American Cinematographer - August 1997 - 89

A

CAMERA

NEW

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The assembly is able to
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SYSTEM

screws.

side to side, shift position and fo¬
cus left to
right, or up and down.

Tilting and swinging the lens plane
alters the focus and shape of an
image. By combining the various
parameters of movement, in¬
creased or decreased depth of field
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Core offers
the device's
scene,

use

an

example of

in 187: "In

Trevor has just

one

arrived from

New York and entered his

new

classroom. We blocked it out so
that the students are out of focus in

every shot in the sequence, because
to him the students are just a blur
at that point. He wasn't at a place

Crane

did

on an

FEATURE

.

Jl and on-board
aJF\
_

camera

UihSii

iliihjilC 'Jf -Yd

^

La a

lanaa imiyiis

a two-day video
major motion picture
quickly became apparent. "A big
change for me was that I was fi¬
nally doing something for projec¬
tion," says Core. "Music videos

UiiJlUILiluhUs
and Eaa/

a

shot

on

af 30 faac.

*isahle,
2ufa,
^rasiisal,

between

are

From the Earth
to the Moon

ur Viidi an an
heard apara^ar

it, though, because we didn't have
any other coverage. Luckily, it
worked."
187 also presented Core
with the logistical challenges of his
first feature film shoot. The differ¬

and commercials

Curdeled

operators.
.

_

Mcdulur in diiui'jn if ta capuiili
uf l iimuL-j upurutiun yj y

and
throw the frame out of focus, so
Trevor alone was sharp. We shot
the entire scene that way and then
moved on. I lost a lot of sleep over

shoot and

FILMS

with remote head systems

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lot of

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System

System, is an
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dolly shots in that scene,
we used the SwingShift lens to

a

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yj

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liaa.

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Cluick- Lucluiiy styasai n.
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film,

and

over

100

local and

but you wind up transferring to
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how to use a telecine to manipulate

national
commercials

the image and give it a certain look.
I think printer technology for film

DIRECTORS

is very archaic; although it's very
basic to photography, there's only
so much you can do with it. You

Mike Nichols
Steven Goldblatt

only control the brightness and
a very small color
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can

Toby Phillips

darkness and

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Tom Hanks

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87
American Cinematographer - August 1997

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