American Cinematographer - December 1988 - 96
Burgess Meredith
Enough at
Last' (Specially
prepared compos¬
in 'Time
ite for Charlex)
Video Tricks for
Twilight Zone Nostalgists
by Paul Mandell
are we?"... "You are obsoleteI"...
"Who is it, who's there?"... "My name is
"Who
Taiky Tina, and I'm going to kill you!"... "I'm
manikini That's what I am, a manikin!"...
"I know were being stalked!"... "Incredible
a
of
shows, including "Judgment Night", "The
Lonely", "In Praise of Pip", "The Invaders",
"Eye of the Beholder", have been
packaged by CBS Video on a subscription
giants here!"..."This aircraft has
gone back into time."... "All the time I need,
and
and all the time I want!"... "Look, I swear it
isn't me! "..."When, nurse, when will they
basis.
race
take the
going
-
bandages off?"... "I believe you're
time
way?"
Against
my
a crippled landscape, a
succession of characters pop up and cry out
in shock, fear, and rage.
The broken milieu
-
For TZ completists,
classic episodes minus the
meat cleaver
-
astronauts from
what is this
the
place, and who are they?
fan of The Twilight Zone
tell you, these fevered rants do not
can
American
Cinematographer
it's high
butchery
of syndication. Who can forget mute Agnes
Moorehead decimating a spaceship with a
stretches as far as the eye can see, like an
Yves Tanguy painting come to life. Now
As any
94
emanate from the pits of Hell, but rather
from the mind of Rod Serling who, between
1959 and 1963, wrote the creme de la creme
of his legendary TV series. Eight of his best
ship containing diminutive
planet Earth? Or Nazi com¬
a
mandant Nehemiah Persoff, damned to ride
fog-shrouded ghost of the S.S. Queen of
Glasgow for an eternity? Or Donna Douglas
having her bandages removed in
December 1988
a
Big
Brother Society, where "ugly"
and beauty the aberration?
These
were
is the
norm
bravura shows. In¬
spired scripts, good directors, performances
of a lifetime. They ushered us out of the
Fifties on an intriguing alarming beat. And
according to CBS, more vintage releases are
the way.
To preface the package, a oneminute montage was needed. The job was
on
given to Charlex in New York, the
company
famous for the Saturday Night Live opening
and those Cherry Coke commercials. Using
an Ultimatte, Ampex Digital Optics (the
ADO), the Paintbox, and good old imagina¬
tion, the "endless pan" across an electronic
collage of live images and artwork has
virtually become a Charlex trademark.
More recently for CBS Video,
American Cinematographer - December 1988
Table of Contents for the Digital Edition of American Cinematographer - December 1988
American Cinematographer - December 1988 - 1
American Cinematographer - December 1988 - 2
American Cinematographer - December 1988 - 3
American Cinematographer - December 1988 - 4
American Cinematographer - December 1988 - 5
American Cinematographer - December 1988 - 6
American Cinematographer - December 1988 - 7
American Cinematographer - December 1988 - 8
American Cinematographer - December 1988 - 9
American Cinematographer - December 1988 - 10
American Cinematographer - December 1988 - 11
American Cinematographer - December 1988 - 12
American Cinematographer - December 1988 - 13
American Cinematographer - December 1988 - 14
American Cinematographer - December 1988 - 15
American Cinematographer - December 1988 - 16
