American Cinematographer - November 1995 - 48

Electronic Cinemato

think I could go to extraordinary
places if we continued to work to¬
gether. By the end of the film, I felt
we were
very much in sync. But
Martin has a very long relationship
with Michael Ballhaus, and I'm

SeeJL^

they'll continue that relation¬
ship in the future."
sure

Gaffer Ian Kincaid

Rentil

was

equally impressed with Scorsese's
cinematic cerebration. In a fitting
summation, he recalls the precise

Fletcher

moment

Chicago

1062 W. Huron St.

*

when he realized that he

working with a truly original
thinker: "One night, Bob, Marty
was

Chicago. IL 60622 * 312-22^-2223 * Fax (312) 226-7281

and Chris and I went out to set up
a shot for the next
night, in which
De Niro and Pesci would be driv¬

ing down the Vegas Strip in this big
Cadillac. Chris Centrella and I

I See Your
Next Film

sitting in the car in the Riviera
parking lot, trying to figure out the
camera
angle and where we were
going to put the lights. It was the
first time we'd really had the
chance to talk to Marty directly and
were

On Location

ask him

questions. He and Bob

walked around the car for a bit,
and we were listening to them as

In Nevada!

we

sat there.

Finally, Marty

came

and said to us, 'Well guys, I'm
not really sure where the camera
should be, but do you remember
over

the Gemini space

flights and
placed on
those? I really want that sense
of otherworldliness, of being in
how the

camera was

outer space;

I want it to feel as
alone in

if these guys are all
their own universe.'

"Chris and I just looked at
each other in amazement, because
we both
instantly understood what
he wanted. He wanted a wide

angle, and he wanted these guys to
be isolated; he wanted the reflec¬
tions of Vegas in the window, and
the feeling that the characters were

far away from the real world. He
didn't want the standard cop-

show, Adam 12, camera-on-the-

Feature Films

*

hood look. Like everyone else on
the film, I'd read all the books

Television

about

Commercials
Documentaries
Our staff with
the

*

*

Music Videos

sense

Industrials, Stills

Nevada Motion Picture & Television Division

Washington, #5400 * Las Vegas, NV 89101
Vegas 702/486-2711 * After Hours 702/791-0839
Reno/Tahoe 702/687-4325

re¬

I started to understand that he's
in his
total

Las

of the kind of director he

ally is until I got to hear him dis¬
cuss
things firsthand. That's when

over 60 years of experience in
industry knows your business.

555 E.

Marty and watched all of his

movies, but I really didn't get a

NEVADA
In A Supporting Role

own

world, and that he's

genius."

a



American Cinematographer - November 1995

Table of Contents for the Digital Edition of American Cinematographer - November 1995

American Cinematographer - November 1995 - 1
American Cinematographer - November 1995 - 2
American Cinematographer - November 1995 - 3
American Cinematographer - November 1995 - 4
American Cinematographer - November 1995 - 5
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American Cinematographer - November 1995 - 118
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