American Cinematographer - January 1987 - 91

lens at stop T/1.4," says Plante. "We
had five foot candles of moonlight. You

have

really careful when you start
working in that range, since a one foot
candle miscalculation can cost you half
a stop."
to

There have also been

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maintains the feeling of reality."
Plante prepares for episodes

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around five foot candles. "Well gener¬
ally add some cross light to match the
ambient or source," he says. "That

mainly by reading scripts. Occasionally,
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decide what it will take to light and
shoot it. Usually, the company's loca¬

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Plante makes most of his

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lighting decisions when he's on the set,
how the cast is working, and has
an opportunity to consult with the direc¬
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sees

"because it isn't unusual for

WORKSHOPS

a scene to

change from the time we've done the
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Each episode has its own di¬
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"The director is boss," says
Plante." They are responsible for the

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Occasionally, a director will
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turned around

from a nice crosslight coming from a
believable source toward a blank wall.
That's when Plante needs to intercede
without stepping on anyone's ego.
"Nine out of 10 times, if I

explain the situation and suggest a way
to solve the problem, people will go
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An obvious key to the show's
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American Cinematographer - January 1987

Table of Contents for the Digital Edition of American Cinematographer - January 1987