American Cinematographer - December 1988 - 17
American Cinematographer - December 1988 - 18
American Cinematographer - December 1988 - 19
American Cinematographer - December 1988 - 20
American Cinematographer - December 1988 - 21
American Cinematographer - December 1988 - 22
American Cinematographer - December 1988 - 23
American Cinematographer - December 1988 - 24
American Cinematographer - December 1988 - 25
American Cinematographer - December 1988 - 26
American Cinematographer - December 1988 - 27
American Cinematographer - December 1988 - 28
American Cinematographer - December 1988 - 29
American Cinematographer - December 1988 - 30
American Cinematographer - December 1988 - 31
American Cinematographer - December 1988 - 32
American Cinematographer - December 1988 - 33
American Cinematographer - December 1988 - 34
American Cinematographer - December 1988 - 35
American Cinematographer - December 1988 - 36
American Cinematographer - December 1988 - 37
American Cinematographer - December 1988 - 38
American Cinematographer - December 1988 - 39
American Cinematographer - December 1988 - 40
American Cinematographer - December 1988 - 41
American Cinematographer - December 1988 - 42
American Cinematographer - December 1988 - 43
American Cinematographer - December 1988 - 44
American Cinematographer - December 1988 - 45
American Cinematographer - December 1988 - 46
American Cinematographer - December 1988 - 47
American Cinematographer - December 1988 - 48
American Cinematographer - December 1988 - 49
American Cinematographer - December 1988 - 50
American Cinematographer - December 1988 - 51
American Cinematographer - December 1988 - 52
American Cinematographer - December 1988 - 53
American Cinematographer - December 1988 - 54
American Cinematographer - December 1988 - 55
American Cinematographer - December 1988 - 56
American Cinematographer - December 1988 - 57
American Cinematographer - December 1988 - 58
American Cinematographer - December 1988 - 59
American Cinematographer - December 1988 - 60
American Cinematographer - December 1988 - 61
American Cinematographer - December 1988 - 62
American Cinematographer - December 1988 - 63
American Cinematographer - December 1988 - 64
American Cinematographer - December 1988 - 65
American Cinematographer - December 1988 - 66
American Cinematographer - December 1988 - 67
American Cinematographer - December 1988 - 68
American Cinematographer - December 1988 - 69
American Cinematographer - December 1988 - 70
American Cinematographer - December 1988 - 71
American Cinematographer - December 1988 - 72
American Cinematographer - December 1988 - 73
American Cinematographer - December 1988 - 74
American Cinematographer - December 1988 - 75
American Cinematographer - December 1988 - 76
American Cinematographer - December 1988 - 77
American Cinematographer - December 1988 - 78
American Cinematographer - December 1988 - 79
American Cinematographer - December 1988 - 80
American Cinematographer - December 1988 - 81
American Cinematographer - December 1988 - 82
American Cinematographer - December 1988 - 83
American Cinematographer - December 1988 - 84
American Cinematographer - December 1988 - 85
American Cinematographer - December 1988 - 86
American Cinematographer - December 1988 - 87
American Cinematographer - December 1988 - 88
American Cinematographer - December 1988 - 89
