American Cinematographer - June 1995 - 89
Point, Counterpoint: DVD Formats Proposed
Disc
system will likely supercede videocassettes.
by Frank Beacham
Digital Video Disc (DVD) - the
likely successor to the VHS vid¬
the next home
movie format - is on a fast track
eocassette
as
to the
marketplace even though
incompatible versions of the
format still threaten a marketing
At least for now, both
Sony/Philips and Toshiba/Time
Warner vow publicly to take their
incompatible formats to market
next year. If that happens, a new
president of technical operations
at Warner Brothers. "What
we
trying to do is be realistic
about the aspect ratio of the TV
are
sets that exist in the marketplace
and try to provide something that
plays in proper proportion. The
issue here is to adapt to available
screen sizes and
shapes and to lay
An alliance of nine of the
world's top consumer electron¬
video format war
reminiscent of the Betamax ver¬
sus VHS battle in the Seventies -
could be in the offing.
The alliance format is
ics, software and entertainment
being backed by Toshiba Corp.,
borders." Cookson said issues of
companies have proposed a new
dual-sided five-inch digital video
disc (DVD) format with enough
storage capacity to hold two fulllength feature films. That new
disc format, created by Toshiba
and Time Warner, is incompat¬
ible with a single-sided five-inch
high-density multimedia CD
configuration proposed last De¬
cember by Sony and Philips.
Time Warner, Inc., Matsushita
Electric Industrial Co. Ltd.,
scalability to other display sizes
two
war.
came
The alliance's format be¬
the instant front-runner as
industry standard after Sony
study its
specifications in an attempt to
agree on a single DVD format.
Then Sony did a quick turn¬
an
announced it would
around and announced it will not
support the competing format.
"Sony believes the
Philips/Sony specifications pro¬
vide the best option for optical
media for the coming multimedia
era," said Nobuyuki Idei, then
managing director of Sony Corp.
Soon after that statement
was
released, Idei
was
named
Sony's new president. In his first
interview with reporters after his
promotion, Idei backed away
from a potential format war, say¬
ing that Sony and its competitors
consumer
-
Thomson Consumer Electronics
SA, Hitachi, Ltd., Pioneer Elec¬
tronic
Corp., Zenith Electronics
Corp., MCA, Inc. and MGM/UA.
Additional support for the for¬
mat was announced by Victor Co.
of Japan (JVC), Mitsubishi Elec¬
tric Corp., Nippon Columbia Co.
Ltd. (Denon) and Turner Home
Entertainment.
a
picture with appropriate black
.
.
."Think of it instead
very powerful and costefficient storage device."
a
-
Gerald M. Levin,
Time Warner's chairman and CEO
might be addressed in a second
generation of the format that is
sembles a conventional music
CD. Each side can store up to five
scheduled for introduction in
1998.
A 135-minute disc pro¬
vides a minimum of three lan¬
gigabytes of data, a capacity 15
times greater than available on a
guage channels and four subtitle
channels and has the ability to
standard CD. The double-sided
disc is formed by back-to-back
carry as many as eight languages
and 32 subtitles. This allows pro¬
ducers to put multiple language
The alliance disc
re¬
bonding of two 0.6mm-thick fiveinch discs. The bonding process
is similar to that
now
used to
manufacture the current genera¬
tion of video laserdiscs.
The alliance format uses
variable MPEG-2 digital image
compression technology. The
system allows a peak data trans¬
fer rate of 10 megabits per second
and can sustain an average trans¬
fer rate of 4.94 megabits per sec¬
ond for the full 135 minutes on
each side.
The DVD format dis¬
as
versions
on one
disc, thus reduc¬
ing mastering and inventory
costs and making it easier to en¬
ter a large number of markets si¬
multaneously. Consumers will be
able to choose either a dubbed,
subtitled or original language
version of a film. Other features
include Dolby AC-3 (5.1 channel)
surround audio, parental lock out
capability, and current audio CD
playback compatibility
The alliance format has
should reach "a common solu¬
tion" that won't confuse or slow
the growth of the new DVD mar¬
ket. However, he said, no nego¬
tiations on a compromise have
not what the cinematographers
would like to see," said Christo¬
been scheduled.
