American Cinematographer - April 1989 - 72
Lena:
My Hundred
days it would rain all day long. We
a
tough, mostly uncomplain¬
ing crew, standing and working in
the rain for eight or ten hours, with
the temperature at 45 or 50 degrees.
Sometimes my hands were so cold I
couldn't even press the meter.
There's always a good side and a
bad side, though,'' he smiles. "The
Kuchler Silberman, Lena: My Hun¬
dred Children is a haunting story
about the frightened children left
bad was, the weather was
behind by
had
foul. The
good side is that it looks beautiful.
You
No
never see
one
the rain in the film.
back here believes it
was
Children
Eric Van Haren Noman
Based
book
by Lena
the ravages of World War
begins in 1945
II in Poland. The film
as
the remnants of the Polish Jews
return to their war-torn homeland
and
raining."
on a
attempt to reconstruct their cit¬
ies, families, and lives. The story
centers around
Shooter
Gayne Rescher, ASC
Shooter takes place
Recognized,
for
Over 65 Years,
against the back¬
drop of the Viet Nam war. It is the
story of an award-winning photog¬
rapher who risks life and limb to
expose the atrocities taking place in
Southeast Asia during the 60's. A
wide variety of Oriental locations
surrounds Rescher's intense
bat
chil¬
rich,
dark cinematography accents the
story's somber, almost hopeless
setting.
Biographical information
on
Eric Van Haren Noman
available at press
Episodic Television
Moonlighting
"Here's Living
With You, Kid"
Gerald Perry
for
Motion Picture
Finnerman, ASC
and
row, an
Television
Titles
213-464*0121
For the second year in a
episode of Moonlighting has
been nominated for the ASC
Award. From its beginning, the
Gayne Rescher, ASC
Rescher, himself a fighter
pilot in the European theater dur¬
ing World War II, attended Massa¬
chusetts Institute of Technology.
Last year, he was nominated for an
ASC Award and won an Emmy for
Promise. His photography on The
Day After was nominated for a 1984
Emmy. His feature credits include
Rachel, Rachel, A New Leaf, A Face in
the Crowd, (co-credit with Harry
Stradling, ASC), the Cinerama fea¬
ture Seven Wonders of the World,
and
the
Cinemiracle
Windjammer.
70
was un¬
time.
footage in the film.
Standard of
Excellence
Optical Effects
compassionate
com¬
as THE
and
a
who takes orphaned
dren under her wing. The
woman
April 1989
picture
popular show has had Gerald Fin¬
nerman to thank for its
distinctively
glamorous look. However, the
"Here's Living With You, Kid" epi¬
sode was a departure from the nor¬
mal Moonlighting shoot. The script
called for much of the comedy to be
set in black and white, against
shockingly exact replications of
two classic films:
The Sheik and
Casablanca, with the Moonlighting
characters playing out the famous
roles for
laughs.
"My approach has always
been the same," says Finnerman.
"It features very heavy crosslight¬
ing and halftones. But this particu¬
lar episode was involved because
American Cinematographer - April 1989
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