American Cinematographer - December 1988 - 72

know how to operate

THE
PORTABRACE
GRIP

it gives the
ability to push into areas that others
may fear to tread. It's a one-ofa-kind

piece."

Astonishingly enough,
the

in

question was a very
quick shot, only about 35 frames
long. Yet, it had to be perfect, ac¬
cording to Edlund, because a mod¬
ern audience
comprehends the
scene

contents of

a

scene

much faster

than viewers in the
ences

A

remarkably
practical
heavy-duty
production
cart.

two

past. "The audi¬
nowadays picks things up in

frames. When I first started

studying film there was a book by
Raymond Spottiswoode called
"The Grammar of the Film," and it
my bible. I found it in the base
library in Japan - the only book on
film there. He had done a graph on
how long it takes an audience to
was

recognize a new shot; he said it was
l/5th of

a

second. In other words,

was

that much time lost at the

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Box 246

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were

all these

throwaway shots that could

never

be done, and yet they looked real,"
Edlund said. "We did a lot of shots
that will go by and nobody will ever
know

they are effects shots. That's
it's supposed to be."
A

the way
American Cinematographer - December 1988

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