American Cinematographer - June 1995 - 110

jVjettf "30 footer"
Super Giant Plus
Now the
can

Jimmy Jib

reach

heights

of 30 ft. with the

Super Giant Plus
extension kit.
50 lbs.

Camera

are

available in 1,000,2,000 and 5,000W
The

company's Goya 2,500/

and tilt. New for

positive horizontal and vertical brakes for
freezing the picture on-air at the rear of

luminaire

the head.

can

illuminate wide

areas

from

single-shadow source and be used in
any mounted position. It can be used as
a broadlight for wide coverage, as a
skypan, for overhead lighting, as a
bounce light, or as a source for drops and
cycloramas.

a

is

capable of mounting either a 2,500

The extended range of the
sliding balance plate also meets
teleprompting requirements. Its spindle
drive balances the

with the

For information: Sachtler AG,
(089) 3 21 58-200, FAX (089) 3 21 58-227.

or

Van

The luminaire

Carter Car

can

camera

prompter at any tilt position.

4,000W single-ended discharge lamp.
be both

locally and
remotely operated by momentary push

Top Camera Platform
Tops' new tubular

metal van-top camera platform for pho¬
tographers and videographers is easy to

Still

buttons, and features DeSisti's hot

the most

strike for quiet operation. Other charac¬
teristics include a special ceramic glass
filter for protection against UV lamp

assemble and

emission;

For information: Harry "Carter
Cartop" Mfg., P.0. Box 298, Welches, OR

portable and
affordable jib
arm

in the

world!

re¬

an external knob for locking/
unlocking the bulb with a special cam to
guarantee bulb tightening; easy access
for bulb insertion/removal; high effi¬
ciency air flow to enhance heat dissipa¬
tion; flicker-free ballast operation; spe¬
cial safety cutoffs; and an igniter boxmounted counter that shows operation
hours for easy lamp life detection.

The unit's stainless steel hous¬

ing measures 29.4" X 20.5" X12.6" when
mounted and weighs just 37 pounds. It is
available with both electronic and mag¬
netic ballast and is finished in electro¬
statically deposed black epoxy paint with
yellow-painted stirrup and skid.
For information: DeSisti Lighting,
1109 Grand Ave., North Bergen, NJ 07047,
(201)391-1100, FAX(201)391-1104.

WHY PAY MORE
FOR FILTERS
*

Color Stability

*

High Heat Tolerance

*

Lower Cost

*

Sheets 21" x 24"

*

Rolls 48" X 25'

*

Filter Packs 12" x 12"
FOR A FREE SWATCH BOOK
SEE YOUR DEALER OR WRITE

Tripod and Fluid Head
Sachtler's OB 2000 heavy-duty
tripod has an integrated off-ground
spreader which clamps to a hand-crank
column, eliminating the need for a sepa¬
rate spreader. The tripod has rotatable
rubber feet and hinge locks that can be
tightened and clamped to prevent un¬
wanted movement between tripod legs
and the base. Besides the Video 90 panand-tilt head, the 0B 2000 accepts all

standard flat base mounts and hand-

crank columns, as well as Video Mitchell
mounts, without any adapter.
The Video 90 fluid head

weighs 31.7 pounds and
much

198

can carry as

pounds. It comes with the
patented leak-proof frictionless Sachtler
fluid damping, reproducible at any payload and temperature within range and
as

565 East Crescent Avenue

Ramsey. N.J. 07446-0506
(201) 236-0077

112

pan

4,000W discharge daylight shadow light

The DeSisti electronic ballast

Capacity

fully matched in

Sachtler heads is the arrangement of

outputs.

June 1995

can

be mailed via UPS. All

necessary parts are
a

supplied except for

Vs" sheet of MD0 plywood.

97067,(503)622-4477.
Cable Organizer
The Rip-Tie Company's
CableCatch Velcro fastener anchors

cords, cables and wires along surfaces
and has

a peel-away backing for easy
placement. The CableCatch adheres to
equipment racks, desks or walls and is
safe even for assembling cable runs
which transport high-speed data. The

fasteners - which have been used to
secure sound cables at the Cirque du
Soleil and as ID tags for ostriches on a
Texas bird breeding farm - are reusable

and can be released with a quick pull of
the tab.
For information: The Rip-Tie

Company, P.0. Box 77394, San Francisco,
CA 94107, (415) 543-0170, FAX (415)
777-9868.

Sports Broadcasting
Products

Egripment has introduced a
camera platform, sports dolly
and remote-controlled dolly for use in
sports broadcasting. The Hi-Lo Platform
is equipped with three legs and a ladder,
offering a maximum height of 5' 9". A
seat swivel support system is installed
new

on

fixed

the

platform, with

for the television

a camera

camera.

