American Cinematographer - January 1995 - 80
attach the jib to any professional tripod
without additional accessories. The unit
weighs 25 pounds and supports a payload of 100 pounds, and offers a crane
movement of five feet with a radius pan
of 55 inches.
Clutch-controlled
heavy-duty
ball-bearing assemblies provide smooth
pan and tongue moves and offer full lock
and variable drag through all axes. A
150mm bowl and 150mm adaptor are
available as options. Standard barbell
weights or sand sacks are used to coun¬
anti-scratch, anti-static and
camera
be¬
havior
properties are enhanced by black
resin backing on the film base. These
films also offer excellent compatibility
with intermediate film for special effects
work. Super F-Series films feature an
extended storage life, and processed
films can be preserved for up to a cen¬
tury.
For information:
Fuji Photo Film
USA, Inc., 555 Taxter Road, Elmsford, NY
10523.
Modular Scrims
Scrim Jim, a modular diffusion
and reflector panel system, is made of
anodized aircraft aluminum and consists
of tubing in two different lengths to cre¬
ate four different sized
diffusers, 42" X
42", 42" X 72", 72" X 72" and 98"X98".
Fabrics of various types are
compact, free-standing unit takes up less
than six square
feet of floor space and
affixed to the frame by means of Velcro.
Fabrics types offered are white net, black
operates at 115 volts.
The Excel 900 does not
replace
net, 94-stop, full stop, 114-stop diffusers;
golden silver/white, silver/white, and
gold/white reflectors; and a subtractive
the full immersion CF3000-MK VI system
recommended for camera original and
other
irreplaceable films. It is designed
in film laboratories, film-to-tape
transfer facilities and other applications
where the more sophisticated solventbased film cleaning method is not always
for
black block. The metallic fabrics feature
use
a
The system is available in
small, medium and large kits, each con¬
necessary.
The CF3000-MK VI motion pic¬
cleaning machine, meanwhile,
can now be used with alternate cleaning
agents. The solvent traditionally used to
clean film will be phased out of produc¬
tion by December 1995. The MKVI uses
ultrasonic energy to effectively cavitate
the cleaning solvent, providing the im¬
pingement scrubbing action needed to
remove finger prints, dirt and oils from
ture film
the film's surface. In addition, the MK VI
features an optionally engaged four-
terbalance most cine and video
well
as
the front. When mounted
on a
dolly, the Microjib Pro SX may be used as
both a static or a dynamic mount.
Made from heat-tempered alu¬
minum castings and custom-designed
sculpted extrusions, the Microjib Pro
folds to fit inside a 7" X 41" X14" optional
canvas traveling case.
For example: Cinekinetic, 2
Avon Court, Thornlie, Western Australia
VI cleans at speeds of up to 200 feet per
minute. The machine recycles the solvent
it uses. Vapors are condensed to liquid
on chilled coils and returned to the sys¬
tem. Contaminated solvent is reclaimed
2168.
internal distillation unit.
For information: Lipsner-Smith
Company, 4700 Chase, Lincolnwood, IL
60646, (708) 677-3000, FAX (708) 677an
1311.
6108, (619) 459-3690, FAX (619) 493-
Fuji Film Stocks
Fuji Photo Film's new Fujicolor
Super F-Series of color motion picture
film includes Fujicolor F-125/F-250 tung¬
sten type and F-64D/F-250D daylight
type color negative film. Fujicolor Posi¬
tive Film FCP is a new color print film that
dispenses with the conventional need for
a
Jib Arm
Cinekinetic's Microjib Pro SX
tripod-mounted jib arm has a built-in spi¬
der connector
78
cameras.
Keyed heavy-duty handlebars enable the
operator to drive the jib from the rear as
roller submerged rotary buffer system to
assist in removing impacted dirt. The MK
by
American
enabling the operator to
Cinematographer
matte finish like other Westcott reflec¬
tors.
black
backing. The
new
films feature
sisting of one frame and one each of 3/4stop, 11/4-stop or silver/white fabrics.
Various accessories
are
available with
Scrim Jim,
including a clamp, handle,
pivotal floor stand and a butterfly
bracket.
For information: The F.J.
Westcott Co., P.0. Box 1596, Toledo, OH
43603, (419)243-7311.
Digital Film Scanners
Imagica's Digital Film Scanner
IDS 3000 is designed to transfer 35mm
motion picture film into 4K X 3K, 36 bits
per pixel, digital image data. It employs
tri-color line CCD for pick-up and a pro¬
prietary movement capable of fast film
shuttling with precise film registration.
Magnification and scanning position are
optically variable with computer control
the maximum resolution out of
the various 35mm film formats.
The tri-color line CCD reads 12
to extract
million
pixels from
one
frame of motion
picture film. To meet the tolerance
re¬
outstanding sharpness and granularity
quired at this resolution, the newly de¬
with rich, realistic
signed high-precision pin-registered
movement locks the film frame in place
gradation. Expanded
latitude produces reliable per¬
formance under varied conditions, while
exposure
January 1995
during the
scan.
American Cinematographer - January 1995
Table of Contents for the Digital Edition of American Cinematographer - January 1995
American Cinematographer - January 1995 - 1
American Cinematographer - January 1995 - 2
American Cinematographer - January 1995 - 3
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American Cinematographer - January 1995 - 26
American Cinematographer - January 1995 - 27
American Cinematographer - January 1995 - 28
American Cinematographer - January 1995 - 29
American Cinematographer - January 1995 - 30
American Cinematographer - January 1995 - 31
American Cinematographer - January 1995 - 32
American Cinematographer - January 1995 - 33
American Cinematographer - January 1995 - 34
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American Cinematographer - January 1995 - 39
American Cinematographer - January 1995 - 40
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American Cinematographer - January 1995 - 43
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American Cinematographer - January 1995 - 49
American Cinematographer - January 1995 - 50
American Cinematographer - January 1995 - 51
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American Cinematographer - January 1995 - 53
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American Cinematographer - January 1995 - 55
American Cinematographer - January 1995 - 56
American Cinematographer - January 1995 - 57
American Cinematographer - January 1995 - 58
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American Cinematographer - January 1995 - 62
American Cinematographer - January 1995 - 63
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American Cinematographer - January 1995 - 72
American Cinematographer - January 1995 - 73
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