American Cinematographer - August 1996 - 108

This Publication is Available in

is

replete with photos that include frame
blowups of several color processes.

MICROFORM

Vamp: The Rise and Fall
of Theda Bara
For

Complete Information WRITE:

by Eve Golden
Vestal Press, 288 pps.,

University

cloth, $29.95

Microfilms

International

the first

Depi. F.A., 300 North Zeeb Road, Ann Arbor, Ml 48106 U.S.A.
Dept. F.A., 18 Bedford Row, London, WC1R 4EJ England

MODEL 12-16W

The most

12/16 field,

lightweight,
high quality
animation
disc.

Golden's well-written tome, however,
gives us the next best thing, as its taken
from sources that include Bara's own

1 -800-2-456-MEX

scrapbooks. It's accompanied by numer¬
ous stills, a filmography, and an introduc¬
tion by historian Robert Birchard.
The star, publicized as being
"born in the shadow of the pyramids" to

GET THE BIG PICTURE WITH THE

iviinii-vu
COMPACT DIRECTOR'S VIEWFINDER

that

the UCLA male student who modeled

Stephen Burum, the UCLA extension

students who modeled for Laszlo Kovacs
and the Louis Lumiere students who
modeled for

Philippe Rousselot and Yves

Angelo.

rue

-

■

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Weight: 4 oz.
Length: 2" telescopes to 3"
Front lens diameter: VA"

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Use with

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35mm

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One year

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Includes neck strap, lined leather
case with belt loop, 4 aspect ratio
masks: 1.33:1, 1.66:1, 1.85:1, 2.35:1

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35mm, 16mm,

zoom

A

range:

or

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Z

I

P.O. Box 46501, W.

L

V

I

E

W

Hollywood, CA 90046

Phone 213*656*7125
Fax

213*656*6280

011-331-43-26-86-55

OR

Martha Winterhalter

American

Cinematographer

(213) 969-4333 ext. 122
FAX (213) 876-4973
104

a

French actress,

Jewish girl from Cincin¬

nati, born in 1885. Bara rose to fame in
her debut film, William Fox's 1915 pro¬
duction of A Fool There Was.
Pier screen persona,

including

imaginative Fox publicists. But when her
skyrocketed immediately, she
happily went along with the gag. Pier
enormous success lasted only five years,
but among her 42 pictures were such big
shows as Cleopatra, The Two Orphans,
Carmen, The Serpent, The Darling of
Paris, Under Two Flags, Madame DuBarry
and Salome.
Save that Goodman/Bara had

short, though highly successful, career
actress, this story is not the tearjerker one usually encounters in silentstar biographies. On the contrary, she
had wealth, a long and happy marriage
to famed British director Charles Brabin,
a

as an

and

du Four, 75006 Paris France

FAX: 011-331-40-51-71-58

a

career

Benjamin Bergery
24

actually

stage stardom in Paris, was created by

appeared in AC from 1988 to 1993 are
being expanded upon and compiled into
a book. If you modeled for any of the
lighting seminars featured in the articles,
please contact us immediately, especially
the following people: Cheryl Arutt, Bill
Brady, Stan Bertheaud, Cymbidium,
Bethany Glanz, Laurie Hartley, Kelly
Kieran, Tanner Peterman, Lydia Wiggins,
for

Italian artist and

was

All Models
The series of Reflections articles

al¬

LOCATIONS * EQUIPMENT
CREW * SERVICES

an

Attention

name was

mt i(o

aiangordon enterprises me.

Reflections
Article Series

siren whose

leged to have been created by making an
anagram out of "Death Arab." One of the
surprises encountered here is that this

Though she occasionally considered
writing an autobiography "because no¬
body ever wrote a true word about me,"
the actress regrettably never did.

1430

Cahuenga Blvd., Hollywood, CA 90028
Phone (213) 466-3561 * Fax (213) 871-2193

neer screen

wasn't the manner in which Theodosia
Goodman earned her femme fatale
name. Quite a few other legends about
the lady vampire are laid to rest as well.

ANIMATION DISC

cost effective

Strange as it may seem, this is
full-length biography of the pio¬

Caribbean
PERMITS, CUSTOMS CLEARANCE
LOCATIONS SCOUTS, CREWS, GRIP
AND LIGHTING EQUIPMENT
IMAGE MAKER PRODUCTIONS

>HONE/FAX: 809 774

005C

an enviable position in Beverly Plills
society. Late in life she talked to Hedda
Hopper about the silent movie years: "To
understand those days you must consider

that people
the screen.

believed what they saw on
Nobody had destroyed the
great illusion. Now they know it's all
make-believe."

♦



American Cinematographer - August 1996

Table of Contents for the Digital Edition of American Cinematographer - August 1996

American Cinematographer - August 1996 - 1
American Cinematographer - August 1996 - 2
American Cinematographer - August 1996 - 3
American Cinematographer - August 1996 - 4
American Cinematographer - August 1996 - 5
American Cinematographer - August 1996 - 6
American Cinematographer - August 1996 - 7
American Cinematographer - August 1996 - 8
American Cinematographer - August 1996 - 9
American Cinematographer - August 1996 - 10
American Cinematographer - August 1996 - 11
American Cinematographer - August 1996 - 12
American Cinematographer - August 1996 - 13
American Cinematographer - August 1996 - 14
American Cinematographer - August 1996 - 15
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American Cinematographer - August 1996 - 17
American Cinematographer - August 1996 - 18
American Cinematographer - August 1996 - 19
American Cinematographer - August 1996 - 20
American Cinematographer - August 1996 - 21
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American Cinematographer - August 1996 - 25
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American Cinematographer - August 1996 - 27
American Cinematographer - August 1996 - 28
American Cinematographer - August 1996 - 29
American Cinematographer - August 1996 - 30
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