American Cinematographer - November 1999 - 93
Garcia.
window and lands in the middle of a
Blade
Runner-style Tokyo setting.
down in sheets and light¬
ning flashes as the thief flees along a
bridge set against a futuristic
cityscape. In the distance, the red
Sega swirl logo looms ominously on
the buildings.
Rain pours
"We
shot
Montana.
Utterbach.
downtown
in
Vancouver, but it's
supposed to look
Japan," submits Galvin. "A
primary visual element used [to
All San Francisco
like
this effect] was a lot of
Japanese signage. John and I experi¬
create
mented with colors
cial, and
this
Serving the Bay Area since 1985 with the widest selection of Arriflex and
cameras, specialty optics and accessories for rental in Northern California.
Aaton
commer¬
decided to pick a few
we
colors
main
on
Originals.
and
include
them
anywhere we could. Even if we didn't
see all of the signs in a shot, they were
a
motivation for where
a
lot of
our
huge Jumbotron
screen or a neon sign. However,
getting the number of signs we
needed was expensive, so we decided
that we could create the signs with
[specially designed] Plexiglas sheets
light
-
be it
a
backlit with Kinos
UEE UTTEMIACH
126 Run Street ► San Francisco, California 94103
lei 415-553-7/00 ► Fax 415-553-4535
www.lucamera.com
Tweenie. That
or a
approach also gave us the opportu¬
nity to easily gel the signs to get
different colors when necessary."
Hotly pursued, the thief
reaches a getaway van, but as she
struggles with her keys, a pilot in the
cockpit of a large jet airliner over¬
head suddenly loses control of his
craft. The radar screens all glow red
with the now-familiar Dreamcast
swirl
logo - Sega has taken over.
plane crashes through a radio
tower, sending half of it plummeting
The
toward her. She makes
a
Motion Picture
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Professional Audio
[Sega] computer offers'
for the
Canon XL1
EQ-XL1 Equalizer Windscreen Eliminates Wind Noise
route," reveals Moore, "but it's setting
to more than 40 mph
MM-XL1 Universal Minimount Isolates Microphones
from Zoom, Motor, Gear and Handling Noise
her up.
SI-XL1
the thief the motorbike
as an
escape
It lets her escape, but then
triggers a traffic light sequence to
cause a car crash. She sails through
the air and lands
on
the hood of
a
Systems
professional quality microphone
it
"The
For 29 years Light Wave
has set the standard for
windscreens and isolation mounts.
just as the tower crushes the van,
creating a giant explosion. Searching
for another means of escape, the thief
spies a motorcycle, and is soon racing
streets.
a
Video Professional's Price with FLY-CAM®
break for it
rapidly down the city's rain-soaked
Quality Jib Shots at
Canon®
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American Cinematographer - November 1999
Table of Contents for the Digital Edition of American Cinematographer - November 1999
American Cinematographer - November 1999 - 1
American Cinematographer - November 1999 - 2
American Cinematographer - November 1999 - 3
American Cinematographer - November 1999 - 4
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