American Cinematographer - March 1990 - 11
grain-much finer than the
camera original, of course.
So the extra image quality
you've gained in the camera
is still there.
TV
quality:
good as ever
For television, the producer
makes a tape master from
as
the timed and colorcorrected answer print.
The
print is still Full
Aperture. The TV Safe Area
on Super 1.85 is the same
answer
size
as on
the old 1.85 format.
Release
print
quality improved
As we all know, dailies look
noticeably better than
release prints. One reason is
(
\
(
Above:
OLD
the interaction of different
\
Academy Aperture with old 1.85 format
and TV Safe Action
area.
Old 1.85:1
measures
.446 inches. Area: .367 square inches.
TV Safe Action measures .713 x .535 inches.
.825
x
grain patterns through four
generations.
Now we've reduced
camera
original grain by 32 %.
Our impression is that Super
1.85 release prints look about
as good as standard 1.85
dailies. With Super 1.85, your
work will undoubtedly
look better-to more people.
Your work will
undoubtedly
look better-to
more
people.
Above: Full
NEW
Why didn't somebody
Aperture with Super 1.85 format
and TV Safe Action
.945
area.
New 1.85
measures
.510 inches. Area: .482 square inches.
TV Safe Action measures .713 x .535 inches.
x
think of this
before? And who did
think of it?
Cameraman Jim Dickson,
that's who. He came to
us, a
while back, with the
Super 1.85 idea. We made a
prototype and he shot the
independent feature
Counsellor with it. We're all
CLAIRMONT
CAMERA
in his debt. Thank you,
4040 Vineland Ave, Studio
Jim Dickson.
North Shore Studios, Vancouver,
City, California 91604 * (818)761-4440
B.C. V7J 3S5 * (604)984-4563
American Cinematographer - March 1990
Table of Contents for the Digital Edition of American Cinematographer - March 1990
American Cinematographer - March 1990 - 1
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