American Cinematographer - February 1996 - 28

200 FRAMES/SEC.
26 POUNDS
The 4ML Reflex...a

lightweight user friendly
high speed 35mm camera with dual
register pins and video assist.

Today, many cinematographers
are
of

work. Its oiling points are minimal,
an Apache helicopter and in "Top
which make the system very user
the equip¬ Gun" where there were two cameras
ment and materials available
film
internally mounted in the cockpit of
friendly. Similar to our 16mm Actionan F14.
master 500 camera, each magazine
stocks, lights, cameras, lenses, etc.
Because of its compact size and low contains its own movement. Threading
Now, with the 35mm-4ML reflex you
can break through some of those
profile, cinematographers Mike Hoover the magazine is fairly simple, and
once your mags are loaded, the camera
barriers. The 35mm-4ML is a compact, and Don King utilized the camera
reload takes only 5 seconds. They are
extensively during the filming of
lightweight user friendly high speed
"Endless Summer II. " Special water
available in 200 loads and 400 foot
camera, which is capable of frame
loads.
rates from 10 to 200 frames per second. housings were manufactured for the
Its cartridge-load type magazine makes camera, which enabled them to cap¬
Size
ture incredible surf shots in waves as
it ideal for high paced sports and

pushing the limits

-

action type

cinematography.

Yes, these cameras were originally
developed for aerospace and military
applications and have the ability to
extremely abusive envi¬

withstand

ronments. The 4ML camera was used

in the

filming of "Wings of Apache"
was externally mounted on

where it

high

as

20 feet!

The 4ML

can

be

easily converted to

accommodate size and
Film Movement
The 4ML movement uses 2 register
pins and 4 pulldown pins and main¬
tains registration to a tolerance of
±.0002 inches. In other words, it is
extremely steady and ideal for matte

requirements. There

application
3 configura¬

are

tions.
■

■
■

Reflex with video tap.
Reflex only.

Non-reflex

(point and shoot).

When used in the reflex mode with



American Cinematographer - February 1996

Table of Contents for the Digital Edition of American Cinematographer - February 1996

American Cinematographer - February 1996 - 1
American Cinematographer - February 1996 - 2
American Cinematographer - February 1996 - 3
American Cinematographer - February 1996 - 4
American Cinematographer - February 1996 - 5
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