American Cinematographer - December 1988 - 62
Sophisticated Visuals
on
Grand Scale for Die Hard
by George Turner
Richard Edlund, ASC,
producer of
visual effects, views the popular
success of Die Hard with wellearned satisfaction.
A
hard-hitting
melodrama about
man's battle to
a
suspense
lone police¬
overcome a
band of
professional terrorists who have
taken over a towering office build¬
ing, the picture is not what we gen¬
erally think of as a special effects
oriented show. It takes place in
modern, workaday Los Angeles
and there
no
are no
aliens
or
monsters,
pseudo-scientific gimmicks,
flights into
no
outer space or visits to
long ago or far away worlds. The
story, however fanciful, is ground¬
60
American
Cinematographer
ed in
reality. Most of it was photo¬
graphed at night in and around the
new
34-story Fox Plaza Building,
which towers over Century City,
California, and on a spectacular in¬
terior set a few hundred yards away
on
Stage 15 at Twentieth Century
Fox Studio. Two Musco Lights were
used in illuminating the actual
building and adjacent areas.
Much of the essential
tion of the
never
ac¬
story, however, could
have been translated into
mo¬
studio of
Joseph Westheimer, ASC,
name at Industrial
Light
and Magic in the likes of Star Wars,
China Syndrome, The Empire Strikes
Back, Raiders of the Lost Ark, Polter¬
geist, and Return of the Jedi. About
four years ago he established Boss
made his
Film Effects, from which have ema¬
nated the effects for Ghost Busters,
Fright Night, Poltergeist II, 2010, Big
Trouble in Little China, Masters of the
Universe and
course
now
Die Hard. In the
of these and other ventures
pictures without the utilization
highly sophisticated special vi¬
he has amassed four Oscars, four
sual effects conceived and executed
entific and Technical Awards, and a
head-full of know-how. His crew
tion
of
on a
gan
grand scale. Edlund, who be¬
career at the
his visual effects
December 1988
nominations, three
ranges
Academy Sci¬
from 60 to about 170 experts
American Cinematographer - December 1988
Table of Contents for the Digital Edition of American Cinematographer - December 1988
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