A

bracket

pedal swivel

support allows the cameraperson to
move the seat and camera by pushing the
footrests of the seat.

The

Sports Dolly camera plat¬
a platform upon which

form consists of



American Cinematographer - June 1995

Table of Contents for the Digital Edition of American Cinematographer - June 1995

American Cinematographer - June 1995 - 1
American Cinematographer - June 1995 - 2
American Cinematographer - June 1995 - 3
American Cinematographer - June 1995 - 4
American Cinematographer - June 1995 - 5
American Cinematographer - June 1995 - 6
American Cinematographer - June 1995 - 7
American Cinematographer - June 1995 - 8
American Cinematographer - June 1995 - 9
American Cinematographer - June 1995 - 10
American Cinematographer - June 1995 - 11
American Cinematographer - June 1995 - 12
American Cinematographer - June 1995 - 13
American Cinematographer - June 1995 - 14
American Cinematographer - June 1995 - 15
American Cinematographer - June 1995 - 16
American Cinematographer - June 1995 - 17
American Cinematographer - June 1995 - 18
American Cinematographer - June 1995 - 19
American Cinematographer - June 1995 - 20
American Cinematographer - June 1995 - 21
American Cinematographer - June 1995 - 22
American Cinematographer - June 1995 - 23
American Cinematographer - June 1995 - 24
American Cinematographer - June 1995 - 25
American Cinematographer - June 1995 - 26
American Cinematographer - June 1995 - 27
American Cinematographer - June 1995 - 28
American Cinematographer - June 1995 - 29
American Cinematographer - June 1995 - 30
American Cinematographer - June 1995 - 31
American Cinematographer - June 1995 - 32
American Cinematographer - June 1995 - 33
American Cinematographer - June 1995 - 34
American Cinematographer - June 1995 - 35
American Cinematographer - June 1995 - 36
American Cinematographer - June 1995 - 37
American Cinematographer - June 1995 - 38
American Cinematographer - June 1995 - 39
American Cinematographer - June 1995 - 40
American Cinematographer - June 1995 - 41
American Cinematographer - June 1995 - 42
American Cinematographer - June 1995 - 43
American Cinematographer - June 1995 - 44
American Cinematographer - June 1995 - 45
American Cinematographer - June 1995 - 46
American Cinematographer - June 1995 - 47
American Cinematographer - June 1995 - 48
American Cinematographer - June 1995 - 49
American Cinematographer - June 1995 - 50
American Cinematographer - June 1995 - 51
American Cinematographer - June 1995 - 52
American Cinematographer - June 1995 - 53
American Cinematographer - June 1995 - 54
American Cinematographer - June 1995 - 55
American Cinematographer - June 1995 - 56
American Cinematographer - June 1995 - 57
American Cinematographer - June 1995 - 58
American Cinematographer - June 1995 - 59
American Cinematographer - June 1995 - 60
American Cinematographer - June 1995 - 61
American Cinematographer - June 1995 - 62
American Cinematographer - June 1995 - 63
American Cinematographer - June 1995 - 64
American Cinematographer - June 1995 - 65
American Cinematographer - June 1995 - 66
American Cinematographer - June 1995 - 67
American Cinematographer - June 1995 - 68
American Cinematographer - June 1995 - 69
American Cinematographer - June 1995 - 70
American Cinematographer - June 1995 - 71
American Cinematographer - June 1995 - 72
American Cinematographer - June 1995 - 73
American Cinematographer - June 1995 - 74
American Cinematographer - June 1995 - 75
American Cinematographer - June 1995 - 76
American Cinematographer - June 1995 - 77
American Cinematographer - June 1995 - 78
American Cinematographer - June 1995 - 79
American Cinematographer - June 1995 - 80
American Cinematographer - June 1995 - 81
American Cinematographer - June 1995 - 82