pher J. Cookson, senior vice
very
June 1995
American
capabilities beyond viewing
plays film in 4:3, 16:9 and stan¬
video movies. It
dard letterbox formats. "This is
computer-related applications
both as a server supplying digital
can
be used in
transmission networks and
as a
large-capacity ROM that
Cinematographer
91
American Cinematographer - June 1995
Table of Contents for the Digital Edition of American Cinematographer - June 1995
American Cinematographer - June 1995 - 1
American Cinematographer - June 1995 - 2
American Cinematographer - June 1995 - 3
American Cinematographer - June 1995 - 4
American Cinematographer - June 1995 - 5
American Cinematographer - June 1995 - 6
American Cinematographer - June 1995 - 7
American Cinematographer - June 1995 - 8
American Cinematographer - June 1995 - 9
American Cinematographer - June 1995 - 10
American Cinematographer - June 1995 - 11
American Cinematographer - June 1995 - 12
American Cinematographer - June 1995 - 13
American Cinematographer - June 1995 - 14
American Cinematographer - June 1995 - 15
American Cinematographer - June 1995 - 16
American Cinematographer - June 1995 - 17
American Cinematographer - June 1995 - 18
American Cinematographer - June 1995 - 19
American Cinematographer - June 1995 - 20
American Cinematographer - June 1995 - 21
American Cinematographer - June 1995 - 22
American Cinematographer - June 1995 - 23
American Cinematographer - June 1995 - 24
American Cinematographer - June 1995 - 25
American Cinematographer - June 1995 - 26
American Cinematographer - June 1995 - 27
American Cinematographer - June 1995 - 28
American Cinematographer - June 1995 - 29
American Cinematographer - June 1995 - 30
American Cinematographer - June 1995 - 31
American Cinematographer - June 1995 - 32
American Cinematographer - June 1995 - 33
American Cinematographer - June 1995 - 34
American Cinematographer - June 1995 - 35
American Cinematographer - June 1995 - 36
American Cinematographer - June 1995 - 37
American Cinematographer - June 1995 - 38
American Cinematographer - June 1995 - 39
American Cinematographer - June 1995 - 40
American Cinematographer - June 1995 - 41
American Cinematographer - June 1995 - 42
American Cinematographer - June 1995 - 43
American Cinematographer - June 1995 - 44
American Cinematographer - June 1995 - 45
American Cinematographer - June 1995 - 46
American Cinematographer - June 1995 - 47
American Cinematographer - June 1995 - 48
American Cinematographer - June 1995 - 49
American Cinematographer - June 1995 - 50
American Cinematographer - June 1995 - 51
American Cinematographer - June 1995 - 52
American Cinematographer - June 1995 - 53
American Cinematographer - June 1995 - 54
American Cinematographer - June 1995 - 55
American Cinematographer - June 1995 - 56
American Cinematographer - June 1995 - 57
American Cinematographer - June 1995 - 58
American Cinematographer - June 1995 - 59
American Cinematographer - June 1995 - 60
American Cinematographer - June 1995 - 61
American Cinematographer - June 1995 - 62
American Cinematographer - June 1995 - 63
American Cinematographer - June 1995 - 64
American Cinematographer - June 1995 - 65
American Cinematographer - June 1995 - 66
American Cinematographer - June 1995 - 67
American Cinematographer - June 1995 - 68
American Cinematographer - June 1995 - 69
American Cinematographer - June 1995 - 70
American Cinematographer - June 1995 - 71
American Cinematographer - June 1995 - 72
American Cinematographer - June 1995 - 73
American Cinematographer - June 1995 - 74
American Cinematographer - June 1995 - 75
American Cinematographer - June 1995 - 76
American Cinematographer - June 1995 - 77
American Cinematographer - June 1995 - 78
American Cinematographer - June 1995 - 79
American Cinematographer - June 1995 - 80
American Cinematographer - June 1995 - 81
