American Cinematographer - June 1988 - 28

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movie by the director of Gandhi. Woods
describes in Filming with Attenbor¬
a

ough: The Making of "Cry Freedom"
the difficult shooting in Zimbabwe locations
and London's Shepperton Studios, and his
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mixed emotions in re-enacting his
participation in the fateful events. (Holt,
NYC, $8.95).
Published screenplays of three
own

recent British films include John

Boorman's

Hope and Glory, a fictionalized account of
his childhood in London during the blitz, Bill
Douglas's Comrades evoking the odyssey
of the lanternists, itinerant showmen
thrown into the social unrest of the 1830's,
and Harry Hook's The Kitchen Toto, set in

Kenya at the time of the Mau Mau upris¬
ings. (Faber & Faber, Winchester, MA $7.95,
$6.95 and $6.95).

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Jean-Luc Godard's Breathless
and Federico Fellini's La Strada expand the

Rutgers Films in Print series with these
Included are interviews,
critiques and commentaries that assess
their impact on world cinema and their place
in history. (Flutgers U. Press, New Bruns¬
classic screenplays.

wick, NJ, $25/12 ea.)
A valuable assist to

cinematog¬

raphers, Gearfax Manual provides in
convenient form essential information on 35
and 16mm cameras, geared and fluid heads,

dollies,

cranes,

support systems and film

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easy updating. Each card describes a spe¬
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drawings. (Gearfax, Box 84574, Los An¬
geles, CA 90073; $49.95 +$3.50 S&H).
In The Hollywood Murder
Casebook, Michael Munn recaps 13 sen¬
Thelma Todd, Fatty Arbuckle, Thomas Ince, Sharon Tate and Sal
Mineo among them - that brought un¬
welcome notoriety and severe cases of p.r.
jitters to the film capital. (St. Martins, NYC,
$15.95).
A
sational murders

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26

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American Cinematographer - June 1988

Table of Contents for the Digital Edition of American Cinematographer - June 1988
