American Cinematographer - December 1988 - 84

The Blob-sl Gelatinous Villain
Comes Back
by Ron Magid
It

was

inevitable that the

by taking the most

ex¬

age during production, where most
of the effects work was to have

treme

schlock would

taken

Thanks to the combined talents of

"Part of the problem,"
Hoyt Yeatman, who super¬
vised The Blob's post-production

creature effects coordinators

effects for Dream Quest, "was

very

that The Blob hadn't been

make," Yeatman continues, "until
you start dealing with things that
are two to three feet tall, which we

eventually be resur¬
our nightmares.

rected to haunt

Lyle
Conway and Stuart Ziff, makeup
effects wizard Tony Gardner and
post-production opticals and min¬
iature work by Greg Jein, Dream
Quest and All Effects, The Blob su¬
percedes the original - at least in
of

special effects. But even
the special effects crews at times
became trapped in the slimy mor¬
ass, and were only able to extricate
terms

82

themselves

slimiest cult star of '50's sci-fi

American

Cinematographer

measures.

says

locked down from the

properly
beginning.

The way the production was set up,
all the effects were handled by vari¬

in some instances,
that can work really well, in others,

ous

groups

-

backfire." In this case, it back¬
fired due to stringent budget and

it

can

time

restraints

yielded

very

December 1988

place under Lyle Conway's
supervision.
"A Blob sounds like

straightforward thing to

expected to make move down
the road. Since it doesn't have a face

were

hands, it proved very difficult to
get a performance from it - yet we

or

had to make it emote."

Before

that

ultimately
little usable Blob foot¬

a

tion in

leaving the produc¬

frustration, Conway had



American Cinematographer - December 1988

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