American Cinematographer - June 1995 - 82
American Cinematographer - June 1995 - 83
American Cinematographer - June 1995 - 84
American Cinematographer - June 1995 - 85
American Cinematographer - June 1995 - 86
American Cinematographer - June 1995 - 87
American Cinematographer - June 1995 - 88
American Cinematographer - June 1995 - 89
American Cinematographer - June 1995 - 90
American Cinematographer - June 1995 - 91
American Cinematographer - June 1995 - 92
American Cinematographer - June 1995 - 93
American Cinematographer - June 1995 - 94
American Cinematographer - June 1995 - 95
American Cinematographer - June 1995 - 96
American Cinematographer - June 1995 - 97
American Cinematographer - June 1995 - 98
American Cinematographer - June 1995 - 99
American Cinematographer - June 1995 - 100
American Cinematographer - June 1995 - 101
American Cinematographer - June 1995 - 102
American Cinematographer - June 1995 - 103
American Cinematographer - June 1995 - 104
American Cinematographer - June 1995 - 105
American Cinematographer - June 1995 - 106
American Cinematographer - June 1995 - 107
American Cinematographer - June 1995 - 108
American Cinematographer - June 1995 - 109
American Cinematographer - June 1995 - 110
American Cinematographer - June 1995 - 111
American Cinematographer - June 1995 - 112
American Cinematographer - June 1995 - 113
American Cinematographer - June 1995 - 114
American Cinematographer - June 1995 - 115
American Cinematographer - June 1995 - 116
American Cinematographer - June 1995 - 117
American Cinematographer - June 1995 - 118
American Cinematographer - June 1995 - 119
American Cinematographer - June 1995 - 120
American Cinematographer - June 1995 - 121
American Cinematographer - June 1995 - 122
American Cinematographer - June 1995 - 123
American Cinematographer - June 1995 - 124
American Cinematographer - June 1995 - 125
American Cinematographer - June 1995 - 126
American Cinematographer - June 1995 - 127
American Cinematographer - June 1995 - 128
American Cinematographer - June 1995 - 129
American Cinematographer - June 1995 - 130
American Cinematographer - June 1995 - 131
American Cinematographer - June 1995 - 132
https://www.nxtbook.com/nxtbooks/ac/ac199912
https://www.nxtbook.com/nxtbooks/ac/ac199911
https://www.nxtbook.com/nxtbooks/ac/ac199910
https://www.nxtbook.com/nxtbooks/ac/ac199909
https://www.nxtbook.com/nxtbooks/ac/ac199908
https://www.nxtbook.com/nxtbooks/ac/ac199907
https://www.nxtbook.com/nxtbooks/ac/ac199906
https://www.nxtbook.com/nxtbooks/ac/ac199905
https://www.nxtbook.com/nxtbooks/ac/ac199904
https://www.nxtbook.com/nxtbooks/ac/ac199903
https://www.nxtbook.com/nxtbooks/ac/ac199902
https://www.nxtbook.com/nxtbooks/ac/ac199901
https://www.nxtbook.com/nxtbooks/ac/ac199812
https://www.nxtbook.com/nxtbooks/ac/ac199811
https://www.nxtbook.com/nxtbooks/ac/ac199810
https://www.nxtbook.com/nxtbooks/ac/ac199809
https://www.nxtbook.com/nxtbooks/ac/ac199808
https://www.nxtbook.com/nxtbooks/ac/ac199807
https://www.nxtbook.com/nxtbooks/ac/ac199806
https://www.nxtbook.com/nxtbooks/ac/ac199805
https://www.nxtbook.com/nxtbooks/ac/ac199804
https://www.nxtbook.com/nxtbooks/ac/ac199803
https://www.nxtbook.com/nxtbooks/ac/ac199802
https://www.nxtbook.com/nxtbooks/ac/ac199801
https://www.nxtbook.com/nxtbooks/ac/ac199712
https://www.nxtbook.com/nxtbooks/ac/ac199711
https://www.nxtbook.com/nxtbooks/ac/ac199710
https://www.nxtbook.com/nxtbooks/ac/ac199709
https://www.nxtbook.com/nxtbooks/ac/ac199708
https://www.nxtbook.com/nxtbooks/ac/ac199707
https://www.nxtbook.com/nxtbooks/ac/ac199706
https://www.nxtbook.com/nxtbooks/ac/ac199705
https://www.nxtbook.com/nxtbooks/ac/ac199704
https://www.nxtbook.com/nxtbooks/ac/ac199703
https://www.nxtbook.com/nxtbooks/ac/ac199702
https://www.nxtbook.com/nxtbooks/ac/ac199701
