American Cinematographer - April 1997 - 96
Hancuff set out to design a tool to
make sure such a thing would
The
Desktop
Cinematographer
AC examines
new
never
happen again. Five
merely requires a date and a place
to tell you precisely where the sun
will be at any given moment.
Whereas the United States Census
Bureau tracks the population of
software
America
that can aid
cinematographers in their
visual pursuits.
programs
by
43,000
SunWhere boasts
over
a
153,000 cities and 83,000 other
geographic features, including
arches, bays, beaches, capes, gla¬
ciers, islands, parks, forests and
which have revolutionized the
budgeting process. On the creative
side, screenwriters have long made
use of the
powerful word-process¬
ing capabilities of even the simplest
computer, and pioneering pro¬
grams such as Script Perfection
Enterprises' Script Thing make
their jobs even easier. Of course, it
seems
almost unnecessary to
point out the impact that com¬
puters have had upon motion
picture special effects.
As the cinematographer's
trade moves further and further
into the digital realm, it is more
important than ever for directors of
photography to keep pace with
technological advances. New tools
that are viewed as being improb¬
great freedom from the tedious
details of the business, allowing
them to
and if embraced, it can be an ex¬
not want
Because Clear
*
*
Database of over 153,000 cities and
83,000 geographic locations across U.S.
Simple to use; no need to look-up or
calculate latitude, longitude, time zone,
Daylight Savings Time,
or
magnetic
Only comprehensive database of time in
cities in U.S.
*
Assured to always be
software.
running up-to-date
*
Program takes little space on hard
PC: 80386 Windows (3.1, 95, NT)
4MB RAM, 7.19MB Hard Drive
Mac:To be released
by April, 1997
Reston, VA 20194-1623
(703)318-9818; E-mail ClearDayS@aol.com
outdated software, SunWhere, like
calendar, is available in yearly
only: September 1 to
December 31 (15 months). Al¬
though it's necessary to purchase
a
installments
individual databases for four dif¬
ferent regions within the U.S. (cen¬
sun
to shine
tral, east, west and south),
particular facade of
a struc¬
as a new
sun
set
just before its light
Frustrated and
April 1997
drive.
Clear Day Software
1162 Woodstock Lane
Topping off this list,
merely because of its direct appli¬
cation to the cinematographer's
work, is SunWhere, a Clear Day
Software program designed by an
advertising photographer. Com¬
pany founder Cliff Hancuff began
working on the program after be¬
ing jilted by Mother Nature one
late afternoon while toiling on an
architectural shoot. After waiting
the
Day does
operating with
declination.
*
SunWhere
on a
anyone
SunWhere
dustry, that there are virtually no
programs specifically designed for
directors of photography. How¬
ever, there are many software pro¬
grams with applications that can
aid the professional cinematogra¬
pher. What follows is a survey of
some of the most helpful tools.
painted the surface.
Cinematographer
readings.
exhaustive search of more than 150
software developers working for
and within the entertainment in¬
several hours for the
help files is a
the proper use
on
of a compass and the many hun¬
dreds of factors which can bias
traordinary addition to any
cinematographer's tool bag.
Given this reality, I was
surprised to find, despite a fairly
But
American
cluded within the
detailed tutorial
give directors of photography
94
sired location; it is all done for you
at the click of a mouse. Also in¬
experiment quickly with
dozens of different options and
explore new worlds without cost¬
ing the production a bundle. The
power of the desktop is growing,
ture, Hancuff was thwarted when
computer technology can also
need to
longitude, latitude, time
zones, Daylight Savings Time or
even
compass declination for a de¬
one day can be developed -
and rendered obsolete - in a flash.
able
no
research
by Jay Holben
In the quasi-organized chaos of
cities,
database of
reservations. There is
film production, it's always a
blessing to discover a new tool or
system that will simplify the quan¬
daries of moviemaking.
These days, of course, the
industry and the world at large are
immersed in a technological revo¬
lution. Computers are as much a
part of our lives as cars, and their
power and potential grow expo¬
nentially every day. Many facets of
the industry have already em¬
braced the computer as an indis¬
pensable tool. Production staffs
have integrated their desktops
with programs such as Movie
Magic and Movie Magic Scheduler,
years
later, his team at Clear Day un¬
veiled SunWhere, a program that
dejected,
as
well
main program for each
year, users can always be certain
that they have the latest version.
