American Cinematographer - December 1988 - 84
The Blob-sl Gelatinous Villain
Comes Back
by Ron Magid
It
was
inevitable that the
by taking the most
ex¬
age during production, where most
of the effects work was to have
treme
schlock would
taken
Thanks to the combined talents of
"Part of the problem,"
Hoyt Yeatman, who super¬
vised The Blob's post-production
creature effects coordinators
effects for Dream Quest, "was
very
that The Blob hadn't been
make," Yeatman continues, "until
you start dealing with things that
are two to three feet tall, which we
eventually be resur¬
our nightmares.
rected to haunt
Lyle
Conway and Stuart Ziff, makeup
effects wizard Tony Gardner and
post-production opticals and min¬
iature work by Greg Jein, Dream
Quest and All Effects, The Blob su¬
percedes the original - at least in
of
special effects. But even
the special effects crews at times
became trapped in the slimy mor¬
ass, and were only able to extricate
terms
82
themselves
slimiest cult star of '50's sci-fi
American
Cinematographer
measures.
says
locked down from the
properly
beginning.
The way the production was set up,
all the effects were handled by vari¬
in some instances,
that can work really well, in others,
ous
groups
-
backfire." In this case, it back¬
fired due to stringent budget and
it
can
time
restraints
yielded
very
December 1988
place under Lyle Conway's
supervision.
"A Blob sounds like
straightforward thing to
expected to make move down
the road. Since it doesn't have a face
were
hands, it proved very difficult to
get a performance from it - yet we
or
had to make it emote."
Before
that
ultimately
little usable Blob foot¬
a
tion in
leaving the produc¬
frustration, Conway had
American Cinematographer - December 1988
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