American Cinematographer - July 1991 - 78

Small, dark and handy
Introducing the original film changing tent. The
3 lb. "tabletop size" darkroom that sets up in
seconds. The open interior gives you the space
you need to load and unload film faster, without
frustration. And the silver exterior keeps you cool
and comfortable.

*

Ask your camera

equipment

supplier about the original Harrison Film Changing
Tent and the new smaller Film Pup Tent for
16mm. They will make your clumsy old black
changing bag look like a relic from the dark ages.

The Harrison Film

Changing Tent

0 Contact us for more information.
Dealer

Camera Essentials

4470-107 Sunset Blvd. Suite 352

Los

Angeles. CA 90027

inquiries welcome.

213 666-8936

nomenal lines which

are

well suited to

landscape photography." He observes that
"it helps to compress the perspective, which
creates stunning images that are com¬
pletely different from the way the eye per¬
ceives them." He

was

also able to take

advantage of the ability to shoot from dis¬
tances of 300 yards, which helped create
poignant footage of the farmers from afar,
off in their cornfields, richly adorned by
magic-hour light.
With 12 magazines at hand each
stock was always loaded, so that Maysles
could adapt quickly to any light situation.
Eastman Kodak's high speed 7296 caught
the first moments of sunrise, and 7245 was
used when the sun was bright enough, al¬

Clairmont Strobes
now work
with Panaflexes and
Panastars.

ternating occasionally with 7248. Maysles
also chose 7292 and 7297 when shooting
indoors.
With the shoot completed, the
processed and edited, Maysles and
Corra are pleased with the results. The
spontaneity they sought, without any con¬
trivance, comes across on the screen. One
of the keys to this, Corra believes, is to al¬
film

low the conversation to unfold spontane¬

ously, with little or no pre-scripted copy or
questions. "I always have copious notes on
possible ideas," he admits, "but I'll always
let the conversation take its own natural
It's a very open thing.
"The funny thing is," says Corra,
"I was so taken by the love they show for

course.

Handsome
Binders for your

magazines

their way of life that I've now decided to
stake my life - my professional life, that
is - on the subject." Corra has decided to
make a feature documentary about the
American Farmer, which will begin shooting
in 1992. "The commercials took six days of

shooting to come up with three great spots.
It'll take several months for the documen¬

rSfaf,

tary feature I intend to make on the I ife of a
Add $3.00 per binder for

postage in United States;
$4.50 for all foreign orders.

California residents add 58 cents
state tax. U.S. funds

Please send

Name

Street

only.

binder(s) to the address below:

farm

family."

A



American Cinematographer - July 1991

Table of Contents for the Digital Edition of American Cinematographer - July 1991

