American Cinematographer - December 1997 - 109

Believe

hot stars inside."
As the

camera

pullback, the Eagle Nebula be¬
comes enmeshed within the spi¬
ral arms of the Milky Way. The
next sight that comes into view is
the entire edge of the spiral gal¬
axy, which Imageworks also
modeled using particles systems
emanating from geometry.
More galaxies then whiz
past, including the Barred Gal¬
axy, so named because of the
heavy line of dark matter which
bisects it. "At this point in the
shot, we're traveling at such tre¬
mendous speeds that we're see¬
ing deep field views of the whole

One,}

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cosmos," Brinkmann notes. "All
of the little dots

are no longer
actually billions of gal¬
axies, which really shows just
how huge everything is. A typical

stars, but

cheat would be to make every¬
thing really flat and map that
onto cards. We developed some
code so we could make every¬
thing seem more dimensional."
As the galaxies rush

swiftly towards the viewer, the
image flares into searing white¬
ness, becoming a highlight in
young Elbe's eye as the camera
pulls back, revealing her face.
Even

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here, Zemeckis and Ralston

had to

employ some CG trickery.
Reveals Brinkmann, "Rather than
doing a flat zoom-out with a cam¬
era, we

wanted to

see a

little

perspective shift. We modeled a
digital eye, including separate
eyelashes, based on a reference
of the the actress' eye, so they
would line up exactly. We used a
real blink

as

the transition."

At 5,000

frames, this

awe-inspiring tour of the uni¬
verse may well be the longest
digital shot in a film. As a viewer
experiences the sequence, time
itself seems to stop, perhaps be¬
cause the mind cannot fully com¬
prehend the immensity of what is
being shown. "It took about eight

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American Cinematographer - December 1997

Table of Contents for the Digital Edition of American Cinematographer - December 1997

American Cinematographer - December 1997 - 1
American Cinematographer - December 1997 - 2
American Cinematographer - December 1997 - 3
American Cinematographer - December 1997 - 4
American Cinematographer - December 1997 - 5
American Cinematographer - December 1997 - 6
American Cinematographer - December 1997 - 7
American Cinematographer - December 1997 - 8
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American Cinematographer - December 1997 - 67
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American Cinematographer - December 1997 - 103
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