(The system's worldwide database,
expected sometime around the
American Cinematographer - April 1997
Table of Contents for the Digital Edition of American Cinematographer - April 1997
American Cinematographer - April 1997 - 1
American Cinematographer - April 1997 - 2
American Cinematographer - April 1997 - 3
American Cinematographer - April 1997 - 4
American Cinematographer - April 1997 - 5
American Cinematographer - April 1997 - 6
American Cinematographer - April 1997 - 7
American Cinematographer - April 1997 - 8
American Cinematographer - April 1997 - 9
American Cinematographer - April 1997 - 10
American Cinematographer - April 1997 - 11
American Cinematographer - April 1997 - 12
American Cinematographer - April 1997 - 13
American Cinematographer - April 1997 - 14
American Cinematographer - April 1997 - 15
American Cinematographer - April 1997 - 16
American Cinematographer - April 1997 - 17
American Cinematographer - April 1997 - 18
American Cinematographer - April 1997 - 19
American Cinematographer - April 1997 - 20
American Cinematographer - April 1997 - 21
American Cinematographer - April 1997 - 22
American Cinematographer - April 1997 - 23
American Cinematographer - April 1997 - 24
American Cinematographer - April 1997 - 25
American Cinematographer - April 1997 - 26
American Cinematographer - April 1997 - 27
American Cinematographer - April 1997 - 28
American Cinematographer - April 1997 - 29
American Cinematographer - April 1997 - 30
American Cinematographer - April 1997 - 31
American Cinematographer - April 1997 - 32
American Cinematographer - April 1997 - 33
American Cinematographer - April 1997 - 34
American Cinematographer - April 1997 - 35
American Cinematographer - April 1997 - 36
American Cinematographer - April 1997 - 37
American Cinematographer - April 1997 - 38
American Cinematographer - April 1997 - 39
American Cinematographer - April 1997 - 40
American Cinematographer - April 1997 - 41
American Cinematographer - April 1997 - 42
American Cinematographer - April 1997 - 43
American Cinematographer - April 1997 - 44
American Cinematographer - April 1997 - 45
American Cinematographer - April 1997 - 46
American Cinematographer - April 1997 - 47
American Cinematographer - April 1997 - 48
American Cinematographer - April 1997 - 49
American Cinematographer - April 1997 - 50
American Cinematographer - April 1997 - 51
American Cinematographer - April 1997 - 52
American Cinematographer - April 1997 - 53
American Cinematographer - April 1997 - 54
American Cinematographer - April 1997 - 55
American Cinematographer - April 1997 - 56
American Cinematographer - April 1997 - 57
American Cinematographer - April 1997 - 58
American Cinematographer - April 1997 - 59
American Cinematographer - April 1997 - 60
American Cinematographer - April 1997 - 61
American Cinematographer - April 1997 - 62
American Cinematographer - April 1997 - 63
American Cinematographer - April 1997 - 64
American Cinematographer - April 1997 - 65
American Cinematographer - April 1997 - 66
American Cinematographer - April 1997 - 67
American Cinematographer - April 1997 - 68
American Cinematographer - April 1997 - 69
American Cinematographer - April 1997 - 70
American Cinematographer - April 1997 - 71
American Cinematographer - April 1997 - 72
American Cinematographer - April 1997 - 73
American Cinematographer - April 1997 - 74
American Cinematographer - April 1997 - 75
American Cinematographer - April 1997 - 76
American Cinematographer - April 1997 - 77
American Cinematographer - April 1997 - 78
American Cinematographer - April 1997 - 79
American Cinematographer - April 1997 - 80
American Cinematographer - April 1997 - 81
American Cinematographer - April 1997 - 82
American Cinematographer - April 1997 - 83
American Cinematographer - April 1997 - 84
