American Cinematographer - March 1997 - 89

r

ZGC for Cooke

The AJ-D200 features a highsensitivity interline transfer (IT) CCD that
delivers a resolution resembling the per¬

We

formance of camcorders with 410,000

pixels. A large light-collecting area gives
the camera a high signal-to-noise ratio of

two famous Cooke Classic

60 dB. The

camera offers a horizontal
resolution of 500 lines, SMPTE time code

For testimonials from

happy users
facts, please call us.

lux at f5.6.
The AJ-D230 accepts

(201) 335-4460-Fax: 335-4560

more

v.

y

This Publication is Available in

MICROFORM
For

Complete Information WRITE:

University

mechanism and video heads found in
DVCPRO broadcast equipment.

Microfilms

Panasonic also announces a
Version 3.0 Upgrade Kit (the WJ-

International

SU1000A) for its Postbox Nonlinear A/V

Depi. F.A., 300 North Zeeb Road, Ann Arbor, Ml 48106 U.S.A.
Dept. F.A., 18 Bedford Row, London, WC1R 4EJ England

Workstation. Version 3.0

incorporates
more than 70 functional improvements to
Panasonic's dynamic nonlinear editing
system. With its Windows operating sys¬
tem, Postbox is a complete, fully inte¬
grated nonlinear postproduction facility
packed into a single plug-and-play box.
As a standard feature, the system offers
M-JPEG image quality, a complete char¬
acter generator with roll/crawl, a paint
system, more than 300 real-time transi¬

Where did
MICHAEL MANN, TAK FUJIMOTO, ROGER PRATT,
HOWARD ATHERTON, MARK GOLDBLATT & CURTIS CLARK

goto FILM SCHOOL...

tion effects, and luminance and chroma
additional 80 effects

are

question

and w[1jc[1 p|[M SCHOOL is the oldest in the U.K.?

an

Which FILM SCHOOL has trained students from

available.

Among the

new notable features in the
Version 3.0 release are: multiple layering

of the video stream;

Which FILM SCHOOL offers work

expanded editing

Which FILM SCHOOL includes

view and VTR buttons in "record" to

THE

Which FILM SCHOOL is

than 80 countries?

a

on

at

least 6 films in

two 35mm

two

years?

films in the Curriculum?

not-for-profit educational charity?

LONDON
INTERNATIONAL
FILM SCHOOL

"video;" and enhanced audio waveform.
Panasonic, (800) 524-0864.

Time-lapse VCR
now

more

Which FILM SCHOOL is in the heart of Central London?

functions; audio learn rubberband for
level modification; additional 3-D key
learn parameters; multimedia capabili¬
ties; expanded graphics functions; pre¬

JVC

Classics

zooms:

and

keying. With optional 3-D transitions,

new

25-250mm T3.7 and 18-100mm T3.

generator/reader, minimum illumination
of five lux, and high sensitivity of 2,000
both
large and medium DVCPRO cassettes,
and plays back mini-DV cassettes with a
cassette adapter. The unit's analog inter¬
face comes equipped with composite
video input/output and two-channel au¬
dio input/output for easy connection with
existing analog equipment. S-Video in¬
put/output provides superior dubbing
quality with S-VHS and component ana¬
log VCRs. Despite its space-saving size,
the VTR boasts the same high-quality

including the

the

only Cooke factory
facility. And we sell the

are

service

offers the SR-9070

time-lapse VCR, which is capable of re¬
cording between 12 and 960 hours of
footage on a single T-120 cassette. Up to
eight alarms can be set for recording
daily, weekly or on weekdays, making it

For full details of the

two-year,

full-time DIPLOMA COURSE:-

CALL:+44 171 836 9642. OR FAX: +44 171 497 3718 OR Email:
OR Write to

lifs@dial.pipex.com

Dept. AC9, The London International Film ScEiool, 24, SEielton Street, London WC2H 9HP, U.K.

