of American Cinematographer - January 1987
American Cinematographer - January 1987 - 1
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American Cinematographer - January 1987 - 3
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