American Cinematographer - December 1988 - 96

Burgess Meredith
Enough at
Last' (Specially
prepared compos¬
in 'Time

ite for Charlex)

Video Tricks for

Twilight Zone Nostalgists

by Paul Mandell
are we?"... "You are obsoleteI"...
"Who is it, who's there?"... "My name is

"Who

Taiky Tina, and I'm going to kill you!"... "I'm
manikini That's what I am, a manikin!"...
"I know were being stalked!"... "Incredible

a

of

shows, including "Judgment Night", "The

Lonely", "In Praise of Pip", "The Invaders",
"Eye of the Beholder", have been
packaged by CBS Video on a subscription

giants here!"..."This aircraft has
gone back into time."... "All the time I need,

and

and all the time I want!"... "Look, I swear it
isn't me! "..."When, nurse, when will they

basis.

race

take the

going

-

bandages off?"... "I believe you're
time

way?"
Against

my

a crippled landscape, a
succession of characters pop up and cry out
in shock, fear, and rage.

The broken milieu

-

For TZ completists,
classic episodes minus the

meat cleaver

-

astronauts from

what is this

the

place, and who are they?
fan of The Twilight Zone
tell you, these fevered rants do not

can

American

Cinematographer

it's high
butchery

of syndication. Who can forget mute Agnes
Moorehead decimating a spaceship with a

stretches as far as the eye can see, like an
Yves Tanguy painting come to life. Now
As any

94

emanate from the pits of Hell, but rather
from the mind of Rod Serling who, between
1959 and 1963, wrote the creme de la creme
of his legendary TV series. Eight of his best

ship containing diminutive
planet Earth? Or Nazi com¬

a

mandant Nehemiah Persoff, damned to ride

fog-shrouded ghost of the S.S. Queen of
Glasgow for an eternity? Or Donna Douglas

having her bandages removed in

December 1988

a

Big

Brother Society, where "ugly"
and beauty the aberration?
These

were

is the

norm

bravura shows. In¬

spired scripts, good directors, performances
of a lifetime. They ushered us out of the
Fifties on an intriguing alarming beat. And
according to CBS, more vintage releases are
the way.
To preface the package, a oneminute montage was needed. The job was
on

given to Charlex in New York, the

company

famous for the Saturday Night Live opening
and those Cherry Coke commercials. Using
an Ultimatte, Ampex Digital Optics (the

ADO), the Paintbox, and good old imagina¬
tion, the "endless pan" across an electronic
collage of live images and artwork has
virtually become a Charlex trademark.
More recently for CBS Video,



American Cinematographer - December 1988

Table of Contents for the Digital Edition of American Cinematographer - December 1988

American Cinematographer - December 1988 - 1
American Cinematographer - December 1988 - 2
American Cinematographer - December 1988 - 3
American Cinematographer - December 1988 - 4
American Cinematographer - December 1988 - 5
American Cinematographer - December 1988 - 6
American Cinematographer - December 1988 - 7
American Cinematographer - December 1988 - 8
American Cinematographer - December 1988 - 9
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American Cinematographer - December 1988 - 20
American Cinematographer - December 1988 - 21
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American Cinematographer - December 1988 - 28
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American Cinematographer - December 1988 - 74
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American Cinematographer - December 1988 - 76
American Cinematographer - December 1988 - 77
American Cinematographer - December 1988 - 78
American Cinematographer - December 1988 - 79
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American Cinematographer - December 1988 - 111
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American Cinematographer - December 1988 - 116
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