American Cinematographer - December 1999 - 107

just 12 Arri 35-Ills, but once again incor¬
porated Reel Efx's new battery supply
and Otto Nemenz's sync box. "The video
is a bit complex in that we're going to try
to make [Brandy's] movements - her
rhythm - dictate the rhythm of the
world around her," explains Weisz.
"Whenever she's standing still, people
around her are moving, but whenever she
moves, the rest of the world stops. I'm
using the Arris for the dance break that
the video's climax; we can
have incredible movement around her

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On a recent Pepsi commercial
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American Cinematographer - December 1999

Table of Contents for the Digital Edition of American Cinematographer - December 1999

American Cinematographer - December 1999 - 1
American Cinematographer - December 1999 - 2
American Cinematographer - December 1999 - 3
American Cinematographer - December 1999 - 4
American Cinematographer - December 1999 - 5
American Cinematographer - December 1999 - 6
American Cinematographer - December 1999 - 7
American Cinematographer - December 1999 - 8
American Cinematographer - December 1999 - 9
American Cinematographer - December 1999 - 10
American Cinematographer - December 1999 - 11
American Cinematographer - December 1999 - 12
American Cinematographer - December 1999 - 13
American Cinematographer - December 1999 - 14
American Cinematographer - December 1999 - 15
American Cinematographer - December 1999 - 16
American Cinematographer - December 1999 - 17
American Cinematographer - December 1999 - 18
American Cinematographer - December 1999 - 19
American Cinematographer - December 1999 - 20
American Cinematographer - December 1999 - 21
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American Cinematographer - December 1999 - 24
American Cinematographer - December 1999 - 25
American Cinematographer - December 1999 - 26
American Cinematographer - December 1999 - 27
American Cinematographer - December 1999 - 28
American Cinematographer - December 1999 - 29
American Cinematographer - December 1999 - 30
American Cinematographer - December 1999 - 31
American Cinematographer - December 1999 - 32
American Cinematographer - December 1999 - 33
American Cinematographer - December 1999 - 34
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American Cinematographer - December 1999 - 37
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