American Cinematographer - February 1991 - 31

dreaming and praying for sun
on the
appointed day "and I
had this wonderful luck-

brightness, and sunshine came
to the windows for two days."
He credits God for the miracle
sun

scenes;

"this is not my

filming that made it work; this
is a cameraman working with

Animation

God."

Because of the limits
that location dictated - the

hospital interior - Ondricek
able to use one film stock,
for the most part. He shot on
Kodak's new 96, with the ex¬
was

on

Location
BROUGHT TO YOU BY PACIFIC DATA IMAGES

ception of outdoor scenes
when he used 5247. He chose
a Panavision Gold
package
because "I like Panavision very

OO

P'l.

much, and it's extremely

quiet." At the same time, he
voices an allegiance to the

x

16mm Aaton, which he used to
shoot Distant Harmony. "It's a

good

camera

for documenta¬

ries," he observes. He also
used Panavision's very short
20-85 zooms.
Ondricek modestly
refuses to dicuss his "magic
touch." While his colleagues
laud his success at capturing
rich emotion, relying on intu¬

ition, insight and imagination
rather than technology, imita¬
tion or any learned skill, he

shrugs aside the praise. "I
make movies. Some people say

they're great, some say they're
boring. Of course, I love to hear
the ones who say I've made a

PDI

we

have

pioneered

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location. This accessibility provides you with

unparalleled creative control.

beautiful film!"
In

Awakenings,
Ondricek's job was to depict "a
photographic awakening. It
was

very important that I work

closely with Penny, because
not only did I have the job of
telling the story through the
but it was crucial that
she liked the story I told."
camera,

We've done it for Boss Films and Jim
Plenson Productions. We'd like to do it for you.

Special effects broughtto you by
Data Images.
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Ondricek insists that his effort
is devoted exclusively to tell¬
a photographic story,
"rather than showing only a
technique, or representing

ing

only myself. I don't like to
make movies about the cam¬
era. I make movies about the

story. This is my job. "

A

l> l> I

Sl\



American Cinematographer - February 1991

Table of Contents for the Digital Edition of American Cinematographer - February 1991

American Cinematographer - February 1991 - 1
American Cinematographer - February 1991 - 2
American Cinematographer - February 1991 - 3
American Cinematographer - February 1991 - 4
American Cinematographer - February 1991 - 5
American Cinematographer - February 1991 - 6
American Cinematographer - February 1991 - 7
American Cinematographer - February 1991 - 8
American Cinematographer - February 1991 - 9
American Cinematographer - February 1991 - 10
American Cinematographer - February 1991 - 11
American Cinematographer - February 1991 - 12
American Cinematographer - February 1991 - 13
American Cinematographer - February 1991 - 14
American Cinematographer - February 1991 - 15
American Cinematographer - February 1991 - 16
American Cinematographer - February 1991 - 17
American Cinematographer - February 1991 - 18
American Cinematographer - February 1991 - 19
American Cinematographer - February 1991 - 20
American Cinematographer - February 1991 - 21
American Cinematographer - February 1991 - 22
American Cinematographer - February 1991 - 23
American Cinematographer - February 1991 - 24
American Cinematographer - February 1991 - 25
American Cinematographer - February 1991 - 26
American Cinematographer - February 1991 - 27
American Cinematographer - February 1991 - 28
American Cinematographer - February 1991 - 29
American Cinematographer - February 1991 - 30
American Cinematographer - February 1991 - 31
American Cinematographer - February 1991 - 32
American Cinematographer - February 1991 - 33
American Cinematographer - February 1991 - 34
American Cinematographer - February 1991 - 35
American Cinematographer - February 1991 - 36
American Cinematographer - February 1991 - 37
American Cinematographer - February 1991 - 38
American Cinematographer - February 1991 - 39
American Cinematographer - February 1991 - 40
American Cinematographer - February 1991 - 41
American Cinematographer - February 1991 - 42
American Cinematographer - February 1991 - 43
American Cinematographer - February 1991 - 44
American Cinematographer - February 1991 - 45
American Cinematographer - February 1991 - 46
American Cinematographer - February 1991 - 47
American Cinematographer - February 1991 - 48
American Cinematographer - February 1991 - 49
American Cinematographer - February 1991 - 50
American Cinematographer - February 1991 - 51
American Cinematographer - February 1991 - 52
American Cinematographer - February 1991 - 53
American Cinematographer - February 1991 - 54
American Cinematographer - February 1991 - 55
American Cinematographer - February 1991 - 56
American Cinematographer - February 1991 - 57
American Cinematographer - February 1991 - 58
American Cinematographer - February 1991 - 59
American Cinematographer - February 1991 - 60
American Cinematographer - February 1991 - 61
American Cinematographer - February 1991 - 62
American Cinematographer - February 1991 - 63
American Cinematographer - February 1991 - 64
American Cinematographer - February 1991 - 65
American Cinematographer - February 1991 - 66
American Cinematographer - February 1991 - 67
American Cinematographer - February 1991 - 68
American Cinematographer - February 1991 - 69
American Cinematographer - February 1991 - 70
American Cinematographer - February 1991 - 71
American Cinematographer - February 1991 - 72
American Cinematographer - February 1991 - 73
American Cinematographer - February 1991 - 74
American Cinematographer - February 1991 - 75
American Cinematographer - February 1991 - 76
American Cinematographer - February 1991 - 77
American Cinematographer - February 1991 - 78
American Cinematographer - February 1991 - 79
American Cinematographer - February 1991 - 80
American Cinematographer - February 1991 - 81
American Cinematographer - February 1991 - 82
American Cinematographer - February 1991 - 83
American Cinematographer - February 1991 - 84
American Cinematographer - February 1991 - 85
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American Cinematographer - February 1991 - 87
American Cinematographer - February 1991 - 88
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