American Cinematographer - November 1999 - 93

Garcia.

window and lands in the middle of a
Blade

Runner-style Tokyo setting.
down in sheets and light¬
ning flashes as the thief flees along a
bridge set against a futuristic
cityscape. In the distance, the red
Sega swirl logo looms ominously on
the buildings.
Rain pours

"We

shot

Montana.

Utterbach.

downtown

in

Vancouver, but it's

supposed to look
Japan," submits Galvin. "A
primary visual element used [to

All San Francisco

like

this effect] was a lot of
Japanese signage. John and I experi¬
create

mented with colors

cial, and

this

Serving the Bay Area since 1985 with the widest selection of Arriflex and
cameras, specialty optics and accessories for rental in Northern California.

Aaton

commer¬

decided to pick a few

we

colors

main

on

Originals.

and

include

them

anywhere we could. Even if we didn't
see all of the signs in a shot, they were
a

motivation for where

a

lot of

our

huge Jumbotron
screen or a neon sign. However,
getting the number of signs we
needed was expensive, so we decided
that we could create the signs with
[specially designed] Plexiglas sheets
light

-

be it

a

backlit with Kinos

UEE UTTEMIACH
126 Run Street ► San Francisco, California 94103
lei 415-553-7/00 ► Fax 415-553-4535

www.lucamera.com

Tweenie. That

or a

approach also gave us the opportu¬
nity to easily gel the signs to get
different colors when necessary."
Hotly pursued, the thief
reaches a getaway van, but as she
struggles with her keys, a pilot in the
cockpit of a large jet airliner over¬
head suddenly loses control of his
craft. The radar screens all glow red
with the now-familiar Dreamcast
swirl

logo - Sega has taken over.
plane crashes through a radio
tower, sending half of it plummeting

The

toward her. She makes

a

Motion Picture

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Professional Audio
[Sega] computer offers'

for the

Canon XL1

EQ-XL1 Equalizer Windscreen Eliminates Wind Noise

route," reveals Moore, "but it's setting

to more than 40 mph
MM-XL1 Universal Minimount Isolates Microphones
from Zoom, Motor, Gear and Handling Noise

her up.

SI-XL1

the thief the motorbike

as an

escape

It lets her escape, but then
triggers a traffic light sequence to
cause a car crash. She sails through
the air and lands

on

the hood of

a

Systems

professional quality microphone

it

"The

For 29 years Light Wave
has set the standard for

windscreens and isolation mounts.

just as the tower crushes the van,
creating a giant explosion. Searching
for another means of escape, the thief
spies a motorcycle, and is soon racing
streets.

a

Video Professional's Price with FLY-CAM®

break for it

rapidly down the city's rain-soaked

Quality Jib Shots at

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American Cinematographer - November 1999

Table of Contents for the Digital Edition of American Cinematographer - November 1999

American Cinematographer - November 1999 - 1
American Cinematographer - November 1999 - 2
American Cinematographer - November 1999 - 3
American Cinematographer - November 1999 - 4
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