American Cinematographer - November 1999 - 98

Synchronizes film cameras to monitors, projectors, or other cameras

Selling An Image
Because the

*

*

*

budget for the
was
tight, the
production took place over just two
days. "When you have two sunrise-tosundown days, it ends up being kind
of a military drill, and you don't get as
much variety," Schneider confesses.

Synchronizes and removes scan line on computer / video
monitors while filming.
Synchronizes film cameras to projected images.
Synchronizes multiple cameras 15-120 fps.

"Sunshine" video

Signal Pick-Up eliminates hard wire connection

*

to monitor.

Automatic

*

*

phasing and phase adjustment knob.

Automatic camera recognition and compatibility
with Arriflex, Panavision, Aaton, and more.

"You have

to minimize company
moves." Still, the video was shot at
four locations, meaning that each day

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broken

was

by a company move,
consumed a considerable

which

F L Y /NG
MOVING-CAM

Schneider submits, "but we still tried
to make a travelogue that would show
s.a.

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off all the beautiful and
that Hawaii has

Technical

Close

of time. "You're

always fight¬
ing the battle for visual variety when
you can only shoot in four places,"
amount

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QUALITY
WITH VISION

to

To

give the video a unique
Schneider and Grant
enhanced its look photographically
by shooting on reversal stock. "We
decided that shooting on reveral
would be an additional way to distin¬
guish our view of Hawaii from what
people are accustomed to seeing," the
cinematographer explains.
Schneider had recently used
reversal film while shooting the pilot
for the CBS series Buddy Faro, in

identity,

order

to create

what he describes

'98). On "Sunshine," the

cameraman was more

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Luminous T stop

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another

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or

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Originally designed in late
sharp
many of Kodak's more modern

1950s, Ektachrome is also less
than

films. "It has its

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This characteristic was

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at

locations."

Schneider.

especially
"Sunshine," since the

important

on

featured

artist

was

a

woman.

Knowing that the video would be
shot entirely outdoors, Schneider
used Kodak's

information

stock.

*

in

more

the

"Ektachrome stock is very colorful,"
he notes. "For this video, it helped us

tion,' and it's very flattering to faces if

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According to the

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American Cinematographer - November 1999

Table of Contents for the Digital Edition of American Cinematographer - November 1999
