American Cinematographer - September 1992 - 40

Transfer Film To Videotape
On A Steenbeck
Save time and money in your editing room
or on location. Transfer your film to videotape
with both SMPTE Time Code and Keykode,
on

your

16mm

or

35mm Steenbeck editing table.

bers and SMPTE matrixes. Using the
Aaton Origin C+ master clock as a
SMPTE generator, time code ex¬

posed

on

the film

can

also be

re¬

corded on video assist tapes and
multitrack or DAT recorders.
Director of photography

John Toll and his crew recently made
use of the Aaton
system on Wind,
where filming at sea, often from boat
to boat, made communication diffi¬
cult, and slating sometimes nearly
impossible. "It's ideal for a situation
such as [filming] at sea, when the
wind is roaring so loudly that the
sound engineer and the director of

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photography can't hear each other,"
Exbrayat maintains. "With our time
code system, the filmmakers on Wind
were able to
repeatedly turn the cam¬
eras on and off to save
money, while
keeping the Nagra running. The time
code continues to run in both the
cameras and the
Nagra, so each
frame of sound matches the correct
frame of picture. Even if you have to

change batteries during the shot, a
built-in camera backup system keeps
the time code running." One battery
can run

up to nine instant-load Aaton

magazines.
"Let's

assume a

worst-case

scenario where the sound guy

acci¬
dentally unplugs the Nagra for three

J. L Fisher, Inc.
MOTION

PICTURE & TELEVISION EQUIPMENT

minutes, the

camera assistant can't
find the back-up battery, and no one
has the correct time," proposes

Exbrayat. "So what? You simply look
at

your watch, reenter the time on the

master clock and you're

ready to con¬
again."
"Many European mini-se¬
ries originate on Super 16, and the
U.S. series Baywatch and In the Heat
of the Night have both just switched
to Aaton's Super 16 (which has a
greatly improved CCD video assist)
to keep production costs low while
still maintaining a feature film-like
appearance," says Beauviala.
tinue in sync

Camera

Improvements

Since the introduction of
Aaton's 35mm cameras, the com¬

pany has continued to make modifi¬
cations and improvements (See AC

February 1990 and May 1992). Ten
new cameras were

delivered to the

United States this past summer.
These new 35-11 models boast several

noteworthy new features, including
a
larger viewfinder, internal speed
control,
10918 BURBANK BLVD. NORTH

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818-769-2631

a

built-in TV bar eliminator



American Cinematographer - September 1992

Table of Contents for the Digital Edition of American Cinematographer - September 1992

American Cinematographer - September 1992 - 1
American Cinematographer - September 1992 - 2
American Cinematographer - September 1992 - 3
American Cinematographer - September 1992 - 4
American Cinematographer - September 1992 - 5
American Cinematographer - September 1992 - 6
American Cinematographer - September 1992 - 7
American Cinematographer - September 1992 - 8
American Cinematographer - September 1992 - 9
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American Cinematographer - September 1992 - 40
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American Cinematographer - September 1992 - 99
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American Cinematographer - September 1992 - 104
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