American Cinematographer - December 1988 - 90
American Cinematographer - December 1988 - 91
American Cinematographer - December 1988 - 92
American Cinematographer - December 1988 - 93
American Cinematographer - December 1988 - 94
American Cinematographer - December 1988 - 95
American Cinematographer - December 1988 - 96
American Cinematographer - December 1988 - 97
American Cinematographer - December 1988 - 98
American Cinematographer - December 1988 - 99
American Cinematographer - December 1988 - 100
American Cinematographer - December 1988 - 101
American Cinematographer - December 1988 - 102
American Cinematographer - December 1988 - 103
American Cinematographer - December 1988 - 104
American Cinematographer - December 1988 - 105
American Cinematographer - December 1988 - 106
American Cinematographer - December 1988 - 107
American Cinematographer - December 1988 - 108
American Cinematographer - December 1988 - 109
American Cinematographer - December 1988 - 110
American Cinematographer - December 1988 - 111
American Cinematographer - December 1988 - 112
American Cinematographer - December 1988 - 113
American Cinematographer - December 1988 - 114
American Cinematographer - December 1988 - 115
American Cinematographer - December 1988 - 116
https://www.nxtbook.com/nxtbooks/ac/ac198912
https://www.nxtbook.com/nxtbooks/ac/ac198911
https://www.nxtbook.com/nxtbooks/ac/ac198910
https://www.nxtbook.com/nxtbooks/ac/ac198909
https://www.nxtbook.com/nxtbooks/ac/ac198908
https://www.nxtbook.com/nxtbooks/ac/ac198907
https://www.nxtbook.com/nxtbooks/ac/ac198906
https://www.nxtbook.com/nxtbooks/ac/ac198905
https://www.nxtbook.com/nxtbooks/ac/ac198904
https://www.nxtbook.com/nxtbooks/ac/ac198903
https://www.nxtbook.com/nxtbooks/ac/ac198902
https://www.nxtbook.com/nxtbooks/ac/ac198901
https://www.nxtbook.com/nxtbooks/ac/ac198812
https://www.nxtbook.com/nxtbooks/ac/ac198811
https://www.nxtbook.com/nxtbooks/ac/ac198810
https://www.nxtbook.com/nxtbooks/ac/ac198809
https://www.nxtbook.com/nxtbooks/ac/ac198808
https://www.nxtbook.com/nxtbooks/ac/ac198807
https://www.nxtbook.com/nxtbooks/ac/ac198806
https://www.nxtbook.com/nxtbooks/ac/ac198805
https://www.nxtbook.com/nxtbooks/ac/ac198804
https://www.nxtbook.com/nxtbooks/ac/ac198803
https://www.nxtbook.com/nxtbooks/ac/ac198802
https://www.nxtbook.com/nxtbooks/ac/ac198801
https://www.nxtbook.com/nxtbooks/ac/ac198712
https://www.nxtbook.com/nxtbooks/ac/ac198711
https://www.nxtbook.com/nxtbooks/ac/ac198710
https://www.nxtbook.com/nxtbooks/ac/ac198709
https://www.nxtbook.com/nxtbooks/ac/ac198708
https://www.nxtbook.com/nxtbooks/ac/ac198707
https://www.nxtbook.com/nxtbooks/ac/ac198706
https://www.nxtbook.com/nxtbooks/ac/ac198705
https://www.nxtbook.com/nxtbooks/ac/ac198704
https://www.nxtbook.com/nxtbooks/ac/ac198703
https://www.nxtbook.com/nxtbooks/ac/ac198702
https://www.nxtbook.com/nxtbooks/ac/ac198701
https://www.nxtbook.com/nxtbooks/ac/ac198612
https://www.nxtbook.com/nxtbooks/ac/ac198611
https://www.nxtbook.com/nxtbooks/ac/ac198610
https://www.nxtbook.com/nxtbooks/ac/ac198609
https://www.nxtbook.com/nxtbooks/ac/ac198608
https://www.nxtbook.com/nxtbooks/ac/ac198607
https://www.nxtbook.com/nxtbooks/ac/ac198606
https://www.nxtbook.com/nxtbooks/ac/ac198605
https://www.nxtbook.com/nxtbooks/ac/ac198604
https://www.nxtbook.com/nxtbooks/ac/ac198603
