American Cinematographer - May 1988 - 2
Ten Years
After
It's been ten years since the prototype
Steadicam accompanied David Carradine
through the dusty migrant labor camp in
Oscar-winning Bound for Glory. And a decade
since Steadicam pursued Sylvester Stallone
through the streets of Philadelphia in the
original Rocky.
It wasn't long until directors discovered
Steadicam's diverse range. It cut time, saved
dollars, and created new intimacy with the
camera. The Academy of Motion Picture
Arts and Sciences recognized the significant
influence on filmmaking and issued an
unprecedented Oscar for Outstanding
Technical/Scientific Achievement.
No longer a novelty, now a major force,
Steadicam is used to capture static as well as
y
i
action sequences.
For thousands of features,
documentaries, commercials, rock videos -
anywhere a smooth camera move is an asset.
Steadicam has grown up.
is
Today's Model III
modular, sporting a high-tech, flexible
design. Even easier to systematize to the *
operator's needs. And now, a new generation
of trained Steadicam operators is on the scene
adding finesse to every Steadicam move.
So, when you are planning a film or
video project, big or small, think Steadicam.
more
And call Jesse Garfield at Cinema Products.
He's our ten-year Steadicam veteran.
Manufactured
■iV
32H South La
mmm
mm
'
.
f;''t
Li
CORPORATION
Clenega Blvd., Los Angeles, California 90016-3112
Telephone: (213) 836-7991
*
by:
»
(213)478-0711
*
Telex: 6831828
American Cinematographer - May 1988
Table of Contents for the Digital Edition of American Cinematographer - May 1988
American Cinematographer - May 1988 - 1
American Cinematographer - May 1988 - 2
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