American Cinematographer - September 1992 - 101
MOVING?
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6 WEEKS IN ADVANCE
Miss/Mrs./Mr.
Name
(please print)
From the Clubhouse
New Address
Apt. No.
City
On June 22nd the Clubhouse hosted
State
Zip
ner
MAIL TO
CINEMATOGRAPHER
P.0. Box 2230
presentation to the membership by
technological developments at Arri,
including updates to the 535 camera system
and the development of the 16 SR III and
the 535B camera system. The rest of the
evening was spent discussing the 535 and
its interface with non-linear digital editing
systems. "We had a very lively discusion
with the membership," says Russell.
on new
Hollywood, Ca.
90028
LABEL
for address change or
receiving duplicate copies of
AMERICAN CINEMATOGRAPHER, please send both
labels. If moving, list new address above.
inquiry. If
din¬
Arriflex president Volker Bahnemann and
Western sales manager Bill Russell, both
ASC associate members. The pair reported
AMERICAN
ATTACH
a
HERE
you are
♦ ♦♦
ASC members
these projects:
are
currently working on
Michael Ballhaus: The
Age of
Innocence (just completed),Columbia,
filmed in New York and Philadelphia.
John Bailey: Groundhog Day,
Columbia, filming in Woodstock, Illinois.
John A. Alonzo: The Meteor
Man, MGM, filming in Los Angeles, Balti¬
more, and Washington, D.C.
Adam Greenberg: Toys (just
completed), 20th Century Fox, filmed in Los
Angeles.
Robbie Greenberg: Free Willy,
Warner Bros., filming in Mexico City and Or¬
egon.
Michael Watkins: The Specialist
(just completed), Warner Bros., filmed in Los
Angeles, New Orleans, Washington D.C.
Ralf Bode: Made In America,
The Association of Professional Camerawomen
(BTL). Sixty-five people attended
the panel disucssion, the first joint venture
between the organizations. Panelists Paul
Babin, SOC, Allen Daviau, ASC, Kristin
Glover, Patricia Hill, Randall Robinson, Ri¬
chard Walden, and moderator Liz Bailey,
SOC discussed their
John C. Hora: Matinee, Matinee
Inc., filming in Orlando, Florida.
Steven B. Poster: Cemetery Club,
Buena Vista, filming in Pittsburgh.
Wide Screen-
Productions/Systems
ASC members who would like to
list their productions should contact
Rhea at (213) 969-4333.
8-70
PRODUCTION
*
-
*
*
♦ ♦♦
NEW-
On
Saturday, July 11, Panavision hosted a
symposium of the Society of Operating
Vistascope 8-70 projector
$29,995.
*
*
*
Todd A.O. 8-70
mending it to all in the industry. He also
urged operators to learn more about video,
as he feels the technologies are merging.
The panelists stressed set eti¬
quette as well as communication skills and
technical adaptability. Babin related the
unique considerations that special effects
demand of an operator, Glover added her
experience from Star Trek VI and spoke of
women's position in the world of operating,
and Hill gave pointers on handling less co¬
operative crew members and dealing with
some common pitfalls. Robinson explained
the objectives of the SOC and stressed the
importance of safety on the set. Bailey
stated the objectives of BTL and added
multi-camera insights as well.
The meeting concluded with
hands-on demonstrations of a new shoul¬
der rig for handheld operating, in concert
with a host of Panavision equipment set up
specifically for the symposium.
♦ ♦♦
help man ACs booth at Showbiz Expo in
Entertaining and insightful stoppersby included William Fraker, Victor Kemper,
Harry Wolf, Linwood Dunn, Richard
Glouner, Woody Omens, Brianne Murphy,
to
June.
Donald Birnkrant, Stevan Larner, James
Liles, Robert Liu, Ron Vargas, Alfred Taylor,
Jack Priestley,
Isidore Mankofsky, Matthew
Leonetti, Steven Poster, Roy Wagner and
Richard Kelley.
A
Cameramen (S.O.C.) and Behind the Lens:
Re-manufactured
*
Assorted ASC luminaries donated their time
projector
$9,995.
1314 Ellsworth Industrial
Atlanta, GA 30318
Marji
operating priori¬
Daviau talked about his de¬
mands from an operator and quoted fellow
commercial cameraman Ron Dexter's new
book on camera and set protocol, recom¬
New Regency Films/Stonebridge
Entertain¬
ment, filming in Berkeley and Oakland.
own
ties, then took questions.
Dr., N.W.
(404) 351-3618
*
September 1992
American
Cinematographer
99
American Cinematographer - September 1992
Table of Contents for the Digital Edition of American Cinematographer - September 1992
American Cinematographer - September 1992 - 1
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