American Cinematographer - February 1991 - 7

BIRNS & SAWYER has long been known as the
major supplier of tripod equipment, from the days
when we manufactured the standard*of-the-industry
wooden tripods to the present where we carry all the
major lines. The professional knows to come to us for
everything from the high end Ronford, Sachtler and
Vinten systems, to the challengers - the redesigned
O'Connor, the new Elmach, and Cartoni, to the less
expensive Miller and Bogen lines. We also carry Hihats for all standard heads: Mitchell based, 150mm
Ball, and 100mm Ball, as well as Ball-to-Mitchell
adapter plates.

ELMACH
The latest from Germany. Two-

stage design for extreme low
and high angles. The tripod's
one-touch clomps and intergral

spreader, sets up anywhere, in
speed ond security.
Spikes ond sure-grip feet ore
both built in. Modular adapters
handle ball and flat base, so one
tripod accepts all heads. No
plastic, for maximum rigidity
and ruggedness.
seconds with

O'CONNOR

MILLER

;

CARTONI
ffl-:
j



American Cinematographer - February 1991

Table of Contents for the Digital Edition of American Cinematographer - February 1991

American Cinematographer - February 1991 - 1
American Cinematographer - February 1991 - 2
American Cinematographer - February 1991 - 3
American Cinematographer - February 1991 - 4
American Cinematographer - February 1991 - 5
American Cinematographer - February 1991 - 6
American Cinematographer - February 1991 - 7
American Cinematographer - February 1991 - 8
American Cinematographer - February 1991 - 9
American Cinematographer - February 1991 - 10
American Cinematographer - February 1991 - 11
American Cinematographer - February 1991 - 12
American Cinematographer - February 1991 - 13
American Cinematographer - February 1991 - 14
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American Cinematographer - February 1991 - 17
American Cinematographer - February 1991 - 18
American Cinematographer - February 1991 - 19
American Cinematographer - February 1991 - 20
American Cinematographer - February 1991 - 21
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American Cinematographer - February 1991 - 24
American Cinematographer - February 1991 - 25
American Cinematographer - February 1991 - 26
American Cinematographer - February 1991 - 27
American Cinematographer - February 1991 - 28
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American Cinematographer - February 1991 - 30
American Cinematographer - February 1991 - 31
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American Cinematographer - February 1991 - 34
American Cinematographer - February 1991 - 35
American Cinematographer - February 1991 - 36
American Cinematographer - February 1991 - 37
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American Cinematographer - February 1991 - 39
American Cinematographer - February 1991 - 40
American Cinematographer - February 1991 - 41
American Cinematographer - February 1991 - 42
American Cinematographer - February 1991 - 43
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American Cinematographer - February 1991 - 45
American Cinematographer - February 1991 - 46
American Cinematographer - February 1991 - 47
American Cinematographer - February 1991 - 48
American Cinematographer - February 1991 - 49
American Cinematographer - February 1991 - 50
American Cinematographer - February 1991 - 51
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American Cinematographer - February 1991 - 53
American Cinematographer - February 1991 - 54
American Cinematographer - February 1991 - 55
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American Cinematographer - February 1991 - 60
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American Cinematographer - February 1991 - 62
American Cinematographer - February 1991 - 63
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American Cinematographer - February 1991 - 67
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American Cinematographer - February 1991 - 69
American Cinematographer - February 1991 - 70
American Cinematographer - February 1991 - 71
American Cinematographer - February 1991 - 72
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