The International Journal of Film and Electronic Production July 1993 Vol.74No.7 Techniques (JTImerican^j nhiemaTograpfler Features 28 Free Willy: One Whale's Tale technology turns the tide in family film New 36 John Seale, ACS Lends Firm Hand to Law Thriller Old-fashioned artistry enhances 44 film's look The Last Action Hero: A Hair-Raiser With Heart Movie-within-movie calls for clever camerawork 52 Getris' Venice: A Gondola Ride for Versatile 60 Graphic Artists graphics package makes a splash QuickTime: Motion Pictures A cinematic program 65 New ABC on the Mac for the personal computer Sports Graphics Showcase "Thrill of Victory" collage heralds new age for network Mixed-media 69 Curtis Clark, ASC: 73 As Thinking Big for the Small Screen Bringing a feature background to commercial work a Director-Cinematographer, Toby Phillips Has It Both Ways duty on TV spots Cameraman does double 77 The Adventures of Francis Ford and Grace Cunard Serial stars 83 were masters mayhem Virtual Sound for Movies: The Aural Ideal M.I.T.'s Media Lab hears 52 85 of mystery and approach of digital future Digital Video Editing: Expanding Creative Horizons Part 4 offers final survey of new technology Departments 10 Letters On Our Cover: Mitchell Y McDeere 14 Production Slate (Tom Cruise) attempts 22 Persistence of Vision 87 New Products 93 Points East 95 Books in Review 97 Classified Ads to shed light on the shady doings of a powerful group of lawyers in The Firm, Sydney Pollack film shot by John Seale, ACS (photo by Francois Duhamel). Contributing Authors: 102 Ad Index Rick Baker 103 From the Clubhouse Benjamin Bergery 104 Filmmakers' Forum Frank Beacham Robert S. Birchard Brooke Comer Bob Fisher Victor Goodpasture Debra Kaufman Les Paul Michael Robley Singer a