American Cinematographer - May 1995 - 9

oV^'VVo

-

'

BTS

TELECINE

I wanted
to look more

cinematic..
Gordon Lonsdale
Director of

Photography

"Northern

more like a feature film than
TV series. When Digital Magic
told us they had a BTS telecine, I
knew it could handle the work I
wanted to do.
"When people watch us at

they blow people's minds away.
And they're so crisp they can pull

home, we want the image they see
to retain as much of the original

times it sees
naked eye."

.

.

.

a

details out of shadows.

"Everything is there
shot

we

scanner

on tape that
film. The BTS CCD
is so sensitive that some¬

on

things better than

my

35mm film

quality as possible. As
result, the right telecine is
extremely important in transferring
our footage to videotape.
"Working with the BTS telecine
is such a pleasure. When our
footage comers back on video¬
tape, the transfers are so good
a

Whether

you're working in

525,625, 4:3
true to the
can
us

look

Call toll-free

(800) 962-4BTS

Outside the U.S. and Canada

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"Northern Exposure" is ® & © 1990, 1994 Universal City Studios, Inc. All rights reserved. "Northern Expo¬
sure" is transferred at Digital Magic, a full-service digital post-production facility in Santa Monica, Calif.

A PHILIPS COMPANY



American Cinematographer - May 1995

Table of Contents for the Digital Edition of American Cinematographer - May 1995

American Cinematographer - May 1995 - 1
American Cinematographer - May 1995 - 2
American Cinematographer - May 1995 - 3
American Cinematographer - May 1995 - 4
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American Cinematographer - May 1995 - 108
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