American Cinematographer - December 1988 - 14

rapher, this compact meter, which fits into a
pocket, provides total exposure con¬
trol, including instantaneous combinations
of aperture, shutter speed and ISO, and full
information digital and analog display for
easy at-a-glance readings.
The advanced Sekonic micropro¬
cessor circuitry in this compact unit lets the
cinematographer take one reading for ambi¬
ent and flash integration. The film speed can
be locked into memory by turning off the
unit, eliminating the need to re-read the
light when changing film speeds.
shirt

For

information: Sekonic,

more

40-11 Burt Dr., Deer Park, NY 11729,
242-6801.

(516)

tems. Doors are recessed IV2" for

offsetting

electronic control knobs and switches, and
can be mounted for either right or left hand

openings.
on

any

The plexiglas doors mount easily
of Winsted's vertical or sloping rack

cabinets. Constructed with formed and
welded steel frames for extra strength, the
doors have smoke-tinted plexiglas panels for

see-through viewing of electronics.
For

more

information: Winsted

Corporation, 10901 Hampshire Avenue So.,
Minneapolis, MN 55438, (612) 944-8556.
*

IN A CLOSET

*

IN A TAXI

*

BEHIND A DOOR

*

IN BED

*

HANDHELD

*

UNDER A DIVING BOARD

*

IN JAIL

*

AT A ROCK CONCERT

Diffusion in

a

Can

Dramatic

*

ON A STAGECOACH

light beams, softly dif¬
glowing halos, or fog/smoke/
are all possible by simply
spraying Diffusion™ into the air. This is the

*

AT A FASHION SHOW

non-toxic, ozone-safe, odorless and taste¬

*

UNDER A LUNCH COUNTER

fused images,
haze effects

less

compound developed by PRO EFX, Inc.
atmospheric lighting effects

to create the

such
It will make your lighting more
effective wherever you need to
conceal a small compact light
source.

Stik-up, ideal for film, TV, stills.
Up to 200W. Also 12V for
battery operation. Weighs only
8

ozs.

with cord. Stick it any¬

where. Kit available.
Write

or

as

and

those

seen

in the movie Bladerun-

regularly in productions
like the Michael Jackson Pepsi commercials

ner,

now seen

and his music videos. These effects used to

require big and expensive diffusion fogger
machines but cinematographers, still photo¬
graphers, even live theatre lighting directors
can now create many of the same effects by
using a convenient spray can of Diffusion ™.
Diffusion becomes

a

three-dimensional fil¬

ter that makes lens diffusion filters and

"vaseline

call for info.

the lens" obsolete.
For more information:

on

Electronic

(219)
Pioneer

924-6136.

Projectors

Technology Corporation

line of electronic projec¬
available in several models

announces a new

Stix-up
THE

^AMERICAN

GREAT

MARKET

826 N.COLE AVENUE

HOLLYWOOD CA 90038

TELEPHONE 213 461-0200

©1984

12

*

tors which are

Rack Cabinets

Electronic

equipment can be
protected from dust, dirt and tampering by
new locking plexiglas doors available from

including 16mm, 35mm (3-perf, 4-perf, Vistavision), combination 16/35mm, combina¬
tion 35mm/Vistavision, 70mm (5-perf,
8-perf, 10-perf, 13-perf) and combination

Corporation. Designed espe¬
cially for Winsted s Rack Cabinets, the see-

35mm/70mm.
All

through doors allow

registration and pulldown which substan-

the Winsted

TWX 910 494 1233

December 1988

easy

viewing of

sys¬

projectors feature electronic



American Cinematographer - December 1988

Table of Contents for the Digital Edition of American Cinematographer - December 1988

American Cinematographer - December 1988 - 1
American Cinematographer - December 1988 - 2
American Cinematographer - December 1988 - 3
American Cinematographer - December 1988 - 4
American Cinematographer - December 1988 - 5
American Cinematographer - December 1988 - 6
American Cinematographer - December 1988 - 7
American Cinematographer - December 1988 - 8
American Cinematographer - December 1988 - 9
American Cinematographer - December 1988 - 10
American Cinematographer - December 1988 - 11
American Cinematographer - December 1988 - 12
American Cinematographer - December 1988 - 13
American Cinematographer - December 1988 - 14
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American Cinematographer - December 1988 - 18
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American Cinematographer - December 1988 - 61
American Cinematographer - December 1988 - 62
American Cinematographer - December 1988 - 63
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American Cinematographer - December 1988 - 65
American Cinematographer - December 1988 - 66
American Cinematographer - December 1988 - 67
American Cinematographer - December 1988 - 68
American Cinematographer - December 1988 - 69
American Cinematographer - December 1988 - 70
American Cinematographer - December 1988 - 71
American Cinematographer - December 1988 - 72
American Cinematographer - December 1988 - 73
American Cinematographer - December 1988 - 74
American Cinematographer - December 1988 - 75
American Cinematographer - December 1988 - 76
American Cinematographer - December 1988 - 77
American Cinematographer - December 1988 - 78
American Cinematographer - December 1988 - 79
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American Cinematographer - December 1988 - 82
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American Cinematographer - December 1988 - 84
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American Cinematographer - December 1988 - 96
American Cinematographer - December 1988 - 97
American Cinematographer - December 1988 - 98
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American Cinematographer - December 1988 - 100
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American Cinematographer - December 1988 - 102
American Cinematographer - December 1988 - 103
American Cinematographer - December 1988 - 104
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American Cinematographer - December 1988 - 116
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