American Cinematographer - August 1994 - 117
rWHO DO YOU CALLn
WHEN YOU WANT
70,000 WATTS
OF SIMULATED
NY's New Film Commissioner
LIGHTNING?
FOR RENTAL:
Returns to Her Old Post
UOHTUING STRIKES!
by Brooke Comer
Fax:213-461-3067
6571 Santa Monica
Pat Scott knows her way around the pro¬
duction community. New York's new film
commissioner, chosen by Major Giuliani
replace Richard Brick, brings insight
from her old job - film commissioner
under former Mayor Ed Koch - and from
her career as an actress and singer. She
won an Emmy for the PBS show Getting
On before moving into city government
and public relations in the early 1970s.
"There was a great need then,
as there is now, for the city film office to
have enough information and services to
supply the volume of film business New
York is capable of servicing," says Scott,
to
who received the Governor's Award for
the
Expansion of Television in 1989,
well
as
as
the National Film Board of
Review's award for Outstanding Service
to Motion Pictures.
Scott remembers when former
New York Mayor John Lindsey founded
the film office 28 years ago. "It was
small, but it's become an ancillary, and
it has a great many changes on its plate.
No other film office has unilateral per¬
over such a wide area."
How will the city office face
mitting ability
of the problems that have plagued
New York production? "For one thing,"
some
Scott, "Mayor Giuliani has shown
the film industry significant support
through his film financing initiative. Ba¬
sically, he's using the city's ability to go
to the credit market and get a better in¬
says
terest rate,
the
closer to the commercial rate
prime rate." For a production
to qualify, the project must have a
completion bond guarantee and distribu¬
tion deal and shoot 70% of its shooting
days in New York. If those conditions are
met, the financing incentive can serve as
a "friend at the bank," says Scott. "We
can save smaller productions debt ser¬
vice costs, which vary according to rates.
Since we borrow far below the prime
rate, that's a big help. The money saved
versus
can
be put on
the screen."
Meanwhile, the city has a
healthy influx of productions in town. The
Cosby Mystery Series was picked up for
22 episodes, and will join Law And Order,
which also shoots at the Chelsea Piers.
Fox Cable's FX Cable, which features live
programming out of New York, will reach
18 million subscribers
over
the
new
cable
system. With any luck, Dick Wolf's new
Universal TV series Uptown UnderCover
will be as successful as the producer's
previous venture, Law and Order. If it is,
it will also occupy space on the ample
Chelsea Pier stages. "Don't forget the
talk shows and soaps," says Scott. She
counts five full-hour soap operas in pro¬
duction 52 weeks of the year.
Scott is enthusiastic about
Atlanta
Boston
Victor Duncan
Bob Potter
Chicago
Victor Duncan
Victor Duncan
Victor Duncan
Tek Lighting
Dallas
Detroit
Nashville
New York
Orlando
Amsterdam
Key Lite
Technovision
Tai Shun Movie Equip.
Taipei
Tokyo
the tax down to 15%, which is the norm
in other big cities like San Francisco and
Chicago. Further, Mayor Giuliani chose to
remove the 4% sales tax on "everything
Sanwa
William F. White
William F. White
Toronto
Vancouver
404-457-4550
401-423-3244
312-267-1500
214-869-0200
810-471-1600
615-370-3694
212-243-3164
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861-202-5380
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392-2622-7492
514-939-1 989
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For detailed information call:
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Scott is also excited that New
York has a shot at taking the lead in the
field of multimedia arts. "We need to
find out exactly what the new technology
a
or write:
#400 -1168 Hamilton Street,
August 1994
a
488ft
a
a
Animation
a
a
Film Production
Techniques
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wt
that is manufactured with tools and is
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ture arts, we offer 4 of the
a best foundation
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"People remember the positive
things about a city," Scott points out.
Producers will remember the better pric¬
ing on hotels when New York State takes
off its 5% hotel tax and the city of New
York takes off an additional 1 %, bringing
Moli-Flex/White
Rome
tures, starring rapper Marky Mark;
bet Schroeder's 20th Century Fox
Paul Mazursky's
Hua Yuan
Cirro Lite
Technovision
Paris
a
III, Hackers from MGM/UA, and Jon Pe¬
Techniq/TLC Prod.
London
Milan
Montreal
slated for summer and fall of '94. She
lists Basketball Diaries from Island Pic¬
ters' Money Train and
Faithful from Tribeca.
Bob Potter
Steve Heller
Beijing
$22 million film that "looks like it's com¬
ing to town," as well as the projects
Barfilm
Kiss of Death; Gomez' Jersey Drive;
Caravan Productions' derky Boys for
Disney; as well as Batman III, Die Hard
Blvd., Hollywood, CA 90038 USA
a
Vancouver, B.C. Canada
V6B 2S2
115
American Cinematographer - August 1994
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