American Cinematographer - March 1990 - 11

grain-much finer than the
camera original, of course.
So the extra image quality
you've gained in the camera
is still there.
TV

quality:
good as ever
For television, the producer
makes a tape master from
as

the timed and colorcorrected answer print.

The
print is still Full
Aperture. The TV Safe Area
on Super 1.85 is the same
answer

size

as on

the old 1.85 format.

Release

print
quality improved
As we all know, dailies look
noticeably better than
release prints. One reason is

(

\

(
Above:

OLD

the interaction of different

\

Academy Aperture with old 1.85 format

and TV Safe Action

area.

Old 1.85:1

measures

.446 inches. Area: .367 square inches.
TV Safe Action measures .713 x .535 inches.
.825

x

grain patterns through four
generations.
Now we've reduced

camera

original grain by 32 %.
Our impression is that Super
1.85 release prints look about
as good as standard 1.85
dailies. With Super 1.85, your
work will undoubtedly
look better-to more people.

Your work will

undoubtedly
look better-to
more

people.
Above: Full

NEW

Why didn't somebody

Aperture with Super 1.85 format

and TV Safe Action

.945

area.

New 1.85

measures

.510 inches. Area: .482 square inches.
TV Safe Action measures .713 x .535 inches.
x

think of this
before? And who did
think of it?
Cameraman Jim Dickson,
that's who. He came to
us, a

while back, with the

Super 1.85 idea. We made a
prototype and he shot the
independent feature

Counsellor with it. We're all

CLAIRMONT
CAMERA

in his debt. Thank you,

4040 Vineland Ave, Studio

Jim Dickson.

North Shore Studios, Vancouver,

City, California 91604 * (818)761-4440
B.C. V7J 3S5 * (604)984-4563



American Cinematographer - March 1990

Table of Contents for the Digital Edition of American Cinematographer - March 1990

American Cinematographer - March 1990 - 1
American Cinematographer - March 1990 - 2
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