American Cinematographer - September 1996 - 85

attraction and slams down onto the

Hollywood Freeway. The lengthy
sequence involved a combination
of 3-D CG and 2-D matte paintings

LEE Filters

utilizing photographic elements.
"Every background started as a
still of

a

real location," Lessa ex¬

plains, "then we degraded them
using 3-D animation so everything

"Water effects

are

always tough, but
how do

we

what such

know

a

would

wave

tidal

really

look like,

MAGNUM ON THE SET:
with Michael Ballhaus, ASC

considering that
we've

never seen a

tsunami

coming

down Wilshire
Boulevard?"
-Harrison Ellenshaw
looked

if it had been

destroyed
by an earthquake. The entire se¬
quence consists of about 20 pretty
lengthy shots, ranging from five to
as

10 seconds each."

Working on SGI and Pixar
hardware, BVVE used Alias soft¬
for modeling and animation,
doing hand-drawn work when
necessary. After rendering the
CG images via Renderman, they
composited the animation ele¬
ments using Disney's Feature Ani¬
mation Caps software.
In Carpenter's future, L.A.
has become an incredibly unstable
place. In addition to another major
ware

temblor, the director asked BVVE
to create
roars

a

massive tidal

wave

that

through the Miracle Mile sec¬

tion of the famed Wilshire Corri¬

dor. As if wreaking
ter wasn't difficult

havoc with wa¬
enough, the di¬

rector wanted Plissken to surf the

and catch an escaping
baddie, Map-to-the-Stars Eddie
(Steve Buscemi), who's high-tailing
it away in a convertible, just ahead
giant

wave

of the wall of water. BVVE's effu¬
sive reaction to the sequence may
have single-handedly landed

them the job. "Once we got the
project," Ellenshaw admits, "we
all sat around saying, 'How are we

Magnum is a versatile
and trouble-free machine.
It's

exactly the tool we
needed for our style of
photography and the many
action sequences we faced.

MEET MAGNUM-the

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and ultra-smooth combi-wheels that can be configured

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Ballhaus & Magnum on the
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83



American Cinematographer - September 1996

Table of Contents for the Digital Edition of American Cinematographer - September 1996

American Cinematographer - September 1996 - 1
American Cinematographer - September 1996 - 2
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