https://www.nxtbook.com/nxtbooks/ac/ac199612
https://www.nxtbook.com/nxtbooks/ac/ac199611
https://www.nxtbook.com/nxtbooks/ac/ac199610
https://www.nxtbook.com/nxtbooks/ac/ac199609
https://www.nxtbook.com/nxtbooks/ac/ac199608
https://www.nxtbook.com/nxtbooks/ac/ac199607
https://www.nxtbook.com/nxtbooks/ac/ac199606
https://www.nxtbook.com/nxtbooks/ac/ac199605
https://www.nxtbook.com/nxtbooks/ac/ac199604
https://www.nxtbook.com/nxtbooks/ac/ac199603
https://www.nxtbook.com/nxtbooks/ac/ac199602
https://www.nxtbook.com/nxtbooks/ac/ac199601
https://www.nxtbook.com/nxtbooks/ac/ac199512
https://www.nxtbook.com/nxtbooks/ac/ac199511
https://www.nxtbook.com/nxtbooks/ac/ac199510
https://www.nxtbook.com/nxtbooks/ac/ac199509
https://www.nxtbook.com/nxtbooks/ac/ac199508
https://www.nxtbook.com/nxtbooks/ac/ac199507
https://www.nxtbook.com/nxtbooks/ac/ac199506
https://www.nxtbook.com/nxtbooks/ac/ac199505
https://www.nxtbook.com/nxtbooks/ac/ac199504
https://www.nxtbook.com/nxtbooks/ac/ac199503
https://www.nxtbook.com/nxtbooks/ac/ac199502
https://www.nxtbook.com/nxtbooks/ac/ac199501
https://www.nxtbook.com/nxtbooks/ac/ac199412
https://www.nxtbook.com/nxtbooks/ac/ac199411
https://www.nxtbook.com/nxtbooks/ac/ac199410
https://www.nxtbook.com/nxtbooks/ac/ac199409
https://www.nxtbook.com/nxtbooks/ac/ac199408
https://www.nxtbook.com/nxtbooks/ac/ac199407
https://www.nxtbook.com/nxtbooks/ac/ac199406
https://www.nxtbook.com/nxtbooks/ac/ac199405
https://www.nxtbook.com/nxtbooks/ac/ac199404
https://www.nxtbook.com/nxtbooks/ac/ac199403
https://www.nxtbook.com/nxtbooks/ac/ac199402
https://www.nxtbook.com/nxtbooks/ac/ac199401
https://www.nxtbook.com/nxtbooks/ac/ac199312
https://www.nxtbook.com/nxtbooks/ac/ac199311
https://www.nxtbook.com/nxtbooks/ac/ac199310
https://www.nxtbook.com/nxtbooks/ac/ac199309
https://www.nxtbook.com/nxtbooks/ac/ac199308
https://www.nxtbook.com/nxtbooks/ac/ac199307
https://www.nxtbook.com/nxtbooks/ac/ac199306
https://www.nxtbook.com/nxtbooks/ac/ac199305
https://www.nxtbook.com/nxtbooks/ac/ac199304
https://www.nxtbook.com/nxtbooks/ac/ac199303
https://www.nxtbook.com/nxtbooks/ac/ac199302
https://www.nxtbook.com/nxtbooks/ac/ac199301
https://www.nxtbook.com/nxtbooks/ac/ac199212
https://www.nxtbook.com/nxtbooks/ac/ac199211
https://www.nxtbook.com/nxtbooks/ac/ac199210
https://www.nxtbook.com/nxtbooks/ac/ac199209
https://www.nxtbook.com/nxtbooks/ac/ac199208
https://www.nxtbook.com/nxtbooks/ac/ac199207
https://www.nxtbook.com/nxtbooks/ac/ac199206
https://www.nxtbook.com/nxtbooks/ac/ac199205
https://www.nxtbook.com/nxtbooks/ac/ac199204
https://www.nxtbook.com/nxtbooks/ac/ac199203
https://www.nxtbook.com/nxtbooks/ac/ac199202
https://www.nxtbook.com/nxtbooks/ac/ac199201
https://www.nxtbook.com/nxtbooks/ac/ac199112
https://www.nxtbook.com/nxtbooks/ac/ac199111
https://www.nxtbook.com/nxtbooks/ac/ac199110
https://www.nxtbook.com/nxtbooks/ac/ac199109
https://www.nxtbook.com/nxtbooks/ac/ac199108
https://www.nxtbook.com/nxtbooks/ac/ac199107
https://www.nxtbook.com/nxtbooks/ac/ac199106
https://www.nxtbook.com/nxtbooks/ac/ac199105
https://www.nxtbook.com/nxtbooks/ac/ac199104
https://www.nxtbook.com/nxtbooks/ac/ac199103
https://www.nxtbook.com/nxtbooks/ac/ac199102
https://www.nxtbook.com/nxtbooks/ac/ac199101
https://www.nxtbook.com/nxtbooks/ac/ac199012
https://www.nxtbook.com/nxtbooks/ac/ac199011
https://www.nxtbook.com/nxtbooks/ac/ac199010
https://www.nxtbook.com/nxtbooks/ac/ac199009
https://www.nxtbook.com/nxtbooks/ac/ac199008
https://www.nxtbook.com/nxtbooks/ac/ac199007
https://www.nxtbook.com/nxtbooks/ac/ac199006
https://www.nxtbook.com/nxtbooks/ac/ac199005
https://www.nxtbook.com/nxtbooks/ac/ac199004
https://www.nxtbook.com/nxtbooks/ac/ac199003
https://www.nxtbook.com/nxtbooks/ac/ac199002
https://www.nxtbook.com/nxtbooks/ac/ac199001
https://www.nxtbookmedia.com