American Cinematographer - November 1999 - 68

Cinematographer Frederick Elmes, ASC
creates an authentic period mood for the
Ang Lee drama Ride With the Devil.
Southerners known

by Douglas Bankston
Unit

photography by John Clifford

year of division.
nation was plunged

An entire
into a brutal

For the United States, 1861 was a

Bushwhackers

With the Devil, childhood friends
Jake Roedel (Tobey Maguire), the

sons

of the South

On, the film recounts the
effects the

war

has

North

(Skeet Ulrich), the

fight for survival.

against

Confederate

a

plantation

son

of a Missouri

owner,
Bushwhackers and fight

join
the
alongside a

fought hundreds of miles away
in the East, along the KansasMissouri border on the edge of the

wealthy Southern aristocrat, George
Clyde (Simon Baker), and his loyal
former slave, Daniel Holt (Jeffrey
Wright). Despite their Bushwhacker

wild

credentials, both Roedel and Holt are

were

West,

a

loose

band

of

not true
a

on

to

Live

devastating

the Southern

supporters as they come to grips with

Civil War that turned Federal

of

-

and unite in

Daniel Woodrell's book Woe

the

son

-

kinship of sorts while earning the
bloodlusting ire of Pitt Mackeson
(Jonathan Rhys Meyers).
Adapted for the screen by
producer James Schamus from

Federal-siding German
immigrant, and Jack Bull Chiles

South, state against neighboring
state, and brother against brother.
While organized military campaigns

66 November 1999

as

conducting guerrilla warfare
against patrolling Federal Jayhawkers.
In Ang Lee's latest film, Ride

were

considered outsiders

reality that the Confederacy will

lose. The thrill of battle fades into

a

Director

Ang Lee and cine¬
matographer Frederick Elmes, ASC,
had

previously collaborated on
period film, The Ice Storm
(see AC Oct. '97), which dealt with
dysfunctional American families
struggling with existential angst

another

SUtnuiocvdeiorussarftl.esy
Phot s



American Cinematographer - November 1999

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