American Cinematographer - June 1995 - 83
American Cinematographer - June 1995 - 84
American Cinematographer - June 1995 - 85
American Cinematographer - June 1995 - 86
American Cinematographer - June 1995 - 87
American Cinematographer - June 1995 - 88
American Cinematographer - June 1995 - 89
American Cinematographer - June 1995 - 90
American Cinematographer - June 1995 - 91
American Cinematographer - June 1995 - 92
American Cinematographer - June 1995 - 93
American Cinematographer - June 1995 - 94
American Cinematographer - June 1995 - 95
American Cinematographer - June 1995 - 96
American Cinematographer - June 1995 - 97
American Cinematographer - June 1995 - 98
American Cinematographer - June 1995 - 99
American Cinematographer - June 1995 - 100
American Cinematographer - June 1995 - 101
American Cinematographer - June 1995 - 102
American Cinematographer - June 1995 - 103
American Cinematographer - June 1995 - 104
American Cinematographer - June 1995 - 105
American Cinematographer - June 1995 - 106
American Cinematographer - June 1995 - 107
American Cinematographer - June 1995 - 108
American Cinematographer - June 1995 - 109
American Cinematographer - June 1995 - 110
American Cinematographer - June 1995 - 111
American Cinematographer - June 1995 - 112
American Cinematographer - June 1995 - 113
American Cinematographer - June 1995 - 114
American Cinematographer - June 1995 - 115
American Cinematographer - June 1995 - 116
American Cinematographer - June 1995 - 117
American Cinematographer - June 1995 - 118
American Cinematographer - June 1995 - 119
American Cinematographer - June 1995 - 120
American Cinematographer - June 1995 - 121
American Cinematographer - June 1995 - 122
American Cinematographer - June 1995 - 123
American Cinematographer - June 1995 - 124
American Cinematographer - June 1995 - 125
American Cinematographer - June 1995 - 126
American Cinematographer - June 1995 - 127
American Cinematographer - June 1995 - 128
American Cinematographer - June 1995 - 129
American Cinematographer - June 1995 - 130
American Cinematographer - June 1995 - 131
American Cinematographer - June 1995 - 132
https://www.nxtbook.com/nxtbooks/ac/ac199912
https://www.nxtbook.com/nxtbooks/ac/ac199911
https://www.nxtbook.com/nxtbooks/ac/ac199910
https://www.nxtbook.com/nxtbooks/ac/ac199909
https://www.nxtbook.com/nxtbooks/ac/ac199908
https://www.nxtbook.com/nxtbooks/ac/ac199907
https://www.nxtbook.com/nxtbooks/ac/ac199906
https://www.nxtbook.com/nxtbooks/ac/ac199905
https://www.nxtbook.com/nxtbooks/ac/ac199904
https://www.nxtbook.com/nxtbooks/ac/ac199903
https://www.nxtbook.com/nxtbooks/ac/ac199902
https://www.nxtbook.com/nxtbooks/ac/ac199901
https://www.nxtbook.com/nxtbooks/ac/ac199812
https://www.nxtbook.com/nxtbooks/ac/ac199811
https://www.nxtbook.com/nxtbooks/ac/ac199810
https://www.nxtbook.com/nxtbooks/ac/ac199809
https://www.nxtbook.com/nxtbooks/ac/ac199808
https://www.nxtbook.com/nxtbooks/ac/ac199807
https://www.nxtbook.com/nxtbooks/ac/ac199806
https://www.nxtbook.com/nxtbooks/ac/ac199805
https://www.nxtbook.com/nxtbooks/ac/ac199804
https://www.nxtbook.com/nxtbooks/ac/ac199803
https://www.nxtbook.com/nxtbooks/ac/ac199802
https://www.nxtbook.com/nxtbooks/ac/ac199801
https://www.nxtbook.com/nxtbooks/ac/ac199712
https://www.nxtbook.com/nxtbooks/ac/ac199711
https://www.nxtbook.com/nxtbooks/ac/ac199710
https://www.nxtbook.com/nxtbooks/ac/ac199709
https://www.nxtbook.com/nxtbooks/ac/ac199708
https://www.nxtbook.com/nxtbooks/ac/ac199707
https://www.nxtbook.com/nxtbooks/ac/ac199706
https://www.nxtbook.com/nxtbooks/ac/ac199705
https://www.nxtbook.com/nxtbooks/ac/ac199704
https://www.nxtbook.com/nxtbooks/ac/ac199703
https://www.nxtbook.com/nxtbooks/ac/ac199702
https://www.nxtbook.com/nxtbooks/ac/ac199701
https://www.nxtbook.com/nxtbooks/ac/ac199612