https://www.nxtbook.com/nxtbooks/ac/ac198602
https://www.nxtbook.com/nxtbooks/ac/ac198601
https://www.nxtbook.com/nxtbooks/ac/ac198512
https://www.nxtbook.com/nxtbooks/ac/ac198511
https://www.nxtbook.com/nxtbooks/ac/ac198510
https://www.nxtbook.com/nxtbooks/ac/ac198509
https://www.nxtbook.com/nxtbooks/ac/ac198508
https://www.nxtbook.com/nxtbooks/ac/ac198507
https://www.nxtbook.com/nxtbooks/ac/ac198506
https://www.nxtbook.com/nxtbooks/ac/ac198505
https://www.nxtbook.com/nxtbooks/ac/ac198504
https://www.nxtbook.com/nxtbooks/ac/ac198503
https://www.nxtbook.com/nxtbooks/ac/ac198502
https://www.nxtbook.com/nxtbooks/ac/ac198501
https://www.nxtbook.com/nxtbooks/ac/ac198412
https://www.nxtbook.com/nxtbooks/ac/ac198411
https://www.nxtbook.com/nxtbooks/ac/ac198410
https://www.nxtbook.com/nxtbooks/ac/ac198408
https://www.nxtbook.com/nxtbooks/ac/ac198407
https://www.nxtbook.com/nxtbooks/ac/ac198406
https://www.nxtbook.com/nxtbooks/ac/ac198405
https://www.nxtbook.com/nxtbooks/ac/ac198404
https://www.nxtbook.com/nxtbooks/ac/ac198403
https://www.nxtbook.com/nxtbooks/ac/ac198402
https://www.nxtbook.com/nxtbooks/ac/ac198401
https://www.nxtbook.com/nxtbooks/ac/ac198312
https://www.nxtbook.com/nxtbooks/ac/ac198311
https://www.nxtbook.com/nxtbooks/ac/ac198310
https://www.nxtbook.com/nxtbooks/ac/ac198309
https://www.nxtbook.com/nxtbooks/ac/ac198308
https://www.nxtbook.com/nxtbooks/ac/ac198307
https://www.nxtbook.com/nxtbooks/ac/ac198306
https://www.nxtbook.com/nxtbooks/ac/ac198305
https://www.nxtbook.com/nxtbooks/ac/ac198304
https://www.nxtbook.com/nxtbooks/ac/ac198303
https://www.nxtbook.com/nxtbooks/ac/ac198302
https://www.nxtbook.com/nxtbooks/ac/ac198301
https://www.nxtbook.com/nxtbooks/ac/ac198212
https://www.nxtbook.com/nxtbooks/ac/ac198211
https://www.nxtbook.com/nxtbooks/ac/ac198210
https://www.nxtbook.com/nxtbooks/ac/ac198209
https://www.nxtbook.com/nxtbooks/ac/ac198208
https://www.nxtbook.com/nxtbooks/ac/ac198207
https://www.nxtbook.com/nxtbooks/ac/ac198206
https://www.nxtbook.com/nxtbooks/ac/ac198205
https://www.nxtbook.com/nxtbooks/ac/ac198204
https://www.nxtbook.com/nxtbooks/ac/ac198203
https://www.nxtbook.com/nxtbooks/ac/ac198202
https://www.nxtbook.com/nxtbooks/ac/ac198201
https://www.nxtbook.com/nxtbooks/ac/ac198112
https://www.nxtbook.com/nxtbooks/ac/ac198111
https://www.nxtbook.com/nxtbooks/ac/ac198110
https://www.nxtbook.com/nxtbooks/ac/ac198109
https://www.nxtbook.com/nxtbooks/ac/ac198108
https://www.nxtbook.com/nxtbooks/ac/ac198107
https://www.nxtbook.com/nxtbooks/ac/ac198106
https://www.nxtbook.com/nxtbooks/ac/ac198105
https://www.nxtbook.com/nxtbooks/ac/ac198104
https://www.nxtbook.com/nxtbooks/ac/ac198103
https://www.nxtbook.com/nxtbooks/ac/ac198102
https://www.nxtbook.com/nxtbooks/ac/ac198101
https://www.nxtbook.com/nxtbooks/ac/ac198012
https://www.nxtbook.com/nxtbooks/ac/ac198011
https://www.nxtbook.com/nxtbooks/ac/ac198010
https://www.nxtbook.com/nxtbooks/ac/ac198009
https://www.nxtbook.com/nxtbooks/ac/ac198008
https://www.nxtbook.com/nxtbooks/ac/ac198007
https://www.nxtbook.com/nxtbooks/ac/ac198006
https://www.nxtbook.com/nxtbooks/ac/ac198005
https://www.nxtbook.com/nxtbooks/ac/ac198004
https://www.nxtbook.com/nxtbooks/ac/ac198003
https://www.nxtbook.com/nxtbooks/ac/ac198002
https://www.nxtbook.com/nxtbooks/ac/ac198001
https://www.nxtbookmedia.com