American Cinematographer - April 1997 - 116

POGOCAM

"Captures the Action"

POGO

terior baffles.

Accessory kits increase the
versatility by providing interiors that can
easily be changed. Louver kits also are

CAM

available in sets of six and can be used
with the Westcott Box or with other in¬

THE ALTERNATIVE

dustry soft boxes.

Body Support System

Like other Westcott
ment, the fabric grid is portable
to use. Made of a lightweight

GEO FILM GROUP
7625

innovative accessory features including
front diffusion panels and removable in¬

Hayvenhurst Ave. #46
Nuys, CA 91406

attaches to the Westcott Box with Velcro

Van

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strips along all four sides. Once the user
is finished, the fabric grid is fan-folded
into small strips, tied with a Velcro strap,
and stored in a flat position. The fabric
grid is available for three of the four

This Publication is Available in

Westcott Box sizes.

MICROFORM

The Box

carrying
For

equip¬
and easy
fabric, it

case.

collapses into a small
Box One measures 16" x

22", Box Two 24"

Complete Information WRITE:

x

32", Box Three 36"

x

University

48" and Box Four 54" x 72". The Box is
also unique because it comes standard
with a specialized, flame-proof fabric

Microfilms

nearthe

light, enabling image makers to
1K of continuous lighting with¬
out damaging the fabric. This leads to
longer life and decreases the frequency
of costly replacements.
Westcott, (419)243-7311.
use

International
Depi. F.A., 300 North Zeeb Road, Ann Arbor, Ml 48106 U.S.A.
Dept, F A., 18 Bedford Row, London, WC1R 4EJ England

up to

PA's Guidebook

Production Assistant Guide¬

lines,

Tilt, Focus, & Shoot.

a

concise 45-page booklet written

by New York-based production manager
Sandy Curry, offers invaluable tips and
checklists for both new and experienced
PAs. "I make anybody who wants to work
for me read it before they start," Curry
says. "It has really smoothed out commu¬
nications and reduced the usual produc¬

Century's new 24mm (T4), 45mm (T2.8), & 90mm (T2.8) TUUFocus
primes provide 360° of rotation & 8° of tilt in any direction.

tion chaos to

a minimum."
The book is written

primarily
working on TV commericals, but
most of the tips also apply to features,
music videos, and any other type of pro¬
duction. The book offers a wide variety
of information, such as 10 things to check
for when renting a vehicle, what to say
to a union rep ("nothing, just send them
to the producer"), and how to handle
film. It also includes an 81-item glossary
of production terms and lingo.
Copies may be ordered by
mailing a check or money order to Sandy
Curry, 333 Berry Street, Brooklyn, NY

for PAs

Tilt the Focus
Plane.

By

tilting the lens,

you

tilt the plane of

focus, bringing more of the

subject into focus or
excluding unwanted objects.
Tilting the lens down can
align the focus plane with a
subject for extreme depth-offield without stopping down.

ARI
Variety of Effects.
Adjust tilt & rotation controls
before or during a shot, for a
myriad of effects. Rotation is
fixed via a lever. A locking
knob

secures

*Ideal for

Isolate the Subject from
its Surroundings.
Tilt the lens left or right to
focus on one member of
crowd, even if others in frame
are

114

equidistant from the lens.

tilt

16mm, Super 16, &

©le

S/N9529

35mm cinematography.
*Arri PL, Arri B, or Aaton mounts.

*Standard 80mm fronts to go
with popular

CMM40

m

angle.

accessories.

*Linear iris & integral metric
& focus gears.

iris

BATTERY I

2

CRY:

Jeff uiuruarn
Giordano: 1-800-228-1254
/)jen

iedwy.

precision optics
A TINSLEY COMPANY

10713 Burbank Boulevard
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Ph:818-766-3715 Fax:818-505-9865

11211-5113 or by calling (718) 387-1251.
The books cost $6 each plus $1 shipping

and

handling (NY State residents should

add $.50 for sales tax).

♦



American Cinematographer - April 1997

Table of Contents for the Digital Edition of American Cinematographer - April 1997

American Cinematographer - April 1997 - 1
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