American Cinematographer - March 1987 - 90

PROFESSIONAL WORKSHOPS
The Leader in Professional
March in OJAI, CA

Training Programs

June and July in ROCKPORT, Maine

Script Writing Workshop

Film Directors Master Class
Film

Directing Workshop
Acting for Directors
Film Acting Workshop
Editing The Feature Film
Production Mgrs./Assistant
Directors Workshop
Sound Recording
Set Design Clinic

The Camera

Workshop
Workshop
Corporate Video Production
Lighting & Cinematography
Steadicam

Electronic
Video
Video

Cinematography
Lighting Workshop
Editing Workshop

tograph,

slide

can

be manipulated

enhanced. Unwanted elements can be
removed. Elements may be rotoscoped
or matted in. The built-in character
gen¬

TV Commercial
TV

movement.

In addition to computer gen¬
erated elements, the system allows for
objects to be captured live through the
video camera from slide, photograph,
video disc, or video of any format. This
means that any existing video-tape, pho¬

One-Week Master Classes
The

and fade-outs. In addition to full control
of the X and Y axis, the elements can
be scaled to simulate "I" axis

Workshop
Hard News Workshop
News Feature Workshop

only allows the user to over¬
lay text from almost 50 fonts, but this
text can be solid color or color cycled
erator not

The

Workshops offer two programs each year - Spring in Ojai, California and Summer in Rockport,
Maine. These one and two-week professional workshops are taught by the industry's leading
directors, craftsmen, cinematographers, camerapeople, actors, and producers - many who have won
Oscars. Complete information on Faculty, course content, costs, accommodations and meals, and our
two campuses, plus travel and tax advantages is contained in the new 1987 Workshop Catalogue.

Write

call for your

free copy of our 28-page catalogue

International Film & Television

WORKSHOPS
Rockport, ME 04856
These programs

supported by ARRIFLEX

KODAK, Panavision, Cinema

Products, ROSCO, Tiffen, OSRAM, Lowel, Matthews, Sachtler, O'Connor, and Fuji

The Best Little

Soundstage in Atlanta.

Flat rate 24-hour

day

For those that wish to take

advantage of all the qualities of cel
animation while avoiding the task of cel
painting is possible through Crayon's
ability to merge the traditional skills.
The animator continues to create the
animation elements on paper or using

(207) 236-8581

Additional support from

from a choice of the 32,768 colors
available.

$480.00

The PLACE to film commercials

and the CAMERAS to film with.

existing drawn art, places the drawing
on the peg board, and
through the video
camera digitizes the image onto the
computer in real time. Each image is
then digitally saved in the position dic¬
tated by the position of the compound.
Each element then goes through a
unique auto-outlining program.
The program allows the ele¬
ments to be automatically colored by
working from a palette, the animator
colors each cel from a visible palette of
colors that have been previously
selected.
Whether the

working

screen,

animator

traditional cel animation or
in the computer generated mode, be¬
cause each image is digitally stored,
there is no generation loss when images
are layered together to form the com¬
pleted composite image. Working from
menu

the animator has the

option of previewing his animation se¬
quence in "pencil test" form before it is
laid down.

Each scene's length can be
varied up to a theoretical 30 seconds'

duration, and

any adjustments
the animator's satis¬

once

have been made

faction, the sequence then can be auto¬
matically laid down on tape. The
methods are either I/2" Betacam
the BVW-40, %" U-matic with

404/325-3676

c^tlaifta Film Equipment Rentals***
90

1848 Briarwood Rd., NE, Atlanta, Ga. 30329

using
Sony
5850 editor/recorder, Sony BVU-800
series, or any 1" formats to broadcast

American Cinematographer - March 1987

Table of Contents for the Digital Edition of American Cinematographer - March 1987