American Cinematographer - December 1997 - 89

This Publication

is

Available

Microform

in

designs, put them on a truck, drove
them to San Francisco and installed
them on the ship. We were sure it

would be impossible, but we did it.
We had 16 people working around
the clock."

Jacobs brought five mod¬
elers to San Francisco to dress the

Liberty ship's engine room. "We
had something like 12 6'-long catwalks with handrails, and maybe
eight stairways, which could be
put together to create different lay¬
ers. We also had
big gauges and
dials, along with 20 or 30 red caged
lights, and we had to haul the stuff
down 10 decks. The engine room
was an old,
greasy, nasty place,
and it was very small. There wasn't
a

University Microfilms International

Dept. F.A. 300 North Zeeb Road, Ann Arbor, MI 48106 U.S.A.
Dept. F.A. 18 Bedford Row, London, WC1R 4EJ England

KENWORTHY
SNORKEL CAMERA SYSTEMS
CON AIR

lot of extra room, and Vs scale is

just huge. Also, since everything in

HIGH INCIDENT

the room moved, we couldn't at¬
tach any of our stuff to anything.
We had a little latitude outside of

CONSPIRACY THEORY

frame,

so

there. It

DEVILS ADVOCATE

we'd hang our C-stands

was

really precarious and

3rd ROCK FROM THE SUN

really hot.

VOLCANO

"Our guys got there on
Saturday night and dressed the
room on
Sunday, Monday and
Tuesday. We then got in the ship,

COMMERCIALS
MUSIC VIDEOS

drove it out to sea, and cruised
around the bay shooting these
shots for a couple of days. They

nuances

KENWORTHY/NETTMANN SNORKEL CAMERA
TILTING MIRROR

310 476

*

41 00

of the

*

PEI

DISTRO BOXES

real

engine room would have been
impossible to duplicate. The shots
are
very convincing."
Jacobs and his partners in
Vision Crew Unlimited unequivo¬
cally call Titanic "the most chal¬
lenging work we've ever done.

„

ARE MOT

THE SAME

Everything
was a

we did on this show
hassle. There was never an

212 944

.CHECK UNDER
■■THE HOOD

actually stopped the engines and
thought it
was
very clever to do the scene that
way, and in the long run, it prob¬
ably saved the production the cost
of building a big elaborate set. In
reversed them for real. I

addition, the subtle

THE

FEATURING ZOOM, HORIZON ROLL &

easy task, but I think the
did is going to pay off."

work

we

♦

Matthews
Power Distro
Boxes are

constructed of
solid copper buss
on the inside with
a

sturdy aluminum

chassis, color coded
connectors and

indicator

lights

See your
Matthews
Dealer
for details

i

§

2405 EMPIRE AVENUE ■ BURBANK, CA 91504
818-843-6715 ■ FAX: 213-849-1525
E-MAIL: edphil@earthlink.net



American Cinematographer - December 1997

Table of Contents for the Digital Edition of American Cinematographer - December 1997

American Cinematographer - December 1997 - 1
American Cinematographer - December 1997 - 2
American Cinematographer - December 1997 - 3
American Cinematographer - December 1997 - 4
American Cinematographer - December 1997 - 5
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American Cinematographer - December 1997 - 120
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American Cinematographer - December 1997 - 122
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