https://www.nxtbook.com/nxtbooks/ac/ac199611
https://www.nxtbook.com/nxtbooks/ac/ac199610
https://www.nxtbook.com/nxtbooks/ac/ac199609
https://www.nxtbook.com/nxtbooks/ac/ac199608
https://www.nxtbook.com/nxtbooks/ac/ac199607
https://www.nxtbook.com/nxtbooks/ac/ac199606
https://www.nxtbook.com/nxtbooks/ac/ac199605
https://www.nxtbook.com/nxtbooks/ac/ac199604
https://www.nxtbook.com/nxtbooks/ac/ac199603
https://www.nxtbook.com/nxtbooks/ac/ac199602
https://www.nxtbook.com/nxtbooks/ac/ac199601
https://www.nxtbook.com/nxtbooks/ac/ac199512
https://www.nxtbook.com/nxtbooks/ac/ac199511
https://www.nxtbook.com/nxtbooks/ac/ac199510
https://www.nxtbook.com/nxtbooks/ac/ac199509
https://www.nxtbook.com/nxtbooks/ac/ac199508
https://www.nxtbook.com/nxtbooks/ac/ac199507
https://www.nxtbook.com/nxtbooks/ac/ac199506
https://www.nxtbook.com/nxtbooks/ac/ac199505
https://www.nxtbook.com/nxtbooks/ac/ac199504
https://www.nxtbook.com/nxtbooks/ac/ac199503
https://www.nxtbook.com/nxtbooks/ac/ac199502
https://www.nxtbook.com/nxtbooks/ac/ac199501
https://www.nxtbook.com/nxtbooks/ac/ac199412
https://www.nxtbook.com/nxtbooks/ac/ac199411
https://www.nxtbook.com/nxtbooks/ac/ac199410
https://www.nxtbook.com/nxtbooks/ac/ac199409
https://www.nxtbook.com/nxtbooks/ac/ac199408
https://www.nxtbook.com/nxtbooks/ac/ac199407
https://www.nxtbook.com/nxtbooks/ac/ac199406
https://www.nxtbook.com/nxtbooks/ac/ac199405
https://www.nxtbook.com/nxtbooks/ac/ac199404
https://www.nxtbook.com/nxtbooks/ac/ac199403
https://www.nxtbook.com/nxtbooks/ac/ac199402
https://www.nxtbook.com/nxtbooks/ac/ac199401
https://www.nxtbook.com/nxtbooks/ac/ac199312
https://www.nxtbook.com/nxtbooks/ac/ac199311
https://www.nxtbook.com/nxtbooks/ac/ac199310
https://www.nxtbook.com/nxtbooks/ac/ac199309
https://www.nxtbook.com/nxtbooks/ac/ac199308
https://www.nxtbook.com/nxtbooks/ac/ac199307
https://www.nxtbook.com/nxtbooks/ac/ac199306
https://www.nxtbook.com/nxtbooks/ac/ac199305
https://www.nxtbook.com/nxtbooks/ac/ac199304
https://www.nxtbook.com/nxtbooks/ac/ac199303
https://www.nxtbook.com/nxtbooks/ac/ac199302
https://www.nxtbook.com/nxtbooks/ac/ac199301
https://www.nxtbook.com/nxtbooks/ac/ac199212
https://www.nxtbook.com/nxtbooks/ac/ac199211
https://www.nxtbook.com/nxtbooks/ac/ac199210
https://www.nxtbook.com/nxtbooks/ac/ac199209
https://www.nxtbook.com/nxtbooks/ac/ac199208
https://www.nxtbook.com/nxtbooks/ac/ac199207
https://www.nxtbook.com/nxtbooks/ac/ac199206
https://www.nxtbook.com/nxtbooks/ac/ac199205
https://www.nxtbook.com/nxtbooks/ac/ac199204
https://www.nxtbook.com/nxtbooks/ac/ac199203
https://www.nxtbook.com/nxtbooks/ac/ac199202
https://www.nxtbook.com/nxtbooks/ac/ac199201
https://www.nxtbook.com/nxtbooks/ac/ac199112
https://www.nxtbook.com/nxtbooks/ac/ac199111
https://www.nxtbook.com/nxtbooks/ac/ac199110
https://www.nxtbook.com/nxtbooks/ac/ac199109
https://www.nxtbook.com/nxtbooks/ac/ac199108
https://www.nxtbook.com/nxtbooks/ac/ac199107
https://www.nxtbook.com/nxtbooks/ac/ac199106
https://www.nxtbook.com/nxtbooks/ac/ac199105
https://www.nxtbook.com/nxtbooks/ac/ac199104
https://www.nxtbook.com/nxtbooks/ac/ac199103
https://www.nxtbook.com/nxtbooks/ac/ac199102
https://www.nxtbook.com/nxtbooks/ac/ac199101
https://www.nxtbook.com/nxtbooks/ac/ac199012
https://www.nxtbook.com/nxtbooks/ac/ac199011
https://www.nxtbook.com/nxtbooks/ac/ac199010
https://www.nxtbook.com/nxtbooks/ac/ac199009
https://www.nxtbook.com/nxtbooks/ac/ac199008
https://www.nxtbook.com/nxtbooks/ac/ac199007
https://www.nxtbook.com/nxtbooks/ac/ac199006
https://www.nxtbook.com/nxtbooks/ac/ac199005
https://www.nxtbook.com/nxtbooks/ac/ac199004
https://www.nxtbook.com/nxtbooks/ac/ac199003
https://www.nxtbook.com/nxtbooks/ac/ac199002
https://www.nxtbook.com/nxtbooks/ac/ac199001
https://www.nxtbookmedia.com