American Cinematographer - July 1991 - 1
American Cinematographer - July 1991 - 2
American Cinematographer - July 1991 - 3
American Cinematographer - July 1991 - 4
American Cinematographer - July 1991 - 5
American Cinematographer - July 1991 - 6
American Cinematographer - July 1991 - 7
American Cinematographer - July 1991 - 8
American Cinematographer - July 1991 - 9
American Cinematographer - July 1991 - 10
American Cinematographer - July 1991 - 11
American Cinematographer - July 1991 - 12
American Cinematographer - July 1991 - 13
American Cinematographer - July 1991 - 14
American Cinematographer - July 1991 - 15
American Cinematographer - July 1991 - 16
American Cinematographer - July 1991 - 17
American Cinematographer - July 1991 - 18
American Cinematographer - July 1991 - 19
American Cinematographer - July 1991 - 20
American Cinematographer - July 1991 - 21
American Cinematographer - July 1991 - 22
American Cinematographer - July 1991 - 23
American Cinematographer - July 1991 - 24
American Cinematographer - July 1991 - 25
American Cinematographer - July 1991 - 26
American Cinematographer - July 1991 - 27
American Cinematographer - July 1991 - 28
American Cinematographer - July 1991 - 29
American Cinematographer - July 1991 - 30
American Cinematographer - July 1991 - 31
American Cinematographer - July 1991 - 32
American Cinematographer - July 1991 - 33
American Cinematographer - July 1991 - 34
American Cinematographer - July 1991 - 35
American Cinematographer - July 1991 - 36
American Cinematographer - July 1991 - 37
American Cinematographer - July 1991 - 38
American Cinematographer - July 1991 - 39
American Cinematographer - July 1991 - 40
American Cinematographer - July 1991 - 41
American Cinematographer - July 1991 - 42
American Cinematographer - July 1991 - 43
American Cinematographer - July 1991 - 44
American Cinematographer - July 1991 - 45
American Cinematographer - July 1991 - 46
American Cinematographer - July 1991 - 47
American Cinematographer - July 1991 - 48
American Cinematographer - July 1991 - 49
American Cinematographer - July 1991 - 50
American Cinematographer - July 1991 - 51
American Cinematographer - July 1991 - 52
American Cinematographer - July 1991 - 53
American Cinematographer - July 1991 - 54
American Cinematographer - July 1991 - 55
American Cinematographer - July 1991 - 56
American Cinematographer - July 1991 - 57
American Cinematographer - July 1991 - 58
American Cinematographer - July 1991 - 59
American Cinematographer - July 1991 - 60
American Cinematographer - July 1991 - 61
American Cinematographer - July 1991 - 62
American Cinematographer - July 1991 - 63
American Cinematographer - July 1991 - 64
American Cinematographer - July 1991 - 65
American Cinematographer - July 1991 - 66
American Cinematographer - July 1991 - 67
American Cinematographer - July 1991 - 68
American Cinematographer - July 1991 - 69
American Cinematographer - July 1991 - 70
American Cinematographer - July 1991 - 71
American Cinematographer - July 1991 - 72
American Cinematographer - July 1991 - 73
American Cinematographer - July 1991 - 74
American Cinematographer - July 1991 - 75
American Cinematographer - July 1991 - 76
American Cinematographer - July 1991 - 77
American Cinematographer - July 1991 - 78
American Cinematographer - July 1991 - 79
American Cinematographer - July 1991 - 80
American Cinematographer - July 1991 - 81
American Cinematographer - July 1991 - 82
American Cinematographer - July 1991 - 83
American Cinematographer - July 1991 - 84
American Cinematographer - July 1991 - 85
American Cinematographer - July 1991 - 86
American Cinematographer - July 1991 - 87
American Cinematographer - July 1991 - 88
American Cinematographer - July 1991 - 89
American Cinematographer - July 1991 - 90
American Cinematographer - July 1991 - 91
American Cinematographer - July 1991 - 92
https://www.nxtbook.com/nxtbooks/ac/ac199912
https://www.nxtbook.com/nxtbooks/ac/ac199911
https://www.nxtbook.com/nxtbooks/ac/ac199910
https://www.nxtbook.com/nxtbooks/ac/ac199909
https://www.nxtbook.com/nxtbooks/ac/ac199908
https://www.nxtbook.com/nxtbooks/ac/ac199907
https://www.nxtbook.com/nxtbooks/ac/ac199906
https://www.nxtbook.com/nxtbooks/ac/ac199905
https://www.nxtbook.com/nxtbooks/ac/ac199904
https://www.nxtbook.com/nxtbooks/ac/ac199903
https://www.nxtbook.com/nxtbooks/ac/ac199902
https://www.nxtbook.com/nxtbooks/ac/ac199901
https://www.nxtbook.com/nxtbooks/ac/ac199812
https://www.nxtbook.com/nxtbooks/ac/ac199811
https://www.nxtbook.com/nxtbooks/ac/ac199810
https://www.nxtbook.com/nxtbooks/ac/ac199809
https://www.nxtbook.com/nxtbooks/ac/ac199808