American Cinematographer - April 1997 - 85
American Cinematographer - April 1997 - 86
American Cinematographer - April 1997 - 87
American Cinematographer - April 1997 - 88
American Cinematographer - April 1997 - 89
American Cinematographer - April 1997 - 90
American Cinematographer - April 1997 - 91
American Cinematographer - April 1997 - 92
American Cinematographer - April 1997 - 93
American Cinematographer - April 1997 - 94
American Cinematographer - April 1997 - 95
American Cinematographer - April 1997 - 96
American Cinematographer - April 1997 - 97
American Cinematographer - April 1997 - 98
American Cinematographer - April 1997 - 99
American Cinematographer - April 1997 - 100
American Cinematographer - April 1997 - 101
American Cinematographer - April 1997 - 102
American Cinematographer - April 1997 - 103
American Cinematographer - April 1997 - 104
American Cinematographer - April 1997 - 105
American Cinematographer - April 1997 - 106
American Cinematographer - April 1997 - 107
American Cinematographer - April 1997 - 108
American Cinematographer - April 1997 - 109
American Cinematographer - April 1997 - 110
American Cinematographer - April 1997 - 111
American Cinematographer - April 1997 - 112
American Cinematographer - April 1997 - 113
American Cinematographer - April 1997 - 114
American Cinematographer - April 1997 - 115
American Cinematographer - April 1997 - 116
American Cinematographer - April 1997 - 117
American Cinematographer - April 1997 - 118
American Cinematographer - April 1997 - 119
American Cinematographer - April 1997 - 120
American Cinematographer - April 1997 - 121
American Cinematographer - April 1997 - 122
American Cinematographer - April 1997 - 123
American Cinematographer - April 1997 - 124
American Cinematographer - April 1997 - 125
American Cinematographer - April 1997 - 126
American Cinematographer - April 1997 - 127
American Cinematographer - April 1997 - 128
American Cinematographer - April 1997 - 129
American Cinematographer - April 1997 - 130
American Cinematographer - April 1997 - 131
American Cinematographer - April 1997 - 132
https://www.nxtbook.com/nxtbooks/ac/ac199912
https://www.nxtbook.com/nxtbooks/ac/ac199911
https://www.nxtbook.com/nxtbooks/ac/ac199910
https://www.nxtbook.com/nxtbooks/ac/ac199909
https://www.nxtbook.com/nxtbooks/ac/ac199908
https://www.nxtbook.com/nxtbooks/ac/ac199907
https://www.nxtbook.com/nxtbooks/ac/ac199906
https://www.nxtbook.com/nxtbooks/ac/ac199905
https://www.nxtbook.com/nxtbooks/ac/ac199904
https://www.nxtbook.com/nxtbooks/ac/ac199903
https://www.nxtbook.com/nxtbooks/ac/ac199902
https://www.nxtbook.com/nxtbooks/ac/ac199901
https://www.nxtbook.com/nxtbooks/ac/ac199812
https://www.nxtbook.com/nxtbooks/ac/ac199811
https://www.nxtbook.com/nxtbooks/ac/ac199810
https://www.nxtbook.com/nxtbooks/ac/ac199809
https://www.nxtbook.com/nxtbooks/ac/ac199808
https://www.nxtbook.com/nxtbooks/ac/ac199807
https://www.nxtbook.com/nxtbooks/ac/ac199806
https://www.nxtbook.com/nxtbooks/ac/ac199805
https://www.nxtbook.com/nxtbooks/ac/ac199804
https://www.nxtbook.com/nxtbooks/ac/ac199803
https://www.nxtbook.com/nxtbooks/ac/ac199802
https://www.nxtbook.com/nxtbooks/ac/ac199801
https://www.nxtbook.com/nxtbooks/ac/ac199712
https://www.nxtbook.com/nxtbooks/ac/ac199711
https://www.nxtbook.com/nxtbooks/ac/ac199710
https://www.nxtbook.com/nxtbooks/ac/ac199709
https://www.nxtbook.com/nxtbooks/ac/ac199708
https://www.nxtbook.com/nxtbooks/ac/ac199707
https://www.nxtbook.com/nxtbooks/ac/ac199706
https://www.nxtbook.com/nxtbooks/ac/ac199705
https://www.nxtbook.com/nxtbooks/ac/ac199704
https://www.nxtbook.com/nxtbooks/ac/ac199703
https://www.nxtbook.com/nxtbooks/ac/ac199702
https://www.nxtbook.com/nxtbooks/ac/ac199701
https://www.nxtbook.com/nxtbooks/ac/ac199612
