American Cinematographer - September 1988 - 66
Photos
From Outer
Space,
by Bruce Birmelin and Sidney Baldwin
They Live
Produced by Larry Franco
Directed by John Carpenter
Gary Kibbe, director of photography
by David Heuring
media to
aliens who
filmmaker whose
humans, the aliens corrupt the
greedy to their cause, and control
the rest through subliminal mes¬
subjects have in¬
haunted car (Christine)
and the island of Manhattan as a
cluded
a
futuristic
prison (Escape From New
with this one: evil
free enterprisers from outer space
starring with a former pro wrestler.
In his latest film, They
Live, John Carpenter brings his un¬
usual type of social commentary to
the subjects of subliminal seduc¬
tion through media, and the grow¬
ing homeless population. The story
York) to
turns
come
up
the tables
on
exploitative first
by making Earth a
planet, exploited by
world societies
"third world"
64
the
John Carpenter makes movies that
are out of the ordinary. Leave it to a
American
Cinematographer
use
mass
gain control. Posing as successful
sages in the media. If allowed to
continue, the aliens would deplete
all natural and human resources,
discard the earth like
so
much
trash, and move on to another plan¬
et. John Nada, played by former pro
with a comic book I
bought called 'Nada'," recalls Car¬
penter. "It was published by
Eclipse Comics, a company which
puts out very beautifully rendered
science fiction stories. This particu¬
lar strip was taken from a short
story called 'Eight O'Clock in the
Morning' by Ray Nelson. In the
story, this guy wakes up and real¬
years ago
izes that the entire human
wrestler
Roddy Piper, slowly un¬
covers the insidious plot. He joins
the underground movement,
been
which is based in the
it should be
tent
it
ever-growing
city for the homeless, Justice-
ville.
September 1988
has
updated. I thought that
might be more current if the
woke up and realized that the
Reagan Revolution was run by
guy
"They Live began three
race
hypnotized, and that there are
creatures among us. I became en¬
tranced with the story, but I felt that
American Cinematographer - September 1988
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