American Cinematographer - September 1987 - 82

able to

inject that into his actors as
light in D'Onofrio's eyes
was achieved
quite naturally: the
bathroom was tiled out quite
well. The

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"Again, the lighting was fairly
straightforward. We had the same
configuration as in the barracks,
except with 5Ks in this case, placed
four flights up shooting down
through the bathroom window
and throwing patterns on the wall,
we

ment

again. The action part of the
didn't take as much time
as
getting a performance. The pat¬
tern of Pyle's brain on the wall
sequence

after he shoots himself didn't take
all that

long to get right, and for
Ermey just shot
straight back - I think he's been hit
Hartman's death,

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before, because he bounced back
well!'
Fade to black. When the

lights come back on, we're on a
sunlit street somewhere in Viet¬
nam,

of

a

following close on the heels
voluptuous Vietnamese

hooker as she propositions a cou¬
ple of our boys. This shot typifies
the style of the remainder of the
film, as Milsome's roving camera
prowls through one vast urban
landscape after another. "We used
the Louma crane to a large extent
on

our

exteriors," Milsome says.
no exterior
light apart

"We had

from

daylight and

right

up

we used that
until the eleventh hour.
There was no day for night at all.
We shot night for night lit by these
Wendy lights, which each hold

about two hundred bulbs. When
hoisted up over a
a

hundred feet
can light

cherry picker, they

enormous area

from

over

on

an

two hun¬

dred

yards away. They each took
about 1200 amps, and we could ac¬

tually light an area of 400 square
yards quite easily at a light level of
T1.4."

Milsome also made
a

rather unusual

dolly for

use

of

many

of

the battle sequences: a camera car
with its engine removed. "Stanley

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bought a Citreon Mahari, which
proved to be quite useful," he re¬
calls. "It's

a

very

good, soft

sus-



American Cinematographer - September 1987

Table of Contents for the Digital Edition of American Cinematographer - September 1987

American Cinematographer - September 1987 - 1
American Cinematographer - September 1987 - 2
American Cinematographer - September 1987 - 3
American Cinematographer - September 1987 - 4
American Cinematographer - September 1987 - 5
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American Cinematographer - September 1987 - 7
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American Cinematographer - September 1987 - 9
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American Cinematographer - September 1987 - 63
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American Cinematographer - September 1987 - 78
American Cinematographer - September 1987 - 79
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American Cinematographer - September 1987 - 108
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