American Cinematographer - November 1999 - 97
tipped away from the camera -
making it appear that the camera was
positioned far below it - the gimbal
was
programmed to gradually
change the angle so that by the end of
"Lighthouse," he created the effect of
a diffusion filter with Discreet
Logic's
Llame while finishing the spot..
The forbidding sky behind the
lighthouse was also put together via
the shot, the
Llame. On location, the weather had
camera
appeared to be
"Since it
was
on
and the truck
the
same
did
had it," indicates Saarinen. "We
multiple
reasons.
passes for various
We did takes for the shafts of
light coming from the headlights, for
backlight, and for a beauty shot of
the side of the
car.
In terms of
running up and down the track, we
probably shot it 40 or 50 times."
Saarinen employed Kodak's
EXR 5248 whenever possible, but
relied
on
Vision 500T 5279 in low-
light situations, noting that "the
Vision stock is really good for matte
work." He used
no
filtration
at
layering," Barnett says.
many complex layers
that the process slowed down."
Stephanie Argy
we
were
"There
were so
-
suitably stormy, so Saarinen
10-second plates of the
sky. Using the Llame, the plates were
lined up geometrically to create a
seamless backdrop that could be
panned around at will.
shot separate
we
could do the shot and refine it until
we
single continuous shot. "We
had 900 frames of information that
been
plane.
motion-control,
look of a
all,
preferring instead to add those kinds
of effects in post. In the case of
Llame
was
also used
to create
much of the
"Sunshine" in Hawaii
Shooting in beautiful, natural
surroundings can be surprisingly
challenging for a cinematographer,
especially when the area is as wellknown and well-photographed as
Hawaii. To film
music video for
fog seen in the spot.
"The fog elements we shot on stage
didn't do everything we wanted,"
rapher Aaron Schneider traveled to
contends Barnett, whose company
created a particle-based 3-D digital
where the duo shot
atmosphere to add to the practical
haze. "The fog grew and grew in
terms of its complexity."
Sight Effects spent about three
to four weeks on "Lighthouse,"
putting three Llame artists and one
CG artist on the job to simulate the
Coko's
tune
a
"Sunshine," cinematog¬
Oahu with director Darren Grant,
a
tapestry of
idyllic images featuring the singer.
Lor
Schneider, the most difficult
part
of the job
create
a
was finding a way to
vision of Hawaii that would
stand out from the many other
videos and commercials that have
been shot there.
Bodymount uses a specially designed vest
and the standard doggimount bracketry
to allow easy
of the
offers
can
and comfortable attachment
to a person. This system
uniquely dynamic shots. The vest
camera
be covered with wardrobe to allow
framing to the middle of the chest.
909 S. Victory Boulevard
Burbank CA 91502
% lUk.
\
818.845.8470
www.doggicam.com
818.845.8477 fax
W
doggicam
systems
An
integrated camera system
offering versatile solutions to
your creative demands.
American Cinematographer - November 1999
Table of Contents for the Digital Edition of American Cinematographer - November 1999
American Cinematographer - November 1999 - 1
American Cinematographer - November 1999 - 2
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