American Cinematographer - November 1999 - 74

A Less-Than-Civil War
Roedelreads to
Holt from a

Vision 500T 5279. One

had

captured

pieces of
plywood, each

down

fitted with nine
sockets and
different-sized

warm

that

connected to
flicker boxes.
Diffusion and
colored gels

on

people's
faces."

he

the

"Gaffer

the dimmers

a

little bit

them up even more.

was

four

to

With

a source

by eight feet. I could

put it 15 or 20 feet away, and it would

the quality of light I wanted.
source was big, it
would give me the flickering I
wanted. It was just a matter of
moving it around so that it worked
on the actors' faces most
effectively
in addition to having some sort of
give

me

Also, because the

were hung on
the front of the

made the
shadows move

on

diffusion, it would make

tungsten bulbs

spread out, it

area

was

light,'" Elmes details. "In most of the
campfire scenes, we would use 2K
lamps, like three or four 2K lamps
with some gel on them, sometimes

small bulb
boards
fabricated from

"Because the
bulbs were

large

with

Jonathan Lumley and I tested some
flicker-box systems to create 'fire¬

at night.
Firelight was
created using

explains,

contend

Bushwhacker encampment.

Federal letter
in the dugout

boards. Elmes

to

rior mainly with what was coming
through the windows," Elmes says,
noting that he did augment the look
a

bit with

some

hard HMI Pars. "If a

character

dodged out of the window
light to avoid the bullets, he'd go
black and just disappear, and then
burn

out a

bit when he

came

into the

light again."
For the film's many
scenes,

Elmes had to create

nighttime
a

realistic

style of firelight that could cover very
large areas and still maintain the Tstop range that he and Lee preferred.
To gain more exposure for these
night exteriors, he switched to Kodak

-

real fire in the shot. You had
some sense

in

to

have

of real flames and smoke

the

foreground to make it
convincing. It also helped to have six

The
in

breakthrough
camera support
equipment

*

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*

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your

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Movie Tech

Easy transport and

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American Cinematographer - November 1999

Table of Contents for the Digital Edition of American Cinematographer - November 1999

American Cinematographer - November 1999 - 1
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