OR LOG ON TO OUR WEB PAGES AT:

http://www.tecc.co.uk/lifs/index.html

where you can find complete details of the Syllabus, Fees, Application and

Enrolment. There is a convenient form for

requesting a Prospectus Pack as well as News Items, details of Graduates Work and an Ex-students' Contact Group.
GRAND INTERNATIONAL

Alumni

please Log On

to

REUNION, WEEK ENDING 12th

April 1997
http://www.tecc.co.uk/lifs/reunion.html



American Cinematographer - March 1997

Table of Contents for the Digital Edition of American Cinematographer - March 1997

American Cinematographer - March 1997 - 1
American Cinematographer - March 1997 - 2
American Cinematographer - March 1997 - 3
American Cinematographer - March 1997 - 4
American Cinematographer - March 1997 - 5
American Cinematographer - March 1997 - 6
American Cinematographer - March 1997 - 7
American Cinematographer - March 1997 - 8
American Cinematographer - March 1997 - 9
American Cinematographer - March 1997 - 10
American Cinematographer - March 1997 - 11
American Cinematographer - March 1997 - 12
American Cinematographer - March 1997 - 13
American Cinematographer - March 1997 - 14
American Cinematographer - March 1997 - 15
American Cinematographer - March 1997 - 16
American Cinematographer - March 1997 - 17
American Cinematographer - March 1997 - 18
American Cinematographer - March 1997 - 19
American Cinematographer - March 1997 - 20
American Cinematographer - March 1997 - 21
American Cinematographer - March 1997 - 22
American Cinematographer - March 1997 - 23
American Cinematographer - March 1997 - 24
American Cinematographer - March 1997 - 25
American Cinematographer - March 1997 - 26
American Cinematographer - March 1997 - 27
American Cinematographer - March 1997 - 28
American Cinematographer - March 1997 - 29
American Cinematographer - March 1997 - 30
American Cinematographer - March 1997 - 31
American Cinematographer - March 1997 - 32
American Cinematographer - March 1997 - 33
American Cinematographer - March 1997 - 34
American Cinematographer - March 1997 - 35
American Cinematographer - March 1997 - 36
American Cinematographer - March 1997 - 37
American Cinematographer - March 1997 - 38
American Cinematographer - March 1997 - 39
American Cinematographer - March 1997 - 40
American Cinematographer - March 1997 - 41
American Cinematographer - March 1997 - 42
American Cinematographer - March 1997 - 43
American Cinematographer - March 1997 - 44
American Cinematographer - March 1997 - 45
American Cinematographer - March 1997 - 46
American Cinematographer - March 1997 - 47
American Cinematographer - March 1997 - 48
American Cinematographer - March 1997 - 49
American Cinematographer - March 1997 - 50
American Cinematographer - March 1997 - 51
American Cinematographer - March 1997 - 52
American Cinematographer - March 1997 - 53
American Cinematographer - March 1997 - 54
American Cinematographer - March 1997 - 55
American Cinematographer - March 1997 - 56
American Cinematographer - March 1997 - 57
American Cinematographer - March 1997 - 58
American Cinematographer - March 1997 - 59
American Cinematographer - March 1997 - 60
American Cinematographer - March 1997 - 61
American Cinematographer - March 1997 - 62
American Cinematographer - March 1997 - 63
American Cinematographer - March 1997 - 64
American Cinematographer - March 1997 - 65
American Cinematographer - March 1997 - 66
American Cinematographer - March 1997 - 67
American Cinematographer - March 1997 - 68
American Cinematographer - March 1997 - 69
American Cinematographer - March 1997 - 70