https://www.nxtbook.com/nxtbooks/ac/ac199807
https://www.nxtbook.com/nxtbooks/ac/ac199806
https://www.nxtbook.com/nxtbooks/ac/ac199805
https://www.nxtbook.com/nxtbooks/ac/ac199804
https://www.nxtbook.com/nxtbooks/ac/ac199803
https://www.nxtbook.com/nxtbooks/ac/ac199802
https://www.nxtbook.com/nxtbooks/ac/ac199801
https://www.nxtbook.com/nxtbooks/ac/ac199712
https://www.nxtbook.com/nxtbooks/ac/ac199711
https://www.nxtbook.com/nxtbooks/ac/ac199710
https://www.nxtbook.com/nxtbooks/ac/ac199709
https://www.nxtbook.com/nxtbooks/ac/ac199708
https://www.nxtbook.com/nxtbooks/ac/ac199707
https://www.nxtbook.com/nxtbooks/ac/ac199706
https://www.nxtbook.com/nxtbooks/ac/ac199705
https://www.nxtbook.com/nxtbooks/ac/ac199704
https://www.nxtbook.com/nxtbooks/ac/ac199703
https://www.nxtbook.com/nxtbooks/ac/ac199702
https://www.nxtbook.com/nxtbooks/ac/ac199701
https://www.nxtbook.com/nxtbooks/ac/ac199612
https://www.nxtbook.com/nxtbooks/ac/ac199611
https://www.nxtbook.com/nxtbooks/ac/ac199610
https://www.nxtbook.com/nxtbooks/ac/ac199609
https://www.nxtbook.com/nxtbooks/ac/ac199608
https://www.nxtbook.com/nxtbooks/ac/ac199607
https://www.nxtbook.com/nxtbooks/ac/ac199606
https://www.nxtbook.com/nxtbooks/ac/ac199605
https://www.nxtbook.com/nxtbooks/ac/ac199604
https://www.nxtbook.com/nxtbooks/ac/ac199603
https://www.nxtbook.com/nxtbooks/ac/ac199602
https://www.nxtbook.com/nxtbooks/ac/ac199601
https://www.nxtbook.com/nxtbooks/ac/ac199512
https://www.nxtbook.com/nxtbooks/ac/ac199511
https://www.nxtbook.com/nxtbooks/ac/ac199510
https://www.nxtbook.com/nxtbooks/ac/ac199509
https://www.nxtbook.com/nxtbooks/ac/ac199508
https://www.nxtbook.com/nxtbooks/ac/ac199507
https://www.nxtbook.com/nxtbooks/ac/ac199506
https://www.nxtbook.com/nxtbooks/ac/ac199505
https://www.nxtbook.com/nxtbooks/ac/ac199504
https://www.nxtbook.com/nxtbooks/ac/ac199503
https://www.nxtbook.com/nxtbooks/ac/ac199502
https://www.nxtbook.com/nxtbooks/ac/ac199501
https://www.nxtbook.com/nxtbooks/ac/ac199412
https://www.nxtbook.com/nxtbooks/ac/ac199411
https://www.nxtbook.com/nxtbooks/ac/ac199410
https://www.nxtbook.com/nxtbooks/ac/ac199409
https://www.nxtbook.com/nxtbooks/ac/ac199408
https://www.nxtbook.com/nxtbooks/ac/ac199407
https://www.nxtbook.com/nxtbooks/ac/ac199406
https://www.nxtbook.com/nxtbooks/ac/ac199405
https://www.nxtbook.com/nxtbooks/ac/ac199404
https://www.nxtbook.com/nxtbooks/ac/ac199403
https://www.nxtbook.com/nxtbooks/ac/ac199402
https://www.nxtbook.com/nxtbooks/ac/ac199401
https://www.nxtbook.com/nxtbooks/ac/ac199312
https://www.nxtbook.com/nxtbooks/ac/ac199311
https://www.nxtbook.com/nxtbooks/ac/ac199310
https://www.nxtbook.com/nxtbooks/ac/ac199309
https://www.nxtbook.com/nxtbooks/ac/ac199308
https://www.nxtbook.com/nxtbooks/ac/ac199307
https://www.nxtbook.com/nxtbooks/ac/ac199306
https://www.nxtbook.com/nxtbooks/ac/ac199305
https://www.nxtbook.com/nxtbooks/ac/ac199304
https://www.nxtbook.com/nxtbooks/ac/ac199303
https://www.nxtbook.com/nxtbooks/ac/ac199302
https://www.nxtbook.com/nxtbooks/ac/ac199301
https://www.nxtbook.com/nxtbooks/ac/ac199212
https://www.nxtbook.com/nxtbooks/ac/ac199211
https://www.nxtbook.com/nxtbooks/ac/ac199210
https://www.nxtbook.com/nxtbooks/ac/ac199209
https://www.nxtbook.com/nxtbooks/ac/ac199208
https://www.nxtbook.com/nxtbooks/ac/ac199207
https://www.nxtbook.com/nxtbooks/ac/ac199206
https://www.nxtbook.com/nxtbooks/ac/ac199205
https://www.nxtbook.com/nxtbooks/ac/ac199204
https://www.nxtbook.com/nxtbooks/ac/ac199203
https://www.nxtbook.com/nxtbooks/ac/ac199202
https://www.nxtbook.com/nxtbooks/ac/ac199201
https://www.nxtbook.com/nxtbooks/ac/ac199112
https://www.nxtbook.com/nxtbooks/ac/ac199111
https://www.nxtbook.com/nxtbooks/ac/ac199110
https://www.nxtbook.com/nxtbooks/ac/ac199109
https://www.nxtbook.com/nxtbooks/ac/ac199108
https://www.nxtbook.com/nxtbooks/ac/ac199107
https://www.nxtbook.com/nxtbooks/ac/ac199106
https://www.nxtbook.com/nxtbooks/ac/ac199105
https://www.nxtbook.com/nxtbooks/ac/ac199104
https://www.nxtbook.com/nxtbooks/ac/ac199103
https://www.nxtbook.com/nxtbooks/ac/ac199102
https://www.nxtbook.com/nxtbooks/ac/ac199101
https://www.nxtbook.com/nxtbooks/ac/ac199012
https://www.nxtbook.com/nxtbooks/ac/ac199011
https://www.nxtbook.com/nxtbooks/ac/ac199010
https://www.nxtbook.com/nxtbooks/ac/ac199009
https://www.nxtbook.com/nxtbooks/ac/ac199008
https://www.nxtbook.com/nxtbooks/ac/ac199007
https://www.nxtbook.com/nxtbooks/ac/ac199006
https://www.nxtbook.com/nxtbooks/ac/ac199005
https://www.nxtbook.com/nxtbooks/ac/ac199004
https://www.nxtbook.com/nxtbooks/ac/ac199003
https://www.nxtbook.com/nxtbooks/ac/ac199002
https://www.nxtbook.com/nxtbooks/ac/ac199001
https://www.nxtbookmedia.com