https://www.nxtbook.com/nxtbooks/ac/ac199611
https://www.nxtbook.com/nxtbooks/ac/ac199610
https://www.nxtbook.com/nxtbooks/ac/ac199609
https://www.nxtbook.com/nxtbooks/ac/ac199608
https://www.nxtbook.com/nxtbooks/ac/ac199607
https://www.nxtbook.com/nxtbooks/ac/ac199606
https://www.nxtbook.com/nxtbooks/ac/ac199605
https://www.nxtbook.com/nxtbooks/ac/ac199604
https://www.nxtbook.com/nxtbooks/ac/ac199603
https://www.nxtbook.com/nxtbooks/ac/ac199602
https://www.nxtbook.com/nxtbooks/ac/ac199601
https://www.nxtbook.com/nxtbooks/ac/ac199512
https://www.nxtbook.com/nxtbooks/ac/ac199511
https://www.nxtbook.com/nxtbooks/ac/ac199510
https://www.nxtbook.com/nxtbooks/ac/ac199509
https://www.nxtbook.com/nxtbooks/ac/ac199508
https://www.nxtbook.com/nxtbooks/ac/ac199507
https://www.nxtbook.com/nxtbooks/ac/ac199506
https://www.nxtbook.com/nxtbooks/ac/ac199505
https://www.nxtbook.com/nxtbooks/ac/ac199504
https://www.nxtbook.com/nxtbooks/ac/ac199503
https://www.nxtbook.com/nxtbooks/ac/ac199502
https://www.nxtbook.com/nxtbooks/ac/ac199501
https://www.nxtbook.com/nxtbooks/ac/ac199412
https://www.nxtbook.com/nxtbooks/ac/ac199411
https://www.nxtbook.com/nxtbooks/ac/ac199410
https://www.nxtbook.com/nxtbooks/ac/ac199409
https://www.nxtbook.com/nxtbooks/ac/ac199408
https://www.nxtbook.com/nxtbooks/ac/ac199407
https://www.nxtbook.com/nxtbooks/ac/ac199406
https://www.nxtbook.com/nxtbooks/ac/ac199405
https://www.nxtbook.com/nxtbooks/ac/ac199404
https://www.nxtbook.com/nxtbooks/ac/ac199403
https://www.nxtbook.com/nxtbooks/ac/ac199402
https://www.nxtbook.com/nxtbooks/ac/ac199401
https://www.nxtbook.com/nxtbooks/ac/ac199312
https://www.nxtbook.com/nxtbooks/ac/ac199311
https://www.nxtbook.com/nxtbooks/ac/ac199310
https://www.nxtbook.com/nxtbooks/ac/ac199309
https://www.nxtbook.com/nxtbooks/ac/ac199308
https://www.nxtbook.com/nxtbooks/ac/ac199307
https://www.nxtbook.com/nxtbooks/ac/ac199306
https://www.nxtbook.com/nxtbooks/ac/ac199305
https://www.nxtbook.com/nxtbooks/ac/ac199304
https://www.nxtbook.com/nxtbooks/ac/ac199303
https://www.nxtbook.com/nxtbooks/ac/ac199302
https://www.nxtbook.com/nxtbooks/ac/ac199301
https://www.nxtbook.com/nxtbooks/ac/ac199212
https://www.nxtbook.com/nxtbooks/ac/ac199211
https://www.nxtbook.com/nxtbooks/ac/ac199210
https://www.nxtbook.com/nxtbooks/ac/ac199209
https://www.nxtbook.com/nxtbooks/ac/ac199208
https://www.nxtbook.com/nxtbooks/ac/ac199207
https://www.nxtbook.com/nxtbooks/ac/ac199206
https://www.nxtbook.com/nxtbooks/ac/ac199205
https://www.nxtbook.com/nxtbooks/ac/ac199204
https://www.nxtbook.com/nxtbooks/ac/ac199203
https://www.nxtbook.com/nxtbooks/ac/ac199202
https://www.nxtbook.com/nxtbooks/ac/ac199201
https://www.nxtbook.com/nxtbooks/ac/ac199112
https://www.nxtbook.com/nxtbooks/ac/ac199111
https://www.nxtbook.com/nxtbooks/ac/ac199110
https://www.nxtbook.com/nxtbooks/ac/ac199109
https://www.nxtbook.com/nxtbooks/ac/ac199108
https://www.nxtbook.com/nxtbooks/ac/ac199107
https://www.nxtbook.com/nxtbooks/ac/ac199106
https://www.nxtbook.com/nxtbooks/ac/ac199105
https://www.nxtbook.com/nxtbooks/ac/ac199104
https://www.nxtbook.com/nxtbooks/ac/ac199103
https://www.nxtbook.com/nxtbooks/ac/ac199102
https://www.nxtbook.com/nxtbooks/ac/ac199101
https://www.nxtbook.com/nxtbooks/ac/ac199012
https://www.nxtbook.com/nxtbooks/ac/ac199011
https://www.nxtbook.com/nxtbooks/ac/ac199010
https://www.nxtbook.com/nxtbooks/ac/ac199009
https://www.nxtbook.com/nxtbooks/ac/ac199008
https://www.nxtbook.com/nxtbooks/ac/ac199007
https://www.nxtbook.com/nxtbooks/ac/ac199006
https://www.nxtbook.com/nxtbooks/ac/ac199005
https://www.nxtbook.com/nxtbooks/ac/ac199004
https://www.nxtbook.com/nxtbooks/ac/ac199003
https://www.nxtbook.com/nxtbooks/ac/ac199002
https://www.nxtbook.com/nxtbooks/ac/ac199001
https://www.nxtbookmedia.com