American Cinematographer - March 1997 - 71
American Cinematographer - March 1997 - 72
American Cinematographer - March 1997 - 73
American Cinematographer - March 1997 - 74
American Cinematographer - March 1997 - 75
American Cinematographer - March 1997 - 76
American Cinematographer - March 1997 - 77
American Cinematographer - March 1997 - 78
American Cinematographer - March 1997 - 79
American Cinematographer - March 1997 - 80
American Cinematographer - March 1997 - 81
American Cinematographer - March 1997 - 82
American Cinematographer - March 1997 - 83
American Cinematographer - March 1997 - 84
American Cinematographer - March 1997 - 85
American Cinematographer - March 1997 - 86
American Cinematographer - March 1997 - 87
American Cinematographer - March 1997 - 88
American Cinematographer - March 1997 - 89
American Cinematographer - March 1997 - 90
American Cinematographer - March 1997 - 91
American Cinematographer - March 1997 - 92
American Cinematographer - March 1997 - 93
American Cinematographer - March 1997 - 94
American Cinematographer - March 1997 - 95
American Cinematographer - March 1997 - 96
American Cinematographer - March 1997 - 97
American Cinematographer - March 1997 - 98
American Cinematographer - March 1997 - 99
American Cinematographer - March 1997 - 100
American Cinematographer - March 1997 - 101
American Cinematographer - March 1997 - 102
American Cinematographer - March 1997 - 103
American Cinematographer - March 1997 - 104
American Cinematographer - March 1997 - 105
American Cinematographer - March 1997 - 106
American Cinematographer - March 1997 - 107
American Cinematographer - March 1997 - 108
https://www.nxtbook.com/nxtbooks/ac/ac199912
https://www.nxtbook.com/nxtbooks/ac/ac199911
https://www.nxtbook.com/nxtbooks/ac/ac199910
https://www.nxtbook.com/nxtbooks/ac/ac199909
https://www.nxtbook.com/nxtbooks/ac/ac199908
https://www.nxtbook.com/nxtbooks/ac/ac199907
https://www.nxtbook.com/nxtbooks/ac/ac199906
https://www.nxtbook.com/nxtbooks/ac/ac199905
https://www.nxtbook.com/nxtbooks/ac/ac199904
https://www.nxtbook.com/nxtbooks/ac/ac199903
https://www.nxtbook.com/nxtbooks/ac/ac199902
https://www.nxtbook.com/nxtbooks/ac/ac199901
https://www.nxtbook.com/nxtbooks/ac/ac199812
https://www.nxtbook.com/nxtbooks/ac/ac199811
https://www.nxtbook.com/nxtbooks/ac/ac199810
https://www.nxtbook.com/nxtbooks/ac/ac199809
https://www.nxtbook.com/nxtbooks/ac/ac199808
https://www.nxtbook.com/nxtbooks/ac/ac199807
https://www.nxtbook.com/nxtbooks/ac/ac199806
https://www.nxtbook.com/nxtbooks/ac/ac199805
https://www.nxtbook.com/nxtbooks/ac/ac199804
https://www.nxtbook.com/nxtbooks/ac/ac199803
https://www.nxtbook.com/nxtbooks/ac/ac199802
https://www.nxtbook.com/nxtbooks/ac/ac199801
https://www.nxtbook.com/nxtbooks/ac/ac199712
https://www.nxtbook.com/nxtbooks/ac/ac199711
https://www.nxtbook.com/nxtbooks/ac/ac199710
https://www.nxtbook.com/nxtbooks/ac/ac199709
https://www.nxtbook.com/nxtbooks/ac/ac199708
https://www.nxtbook.com/nxtbooks/ac/ac199707
https://www.nxtbook.com/nxtbooks/ac/ac199706
https://www.nxtbook.com/nxtbooks/ac/ac199705
https://www.nxtbook.com/nxtbooks/ac/ac199704
https://www.nxtbook.com/nxtbooks/ac/ac199703
https://www.nxtbook.com/nxtbooks/ac/ac199702
https://www.nxtbook.com/nxtbooks/ac/ac199701
https://www.nxtbook.com/nxtbooks/ac/ac199612
https://www.nxtbook.com/nxtbooks/ac/ac199611
https://www.nxtbook.com/nxtbooks/ac/ac199610
https://www.nxtbook.com/nxtbooks/ac/ac199609
https://www.nxtbook.com/nxtbooks/ac/ac199608
https://www.nxtbook.com/nxtbooks/ac/ac199607
