American Cinematographer - January 1995 - 32

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Student Documentary Achieve¬
ment Award.
Williams' 16mm film,
Uncommon Ground, was selected
from some 100 documentaries
submitted by students world¬
wide. Seven other documentaries
were named Certificate of Merit
winners.
Williams received $1,000
worth of Eastman film stock from
Kodak. Her

together

a

winning film brings
diverse group of

American and South African

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youth to explore the issue of race,
culture and identity. It was shot
in Los Angeles and South Africa,
and includes Hi8 video footage
taken by the young people. Will¬
iams developed the idea for the
film while working in the anti¬
apartheid movement in Los An¬
geles.
"This documentary at¬
tempts to bring young people to¬
gether to discuss their similarities
and differences on an entirely
new
plane," Williams says. "It's a
way to show them anyone can
pick up a camera and make their
views known."

The film received grants
from the John D. and Catherine T.
MacArthur Loundation, the
American Lilm Institute for Inde¬

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pendent Lilm and Video, the
California Council for the Hu¬

manities, Eastman Kodak Com¬

and the Los Angeles Arts
Recovery Lund.
pany,

In addition to the IDA

award, Uncommon Ground

re¬

tremendous tools."

ceived the Emerging Vision
Award at the Atlanta Interna¬
tional Lilm Lestival. Williams'

Bill Bennett

first narrative film, What The Wa¬

Director of

Photography

ter Gave Her, a dramatic short
about domestic violence, was

named best narrative film at the
Ann Arbor Lilm Lestival in 1992.
Williams' background
includes three years working as
an

English teacher, writer and

educational media consultant in

Kenya. She has also worked

as

both a research and teaching as¬
sistant at UCLA in film produc¬

tion, African studies and women's
studies.

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American Cinematographer - January 1995

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