American Cinematographer - September 1994 - 90

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the Power Macintosh require System
7.1.2 or later, QuickTime 1.6.2 or later,
and at least 16Mb of RAM (24+ recom¬

For information: Canon USA,
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11042.

mended.) Both also require an 80Mb hard
drive (500 Mb+ recommended.) Two
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Effects Pack vol. 2:

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A former gaffer

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For information: The Black Bag
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88

Classical Animation

or

need for two handles and

can

be used in

the vertical

position for cameras with a
short eyepiece, or in the horizontal when
used with

cameras

with video monitors.

The

balancing plate can be
moved 90 degrees to become an adjust¬
able wedge. The quick release can also
be rotated to give the user any combina¬
tion necessary.
Due shortly

is a Pan Base to
adapt to the dutch head that will provide
two tripods in one.
For information: NCE of FLA,
Inc., 2025 NE 151 st St., Miami, FL 33162,
(305) 949-9084/9085.

a

Animation

m

Dutch
designed for film and video cam¬
eras up to 35 lbs. It weighs seven lbs.,
has a panhandle, and is complete with
balancing quick-release Lissand/
O'Connor top plate. The unit has adjust¬
able tension, positive tilt lock, and ad¬
justable holes for balancing on the base
plate. The new "T" handle eliminates the
Head is

dard ENG broadcast lens.

The lens was recently used in
helicopter shoot for Ohio University by
producer/director/cinematographer Mike
Barnes, who used it on a Sony BVP 7
camera mounted on a Tyler nose mount.
Fie reports that he was able to use 80%
zoom capacity at altitudes up to 6500
feet, and at speeds up to 80 knots. Be¬
cause of the unit's lightweight and slim
design, the nose mount doesn't have to

★

Small Dutch Head
NCE of FLA's Hydrofluid

"

so

you can

the tilt

hard. "With

a higher tilt speed,
wait longer to start tilting and

can

keep

September 1994

up

with the helicopter."

Time Code

Stripper,
Microphone Power Supply
Denecke's ST-1 Time Code

Sync Stripper is a small battery-operated
stripper and time code re¬
shaper. Low-level code can be re-shaped
and brought up to a three-volt peak-topeak level useful for driving most profes¬

time code sync

sional

equipment. The high output drive
time code over long
lines, great for concert recording. The ST-

can

feed sync or
American Cinematographer - September 1994

Table of Contents for the Digital Edition of American Cinematographer - September 1994
