Director of Photography Ric Waite ASC talks about using anamorphic equipment from Clairmont Camera to shoot On Deadly Ground o O D TD "S c ,3 pq a* E c OX) v s-i o ° d > h T3 ^ soon we Q „ " w a O T3 j . GJD (D D Vd* ffi 03 S-i ^ picture with them." 3 O *S co shot most of the he's done for all of us." 03 CO D Ui *<- t3 £ K x> of those. But we attention Waite. "Denny went out of his way to accommodate me. I have the highest respect for what w ^ one got another from Clairmont ; and "As usual, I got personal at Clairmont," says Mr. < *3 fc C -4-: " 0,^3 'o Sh o started out with ^ 'w M .S ! C §C § c o a C s- 5P H -p Their visual effects unit also used our W7, W9 and Wll VistaVision cameras and Zeiss Hasselblad lenses. "XXI e rented the Clairmont hard T T anamorphics (because they're smaller than the Arriscopes) to use with the Steadicam and for hand-holding. But they were so good I ended up using them several times on the stage, on a dolly," says Ric Waite. "The Cooke 36 to 200 anamorphic zooms were also great - superb optics. We CLAIRMONT CAMERA 4343 Lankershim Blvd, N. Hollywood. Phone: (818)761-4440. Fax: (818)761-0861 Telephone: (604) 984-4563. Fax: (604) 984-4693 North Shore Studios, Vancouver.