https://www.nxtbook.com/nxtbooks/ac/ac199606
https://www.nxtbook.com/nxtbooks/ac/ac199605
https://www.nxtbook.com/nxtbooks/ac/ac199604
https://www.nxtbook.com/nxtbooks/ac/ac199603
https://www.nxtbook.com/nxtbooks/ac/ac199602
https://www.nxtbook.com/nxtbooks/ac/ac199601
https://www.nxtbook.com/nxtbooks/ac/ac199512
https://www.nxtbook.com/nxtbooks/ac/ac199511
https://www.nxtbook.com/nxtbooks/ac/ac199510
https://www.nxtbook.com/nxtbooks/ac/ac199509
https://www.nxtbook.com/nxtbooks/ac/ac199508
https://www.nxtbook.com/nxtbooks/ac/ac199507
https://www.nxtbook.com/nxtbooks/ac/ac199506
https://www.nxtbook.com/nxtbooks/ac/ac199505
https://www.nxtbook.com/nxtbooks/ac/ac199504
https://www.nxtbook.com/nxtbooks/ac/ac199503
https://www.nxtbook.com/nxtbooks/ac/ac199502
https://www.nxtbook.com/nxtbooks/ac/ac199501
https://www.nxtbook.com/nxtbooks/ac/ac199412
https://www.nxtbook.com/nxtbooks/ac/ac199411
https://www.nxtbook.com/nxtbooks/ac/ac199410
https://www.nxtbook.com/nxtbooks/ac/ac199409
https://www.nxtbook.com/nxtbooks/ac/ac199408
https://www.nxtbook.com/nxtbooks/ac/ac199407
https://www.nxtbook.com/nxtbooks/ac/ac199406
https://www.nxtbook.com/nxtbooks/ac/ac199405
https://www.nxtbook.com/nxtbooks/ac/ac199404
https://www.nxtbook.com/nxtbooks/ac/ac199403
https://www.nxtbook.com/nxtbooks/ac/ac199402
https://www.nxtbook.com/nxtbooks/ac/ac199401
https://www.nxtbook.com/nxtbooks/ac/ac199312
https://www.nxtbook.com/nxtbooks/ac/ac199311
https://www.nxtbook.com/nxtbooks/ac/ac199310
https://www.nxtbook.com/nxtbooks/ac/ac199309
https://www.nxtbook.com/nxtbooks/ac/ac199308
https://www.nxtbook.com/nxtbooks/ac/ac199307
https://www.nxtbook.com/nxtbooks/ac/ac199306
https://www.nxtbook.com/nxtbooks/ac/ac199305
https://www.nxtbook.com/nxtbooks/ac/ac199304
https://www.nxtbook.com/nxtbooks/ac/ac199303
https://www.nxtbook.com/nxtbooks/ac/ac199302
https://www.nxtbook.com/nxtbooks/ac/ac199301
https://www.nxtbook.com/nxtbooks/ac/ac199212
https://www.nxtbook.com/nxtbooks/ac/ac199211
https://www.nxtbook.com/nxtbooks/ac/ac199210
https://www.nxtbook.com/nxtbooks/ac/ac199209
https://www.nxtbook.com/nxtbooks/ac/ac199208
https://www.nxtbook.com/nxtbooks/ac/ac199207
https://www.nxtbook.com/nxtbooks/ac/ac199206
https://www.nxtbook.com/nxtbooks/ac/ac199205
https://www.nxtbook.com/nxtbooks/ac/ac199204
https://www.nxtbook.com/nxtbooks/ac/ac199203
https://www.nxtbook.com/nxtbooks/ac/ac199202
https://www.nxtbook.com/nxtbooks/ac/ac199201
https://www.nxtbook.com/nxtbooks/ac/ac199112
https://www.nxtbook.com/nxtbooks/ac/ac199111
https://www.nxtbook.com/nxtbooks/ac/ac199110
https://www.nxtbook.com/nxtbooks/ac/ac199109
https://www.nxtbook.com/nxtbooks/ac/ac199108
https://www.nxtbook.com/nxtbooks/ac/ac199107
https://www.nxtbook.com/nxtbooks/ac/ac199106
https://www.nxtbook.com/nxtbooks/ac/ac199105
https://www.nxtbook.com/nxtbooks/ac/ac199104
https://www.nxtbook.com/nxtbooks/ac/ac199103
https://www.nxtbook.com/nxtbooks/ac/ac199102
https://www.nxtbook.com/nxtbooks/ac/ac199101
https://www.nxtbook.com/nxtbooks/ac/ac199012
https://www.nxtbook.com/nxtbooks/ac/ac199011
https://www.nxtbook.com/nxtbooks/ac/ac199010
https://www.nxtbook.com/nxtbooks/ac/ac199009
https://www.nxtbook.com/nxtbooks/ac/ac199008
https://www.nxtbook.com/nxtbooks/ac/ac199007
https://www.nxtbook.com/nxtbooks/ac/ac199006
https://www.nxtbook.com/nxtbooks/ac/ac199005
https://www.nxtbook.com/nxtbooks/ac/ac199004
https://www.nxtbook.com/nxtbooks/ac/ac199003
https://www.nxtbook.com/nxtbooks/ac/ac199002
https://www.nxtbook.com/nxtbooks/ac/ac199001
https://www.nxtbookmedia.com