American Cinematographer - October 1996 - 99

Upgrade the power of any ARRI

and is also easy to operate; double-stick
tape on two sides of the diffusion frame
make it a snap to mount diffusion and
color correction. More than

one

frame

be used in the soft box for multiple
be
positioned anywhere in the box by slid¬
ing it back and forth. The outside of the
soft box is black; the interior is painted
with bright, reflective white paint. Each
GamLitt includes a folding soft box, one
folding snoot, one filter frame, three sup¬
port rods and hardware and simple as¬
sembly instructions.

ACCESSORY
BLOCK
and Lens
Light

*

may

levels of diffusion, and the frame may

*

7 connectors

expand accessory
options while reducing the usual
tangle of cables.
Self

resetting circuit protection on

each connector.
*

*

Swing out tape hook helps clear
large matte boxes.
Lens Light with flexible 20 inch
gooseneck positions a high intensity
light above the work area.

CINEN/MTOCmPW/s
electronics
31238 Via Colinas, Suite A * Westlake

Village, California 91362 * USA

*

Phone (818) 706-3334

*

Fax (818) 706-3335

The Great American Market

also offers the following products: the X3
Jr. Flickmaster, a triple flicker generator
that has a variety
strobes and pulses

effects; the GelFile,

Lock 'n Load.

of flickers, chases,
for realistic lighting
a

Harrison Tents
come in 3 sizes:

database of tech¬

nical and visual information about color
filters that displays and will print out the

16mm, 35mm,
& 65mm.

dominant wavelength, purity and bright¬
ness of over 1,250 different gels; and the

Harrison Film Changing Tents come
in compact storage pouches & set
up easily for quick changes. Domed
ceilings provide roomy, light-tight,
dust-free film loading. Ask your
equipment supplier for Harrison
Tents by Camera Essentials.

Shadowmaster, a lightweight and por¬
grip system that can be used with

table

almost any light.
Great American Market, (213)
461-0200

CAMERA

L
Maboiit owJsim
hanging Bags tot

Jam

ESSENTIALS

2620-1/2

Hyperion Ave., Los Angeles, CA 90027
Tel:213-666-8936 fax:213-666-0214

Sony Progressive
Scan Camera

Sony introduces its new DXC9000 3-CCD color video camera, de¬

signed for a broad range of applications
including computer graphics, surveil¬
lance and traffic monitoring. The
camera's progressive scan technology
allows the DXC-9000 to record all the

pixels in an image frame in Veo
ond. This drastically reduces

of a sec¬
blur and
captures clear, high-resolution images of
moving objects. In addition, its images
are recorded as small pixels that help to
avoid aliasing, and provide clear image
capture and manipulation. The camera
can also output images in NTSC, allow¬
ing sports, motion analysis and other
video-based application to take full ad¬
vantage of the camera's high-speed im¬
age and capture capabilities.
Equipped with three Vi inch IT
(Interline transfer) HyperHAD CCDs, the
DXC-9000 provides high resolution and
an outstanding signal-to-noise ratio. To
allow the camera to capture images in a
variety of lighting environments, it is also
equipped with three white-balance con¬
trol modes: AWB (auto white balance);
ATW (auto tracing white balance); and

97
American Cinematographer - October 1996

Table of Contents for the Digital Edition of American Cinematographer - October 1996
