American Cinematographer - January 1988 - 11

New Clairmont filter holder
mounted at the back of 800mm lens,
in front of two-times extender.

in two rotating stages. And you
can insert a 2 x 2 inch filter inside
the lens. Total: six filters. As

Clairmont expanded
6.6 Matte Box

you can see, our big 6.6 frame
gives you plenty of room to move
a grad across, from any angle.

(1) A new Day-For-Night that
doesn't make closeup
faces look blue.
With this one, you

Expanded 6.6 Box
adds 3

more

filters

keep your 85 filter

on

The standard ARRI 6.6 Matte Box
has a rotating stage that accepts
three square filters. You can also
mount a rotating round filter
at the back. Our expanded 6.6
Matte Box has an additional

the lens.

(2) The Enhancer
makes reds, oranges
and

pop,

yellows really
without a notice¬

able effect
tones in the

rotating stage that accepts three
more square filters. Total:
seven

(3)Sceni

Some of our new and unusual
hard-to-find effects filters:

on

the cooler

image.

Fog. Background
foreground less so. It's
a graduated Fog, denser in the
sky area at frame top. Five densities.

filters.

is foggy,

New Clairmont
rear-mounted telephoto

rotating stages
As you know, effects filters don't
work in front of very long lenses.
And even solid filters, in front,

degrade the image. So people use
up to three 40.5mm round
filters screwed inside the backs of
the long Canons and Nikons.

Screwing around
That means disconnecting the
lens from the camera, reaching

inside, screwing and unscrewing.
A slow business, especially
when the sun's going down. Rear

Accuracy and control
are knobs on the rotating
stages. Turning them lets

There
you

slowly move an effect filter

the frame - and see
the result in the viewfinder. And
across

you can

rotate a polarizer.
Which lenses?

(4) Black SupaFrost. No highlight
spill; definition and focus affected
less than with a diffusion filter. This
one comes in seven densities.

(5) Diffusion Wedge. It's fifteen
inches

long; diffusion intensity varies
along its length. You can vary the
diffusion during the shot.

This new Telephoto Filter Unit
works with Nikon 400mm and
600mm

lenses; and it works with

Canon 500mm, 600mm and
800mm lenses. With the excellent

extender made

by Century

Precision, the longest Canon
becomes

a

1600mm.

screw-ins also
use

mean you can't
polarizers and grads. Well,

now

««ssss

you can.

Speed
With our new Telephoto

Filter

Unit, you don't have to remove
the lens from the camera, unless
you want more than three
filters. This new Clairmont Unit
has three rectangular

rotating stages. Our custom
filters (in trays) slide right in.

CLAIRMONT
CAMERA
4040 Vineland, Studio

City, CA 91604 ■ (818) 761 -4440



American Cinematographer - January 1988

Table of Contents for the Digital Edition of American Cinematographer - January 1988

American Cinematographer - January 1988 - 1
American Cinematographer - January 1988 - 2
American Cinematographer - January 1988 - 3
American Cinematographer - January 1988 - 4
American Cinematographer - January 1988 - 5
American Cinematographer - January 1988 - 6
American Cinematographer - January 1988 - 7
American Cinematographer - January 1988 - 8
American Cinematographer - January 1988 - 9
American Cinematographer - January 1988 - 10
American Cinematographer - January 1988 - 11
American Cinematographer - January 1988 - 12
American Cinematographer - January 1988 - 13
American Cinematographer - January 1988 - 14
American Cinematographer - January 1988 - 15
American Cinematographer - January 1988 - 16
American Cinematographer - January 1988 - 17
American Cinematographer - January 1988 - 18
American Cinematographer - January 1988 - 19
American Cinematographer - January 1988 - 20
American Cinematographer - January 1988 - 21
American Cinematographer - January 1988 - 22
American Cinematographer - January 1988 - 23
American Cinematographer - January 1988 - 24
American Cinematographer - January 1988 - 25
American Cinematographer - January 1988 - 26
American Cinematographer - January 1988 - 27
American Cinematographer - January 1988 - 28
American Cinematographer - January 1988 - 29
American Cinematographer - January 1988 - 30
American Cinematographer - January 1988 - 31
American Cinematographer - January 1988 - 32
American Cinematographer - January 1988 - 33
American Cinematographer - January 1988 - 34
American Cinematographer - January 1988 - 35
American Cinematographer - January 1988 - 36
American Cinematographer - January 1988 - 37
American Cinematographer - January 1988 - 38
American Cinematographer - January 1988 - 39
American Cinematographer - January 1988 - 40
American Cinematographer - January 1988 - 41
American Cinematographer - January 1988 - 42
American Cinematographer - January 1988 - 43
American Cinematographer - January 1988 - 44
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American Cinematographer - January 1988 - 46
American Cinematographer - January 1988 - 47
American Cinematographer - January 1988 - 48
American Cinematographer - January 1988 - 49
American Cinematographer - January 1988 - 50
American Cinematographer - January 1988 - 51
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American Cinematographer - January 1988 - 53
American Cinematographer - January 1988 - 54
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American Cinematographer - January 1988 - 56
American Cinematographer - January 1988 - 57
American Cinematographer - January 1988 - 58
American Cinematographer - January 1988 - 59
American Cinematographer - January 1988 - 60
American Cinematographer - January 1988 - 61
American Cinematographer - January 1988 - 62
American Cinematographer - January 1988 - 63
American Cinematographer - January 1988 - 64
American Cinematographer - January 1988 - 65
American Cinematographer - January 1988 - 66
American Cinematographer - January 1988 - 67
American Cinematographer - January 1988 - 68
American Cinematographer - January 1988 - 69
American Cinematographer - January 1988 - 70
American Cinematographer - January 1988 - 71
American Cinematographer - January 1988 - 72
American Cinematographer - January 1988 - 73
American Cinematographer - January 1988 - 74
American Cinematographer - January 1988 - 75
American Cinematographer - January 1988 - 76
American Cinematographer - January 1988 - 77
American Cinematographer - January 1988 - 78
American Cinematographer - January 1988 - 79
American Cinematographer - January 1988 - 80
American Cinematographer - January 1988 - 81
American Cinematographer - January 1988 - 82
American Cinematographer - January 1988 - 83
American Cinematographer - January 1988 - 84
American Cinematographer - January 1988 - 85
American Cinematographer - January 1988 - 86
American Cinematographer - January 1988 - 87
American Cinematographer - January 1988 - 88
American Cinematographer - January 1988 - 89
American Cinematographer - January 1988 - 90
American Cinematographer - January 1988 - 91
American Cinematographer - January 1988 - 92
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American Cinematographer - January 1988 - 94
American Cinematographer - January 1988 - 95
American Cinematographer - January 1988 - 96
American Cinematographer - January 1988 - 97
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American Cinematographer - January 1988 - 99
American Cinematographer - January 1988 - 100
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American Cinematographer - January 1988 - 104
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